Building Conversation celebrates and shares the work they have developed by publishing the scripts of several performative conversations in
#writer #book #dialogical #art #documentary #theatre
One Nice Bug Per Day
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Alisa U Zemlji Chuda
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if i look back, i am lost
Show & Tell

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art blog(derogatory)
YOU ARE THE REASON

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@satchitpuranik
Building Conversation celebrates and shares the work they have developed by publishing the scripts of several performative conversations in
#writer #book #dialogical #art #documentary #theatre

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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#castingdirector #feature #film
K for Climate Change!
Adbhut - A Gujarati play
Nelufar talks to the author of "I Hate Men" and a roundtable of men about "lad culture," feminism and gender equality
Host Nelufar Hedayat looks at the evolution of masculinity and what — if any — role men have in within the feminist movements. First she hears from British comedian David Baddiel about how he went from being a “lad” comic to someone acutely aware of gender dynamics.
For her challenging interview, Nelufar speaks with French writer and activist Pauline Harmange, who argues that modern men have no place in feminism.
Finally, she convenes a roundtable of men from across the globe to hear their perspectives on how to change male culture to be more inclusive, and the how men can fight for gender equality. Roundtable guests include Mazin Jamal, Satchit Puranik and Tomas Chamorro-Premuzic.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Title: Honey, I ‘shrunk’ the ‘theatre’ This video presentation is part of the 'Innovation Spotlight' section that was submitted for presentation at the “Education in Crisis: Re-thinking Education in (Post)-Pandemic South Asia” Conference 2021, held on 23-24 July 2021. This conference is hosted by the Education South Asia initiative, based at the South Asia Programme of Oxford School of Global and Area Studies, University of Oxford.
MARD HUMDARD / Male Empath is an open source essay documentary which builds onto the footage of other Hindustani films (Mainstream Bombay cinema & beyond) to…
https://medium.com/@shujaatmirza/karl-marx-in-kalbadevi-a-wordplay-with-polemics-f540e8603902
A bearded man is standing on a theatre stage. Above him is a multi-storey building in Mumbai’s suburb. He is holding a book in the air as if it was a holy script. But it’s neither the Bible, nor the Quran nor the Vedas. It’s Das Kapital (Capital) he is praising to his audience, which is considered by to be an outstanding work of world history, and not just by Marxists. Satchit Puranik is embodying Marx in the improvisational theatre piece called Karl Marx in Kalbadevi. We are talking with him about one of the main works of the German philosopher and sociologist Karl Marx, who was born 1818 in the city of Trier in Germany.

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C’est au-dessous d’une toile d’araignée d’ampoules qu’une Néerlandaise et un Indien se racontent et se disputent sur le Mahâbhârata. L’auteur et metteure en scène Marjolijn van Heemstra et le comédie…
De Indiase theatermaker en acteur Satchit Puranik en de Nederlandse Marjolijn van Heemstra maakten een nieuwe versie van de Mahabharata, de 'bijbel...
OVER DE VOORSTELLING De Nederlandse Marjolijn van Heemstra en de Indiase Satchit Puranik zagen beiden toen ze negen waren de film ‘Mahabharata’. Een verfilming door Peter Brook van het gelijknamige eeuwenoude hindoeïstische boek over politiek,…

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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OVER DE VOORSTELLING “Mensen zijn meer kinderen van hun tijd dan kinderen van hun ouders”, schreef historicus Marc Bloch. Deze quote prikkelde Marjolijn van Heemstra om op zoek te gaan naar mensen die op dezelfde…
In an industry full of romanticised, caricatured versions of courtrooms, where the prosecution lawyers, defence lawyers and 'milords' (judges) compete to be more dramatic than the rest, 'Court', comes across as a sweet whiff of fair justice