One Nice Bug Per Day
Lint Roller? I Barely Know Her
gracie abrams
Today's Document
$LAYYYTER
shark vs the universe
titsay
d e v o n
Misplaced Lens Cap
blake kathryn
★
"I'm Dorothy Gale from Kansas"
Discoholic 🪩
TVSTRANGERTHINGS
Kiana Khansmith
𓃗
almost home
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@sarahsscrapbook
“my father is a boy and my mother is a girl so i’m mixed” is the funniest possible response to someone asking your gender and it came from 6’5 Viking footballer and notable weird little guy Erling Haaland on a Snapchat
comedians can only dream of writing something this funny
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I'm going to start eating people.
I was having a good day and then boom, they drop stills from that upcoming Carrie show which is apparentely a show where the most beautiful, skinny, white, catholic girl is being bully by a trans girl
What are we even doing
source
flanagan isn’t the first but the deep urge to softening margaret and vindicate her is both misogyny and abuse apologia; people can not only not fathom the abusive mother as real, pretending margaret is an extreme caricature and saying she had a point in beating her child, saying her period was a divine punishment and locking her in a closet for hours until she pissed herself. theres a benevolent misogyny is assuming women are naturally maternal, thats they are wired that way especially in relation to their girl children. margaret doesn’t want to ‘protect’ carrie, not genuinely, its control and she treats jesus as a weapon against carrie. the more we keep trying to pinpoint margaret’s religious mania to actual reason, the more we expose how little we care about abused children.
what causes carrie to snap is the idea of her having to go back to her mother, to have to stay in that house for another second but she still wants her mother to love her because that’s what children want, to be loved. that doesn’t mean margaret genuinely cared for her, she loved carrie as an object to abuse not as child to love. denying your child knowledge of their body is abuse, calling your child a whore is abuse, isolating them from people is abuse, self harming in front of your child to control her is abuse. margaret deliberately keep her daughter naive so she could only rely on her. king writes an abused child’s relationship with their abusive parent with such sympathy for the child, it’s weird seeing adaptations fall into ‘the abusive parent had a point.’
to add, i find it frustrating how carrie isn’t allowed to be truly off putting like she was telling her classmates they were going to hell. margaret set her up to be ostracised, there’s an entire paragraph going into every incident that carrie was subjected to by her peers. she doesn’t have an innate trust in people or goodness, it’s why she freaks when tommy asks her to prom.
this is basic character shit. the inability for carrie to be allowed to exist beyond the book as an abuse victim with flaws, a child who is responding uncomfortably to her environment makes her a weaker character but also gets into how much we want girls to be perfect victim martyrs, carrie inherently challenges that. you’re kinda made to reckon with how much you’d probably be on chris’ side. she’s not an ideal victim, that’s a myth.
the production stills alone completely miss the importance of carrie’s clothes being frumpy and ragged like her having stockings that are about to run or her blouses being stained or her clothes literally falling apart. it’s so important in visually communicating carrie’s poverty and this? this doesn’t say shit. it says nothing. i loved the costume design for the long walk because those clothes felt lived in; garraty’s shirt has dye stains, you can see how run down the boys’ shoes are even before they start. it helps convey that these are boys stuck in poverty. these aren’t lived in clothes. i’ll have more concrete thoughts when i actually sit with this adaptation but it’s incredible how much flanagan is missing the mark here. this isn’t carietta n. white, man, it’s just not
And she's not fat, and not ugly. Because who could ever sympathize with a fat ugly girl?
Zombie, chapter 4
An Archive of Our Own, a project of the Organization for Transformative Works
Yeah you're gonna need to read the author's notes for this one.
Samson knows nothing about surviving in a post-apocalyptic wasteland but that's okay because neither do I. In the other universe, Sam and Ian meet again.
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I have not seen Obsession and I may not as the concept scares me, but calling the male character Bear was a stroke of absolute genius
you have GOT to get over god abandoning you when you were 2 like its not even uncommon
The Selfish Bitch
From 2015 to 2018, a post-apocalyptic comedy show called The Last Man on Earth aired. It got off to a shaky start but it ended up really good, and I loved it so, so much. It got cancelled on a cliffhanger and is all forgotten now, but I'll always remember how they tackled childbirth and parenting in a post-apocalyptic world.
Among the main characters, who believe they're the last people alive, there are three women of childbearing age. Two of them are happy to have children to continue on the human race, but the third, Melissa, doesn't want this. She has a mental illness (implied to be schizophrenia or bipolar disorder) that gets worse as the series goes on, and she doesn't want to get pregnant. She's good with the children who are already in the world but she refuses to be a mother. Her husband throws a tantrum. She still refuses. The women around her have more babies. She still refuses. The fate of the human race is literally at stake if no more people can be found. She still refuses.
The show always treated her decision with respect. I think about that a lot.
miranda come and collect your assistants pleaseee i've had enough
"Lorenzo Salgado Araujo. They're not killing 'THEM'. They're killing 'US'."
Graff in the NYC subway referring to the killing of 52-year-old Lorenzo Salgado Araujo by ICE agents in Houston, TX on 7 July 2026. He had been driving a work crew to a construction site when an ICE officer shot him
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Guillermo del Toro’s spellbinding take on one of the most enduring of all modern myths, Mary Shelley’s Frankenstein, imbues the classic tale with new depths of humanity while pushing it toward dazzling heights of gothic grandeur. Shifting between the perspectives of the brilliant but callous Victor Frankenstein (Oscar Isaac) and the creature (Jacob Elordi) he fashions from flesh and then cruelly mistreats, del Toro movingly reframes the legend as a story of fathers and sons struggling to break free from cycles of trauma. A decades-in-the-making triumph of darkly ravishing visual invention and operatic storytelling, Frankenstein is a deeply personal statement from a director who has long been drawn to the realm where men and monsters merge.
DIRECTOR-APPROVED 4K UHD + BLU-RAY SPECIAL EDITION FEATURES
4K digital master of the theatrical version of the film, with Dolby Atmos soundtrack
4K digital master of Frankenstein: The Reborn Cut, a new 158-minute extended director’s cut of the film, with Dolby Atmos soundtrack
Two 4K UHD discs of the films presented in Dolby Vision HDR and two Blu-rays with the films and special features
New audio commentary on The Reborn Cut, featuring director Guillermo del Toro
The Anatomy Lesson: Director’s Cut, a new documentary on the making of the film
The Parlour, a collection of conversations on craft featuring del Toro; actors Jacob Elordi, Mia Goth, and Oscar Isaac; cinematographer Dan Laustsen; production designer Tamara Deverell; costume designer Kate Hawley; and creature designer Mike Hill
Q&As moderated by filmmaker Martin Scorsese and musician Patti Smith
Interview with composer Alexandre Desplat conducted by film-music scholar Jon Burlingame
PLUS: An essay by scholar and author Christopher Frayling
AVAILABLE OCTOBER 27TH 2026
Speaking of JK Rowling, did you know she posted an upskirt photo of a trans woman and then claimed she was asking for it because of what she was wearing?
Now you do.
what is the point of an organization like Amnesty International if they capitulate to the very hate groups they supposedly exist to work against?
Amnesty International removed their report, "A growing threat: the anti-rights movement in the UK," from the internet after "gender critical" transmisogynist hate groups and the likes of JK Rowling threatened the organization with defamation lawsuits
here it is in pdf form if you want to read it for yourself
Hey folks, JK Rowling doesn't want you to read this, okay? Better share it around so people know not to read it.
ultramodernoperator 3h I'm very sorry all, there is firm and verifiable evidence, please look at this comment thread. It is nauseating and please take extreme caution viewing the link. The link/video the user has sent requires a free trial to view which sounds really scammy, but I have tested and verified it, it's a legit file transfer service. Once unlocked, it is a 12-13 minute testimony from his ex-wife (with pictures of them together — her married and maiden name is not hard to verify — it is legitimate). I won't share her name for her safety. https://www.reddit.com/r/LadyBoners/s/an7jw7ldon
I can't get into the file without it demanding my card info, but if this is true it's INCREDIBLY disappointing.
Ugh. I suppose for me personally - I was writing a Kelsam fic that dealt heavily with abuse - this will have to be a case of "this character is mine now."
Oooh this looks good! Love Martha.
Then I read the comments. You can imagine what they were like. Sigh.
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Can we all agree that Kelsons' fursona is a Bearded Vulture?
Scavenger bird that almost exclusively eats bones, and dyes its feathers orange with iron oxide?!
“The axe forgets, but the tree remembers” is typically a very true statement. Unless, of course, you have moral ocd, in which case the axe has been haunted for weeks and the tree does not remember or care. In fact, many sources report that the axe, which is actually a plastic butter knife, has never been anywhere near a forest. And also there is no tree.
The plastic butter knife is currently in agonies about being made of plastic, the thing that's contributing to environmental destruction
