big dino my beloved let imagineering make gigantic mechanical abominations again
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@scarlet-rosepetals
big dino my beloved let imagineering make gigantic mechanical abominations again

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There is something incredibly poetic and tragic about the Walt Disney animatronic exhibiting the same moral issues of the Lincoln one (looking inaccurate, causing mass discourse about whether the descendants would have wanted it, questions over likeness and whether you're depicting an idea of a person that will massively distort their image years after they are no longer around to defend themselves), down to being in the same venue and show structure.
But all of that pales in comparison to Kevin Perjurer essentially going "EAT SHIT WALTER, YOU MADE YOUR BED NOW LIE IN IT"
One part of the architecture of the new Defunctland video that I really liked was how the inclusion of all the sketchy interactions with "living characters" (sexual harassment, transphobia, etc) wound up tying in well with the concluding thesis statement abt how theme park attractions are all made and operated by real people somewhere in there. You certainly only get pushy "flirting" from theme park characters when there's a real person behind it who feels like they've got enough anonymity and plausible deniability of "playing a character" to get away with it. And these human biases are built into the soundboard characters too: voice line options are sorted by whether a targeted guest is a boy or a girl (or adult man or woman), and the options that follow that choice are based on social presumptions for said gender. Roz has "flirtatious" voice line options for adult men, for example, but I doubt operators are given those same options if the targeted guest is a woman. Presumably soundboard characters have many more princess-related options under the "girl" menu, and this is based off assumptions the real people putting the attraction together made. And in operating the "living character", the real person working the soundboard is making choices based on thier own biases and assumptions about a given guest.
So of course automation is dreamt up to be a solution to the "embarrassment" of failed human interactions and subsequent poor customer experiences. We wouldn't want another Stitch gender rant. But behind all the attempts at automating "living characters" are real human developers who are bringing their real human biases to their work. There are assumptions being made about what a given guest wants to hear, and what their human reactions to an automated character imply. Developers can try and assign quantitative values to a facial expression, but they're still making assumptions about how the numbers they come up with will apply to hundreds of thousands of people. Thus any time an automated character expresses social biases, it remains a reflection of its human "operators" despite the superficial removal of humans from the equation. (I'm also considering things like the orientalist tropes wrapped up in Destini's character, for example, to be an expression of social biases. Real people decided this was the best way to present the idea they've been developing to the public.)
I think this is all important to keep in mind as AI chatbots and facial recognition technology built on these same technical principles become more prevalent in broader society. These technologies are not exempt from human social biases because they were developed and programmed by real human beings. When automated facial recognition programs return false positives in criminal databases for a random Black person, or identify a US citizen as an illegal immigrant, that's not the cold, impartial thinking of a machine, it's the result of racism that came with the technology's development, and the decision by real people to use the technology to identify "real" criminals and illegal immigrants. We all had a laugh at that one TERF dating app that used facial recognition on applicants that ended up rejecting cis women it assumed were trans, but that isn't a result of those women not "passing" by the neutral logic of a machine, it's the result of the very same bigotry the app's creators baked into the system. At the end of the day, these technologies are just as human as anything else a real person creates, but they provide enough distance and plausible deniability from their developers that people feel comfortable using them as impartial parties passing logical judgement outside of human bias.
i'm always saying this
New defunctland video good.

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i am going to fucking choke i'm watching the new defunctland,
it's about the history of animatronics and the way that kevin read this quote has me dying like
THIS
THING
COULD
KILL
YOU
IF ROBO-LINCOLN MALFUNCTIONED YOU COULD BE NAUGHT BUT D U S T
~Marc Davis
when bunsen started flirting with female guests I went 'well this is out of character everyone knows bunsen is gay'
the talking mickey segment was something genuinely deeply impressive to me, because it takes four people coordinating constantly, thinking on the fly, keeping in contact as subtly as possible, all to bring one character to life for one single interaction. it reminds me of why i love theatre so much–the creation of art is often a team effort, and the fact that they actually pulled it off more often than not is a testament to how drift compatible humans can be when they really care about a project. for every actor on stage, theres numerous crewmembers in the wings and booth keeping everything running, preparing costumes for quick changes, calling cues, searching for props, etc. and i love that part of humanity, doing all of this in order to bring art to a room full of people. kevin's point about human connection making things like that and the crush talk such magical experiences really is the core of it all. there's nothing quite like being in the same room as the people on (and off) stage as they all perform their roles. it's so electric.
I love Big Dino so much she makes me feel like the main character in a horsegirl movie every time I look at her. yes the mysterious horse Living Character in the very back of the old barn Disney Vault hasn't been ridden by anyone used for years because the last time she had a rider there was a tragic accident SHE COULD KILL PEOPLE, but that's just because her riders the Disney Corporation didn't understand her and tried to suppress her wild spirit...with my beautiful horse death robot I could save the farm in the big horse show have a Living Character in the parks that doesn't flirt with people...
when you eat a Normal Sandwich (bread meat greens cheese relish) and your body goes ooohhh fuck! oh fuck! what have you done! heartbeat GO! sweating GO! temperature GO! like sorry man I'm just trying to keep you WORKING!!!!!!!! ASS HOLE!
it’s normal for sandwich to make you feel like you’re dying. this is a normal sandwich experience
... is eating not supposed to make your heart race?
... is eating not supposed to make you fall asleep for two hours?
... is eating not supposed to make you feel shaky and Bad before you finish the plate?
we are all absolutely fucked my friends

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need to beam this tweet directly into everyone's minds right now
The only reason that AI has any presence in our economy is that Microsoft, Google, Meta, and Amazon are intent on spending more than $765 billion in capital expenditures in 2026 and a trillion more in 2027 because they have no other hypergrowth ideas, even though generative AI has yet to show any real potential as something that can drive meaningful revenues (let alone profits), as evidenced by the fact that none of these companies break out their actual AI revenues, a point I made on CNBC late last week. Google does not have the next Google Search, Microsoft does not have the next Microsoft Office, Meta does not have the next Facebook, and Amazon does not have the new AWS. That’s why they need you to believe that AI is a big deal without them ever having to prove why outside of capital expenditures. They want you to assume that all this money can’t be wrong, even though when you remove OpenAI and Anthropic (who represent 89% of the revenues of the largest AI companies) the AI industry is, at best, pulling in $20 billion in annual revenue.
Ed Zitron, Let AI Burn
🐾🐾🐾🤍
Sometimes I'll be like damn can there really be that many racist dog whistles and then I'm like well we did racism for a really long time, if we didn't want so many racism dog whistles we coulda all been less racist. There would be other benefits too.
It could all stop any time, it's not even that difficult. But here we are I guess. It's like potato salad at a church picnic, someone's always bringing the racism, usually it's really lazy too.

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while I don’t agree with that referring to men in their 30s-early 40s as “old man yaoi”, I UNDERSTAND why many people who primarily consume honest-to-goodness BL manga are quicker to call it that, because there is just such poor representation for men that aren’t hairless dehydrated 20-something twunks. They’re wrong, but I get why it happens.
I also understand that “middle-aged yaoi” isn’t as fun to say as “old man yaoi”, even when it’s more technically accurate.
So I would like to propose new vocabulary: Grown Ass Yaoi. yaoi that’s grown ass men. they’re not old but they’re not young adults either. you get me? Grown Ass Yaoi
WAIT—
How To Love Your New Friend Without Being Overbearing
I'm Gonna Eat Her I Think