Show & Tell

titsay
ojovivo
Fai_Ryy
I'd rather be in outer space 🛸

if i look back, i am lost

ellievsbear
he wasn't even looking at me and he found me

Andulka

oozey mess
2025 on Tumblr: Trends That Defined the Year
Game of Thrones Daily
NASA
h
The Bowery Presents
let's talk about Bridgerton tea, my ask is open

tannertan36

❣ Chile in a Photography ❣

gracie abrams

seen from United States
seen from Bolivia
seen from United States

seen from Netherlands
seen from Ecuador
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States

seen from Netherlands

seen from United States

seen from United States
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seen from Switzerland
seen from United States
seen from Canada
seen from United States
seen from Türkiye
@sarggeburt

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Jade Parfitt (1999) ph. Thomas Schenk
Elie Saab Haute Couture
Jeremy Scott RTW Spring ‘19
Worlds inside marbles, all from Fabien’s Marble Shop and Fabien’s Pinterest

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Kiki Smith, Heute, 2008
“Ms. Smith, whose younger sister Beatrice died with AIDS in 1988, has long been fixated on the fragility of the human body. In her 2008 sculpture “Heute (Now),” left, on view in Ms. Smith’s Brooklyn Museum show, a coffin in unfinished knotty pine holds meticulous lamp-worked glass dandelions, produced by the glass artist David Willis, sprouting from its interior. (It also represents another thread that has run through her work for decades: an interest in unusual juxtapositions of materials.) Although the date of the work corresponds to the 20th anniversary of her sister’s death, Ms. Smith said she was not conscious of this when she made it; rather, the piece speaks to her fascination with natural-world cycles of death and renewal.”
—NY Times

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iceage
Len Howard, Living with Birds, 1956

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W October 2007
Stella Tennant by Paolo Roversi