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shark vs the universe

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@sapphosewrites

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functionally suicidal character saying “I would die for you” to their significant other and its like. I get the sentiment, honey, but if a hot dog vendor told me he’d sell hot dogs for me, I wouldn’t feel very moved now would I
“You ever watch Men in Black? Will Smith, Tommy Lee Jones, ‘I make this look good,’ all that jazz?”
“Of course.”
“It’s horseshit. We made it up. If the public thinks government agents go around in suits and sunglasses, we can go around in our actual uniforms and nobody will think twice about it.”
“I mean, I get it, but it’s a lot less classy.”
“Classy schmassy. I once had to smuggle an entire Neptunian armada out of Beaverlodge, Alberta. I had 20,000 warships in the back of a pickup truck, I wore the suit and nobody even asked me for a license.”
There was a furious silence as she grappled with this. Then: “Fine. Fine, I’ll wear the stupid vest.”
“Fantastic,” he said. “Welcome to the Men In Hi-Vis.”
Ranking Non-Human DS9 Characters By How Interesting They Would Be If They Were Vampires
Leeta: I think this could be fun but knowing the show it would quickly land in Elvira territory.
Quark: As a rule, I think it's more interesting to consider if characters were vampires the whole time than getting turned mid-show (because getting turned has been played out so many times and there's not much new to do with it). However, Quark is the exception, because if he were a vampire from the beginning it would just be a very obvious metaphor for capitalism, but if he were turned mid-show the comedic potential would be gold. Vampirism is so violent and Quark really hates being up close and personal with violence. Would have a real problem with it until he figured out a way to monetize it. Once he learns some people have a fetish and will pay to be bitten he'll be devastated when Dr. Bashir invents the cure.
Worf: Worf already has deep angst about his capacity for violence that makes him hate fun (according to Let He Who Is Without Sin) and this is just more of that in a fairly boring way. Why he scores higher than Quark is because I'm imagining Worf's human parents adopting a child and finding out he's a vampire and deciding to love and raise him anyway, and I think that's funny. (Vampires aren't stuck at one age here for the purposes of comedy.) And he thinks everything about him is that way because he's a vampire until he meets the others, much like in canon.
Rom: Even funnier than Quark, because of Rom's general affability and dopiness. Unlike Quark, I think he would remain a vampire until the end of the series and it's just kind of a running joke in the background. Quark finds Rom drinking blood less disgusting than Rom drinking root beer.
Jadzia: Vampirism works pretty well with her arc of being a joined Trill- she was recently turned and is still figuring out the rules of engagement and how to balance vampirism and Starfleet. Julian is infatuated with her about it and she isn't interested. Curzon is her sire and still running around and that provides fodder for an interesting dynamic. Is Ezri someone she turns by accident? I'm unclear on that part but I think there's interesting potential, particularly for it to give early seasons Jadzia more to work with. (Later seasons Jadzia doesn't need it as much.)
Garak: Garak was my initial number one because I always want to hit him with more angst. Tain was his sire, but not his biodad, which adds a whole other layer to "admit you're my father," especially if Tain killed his real father. How long has Garak been alive and doing this? When was he turned and what memories does he have of life before? In The Wire, he runs out of his secret source of blood and has to come clean to Bashir about it, who has been trying for a year to figure out if he is a vampire or not without success. Works extremely well with his whole oh-ho-I'm-just-a-simple-tailor whoops actually-I'm-very-dangerous-in-the-dark-don't-mind-the-sharpness-of-my-smile thing. I'm ranking it lower than initially thought though because at the end of the day it's interesting but doesn't change much; works out pretty much the same as in canon.
Kira: Kira has that thing with Kai Opaka about how she worries the Prophets won't forgive her for all the blood she's spilled and just imagine how hard core that scene would be if she drank the blood instead, and violence is a part of her she cannot excise. The Resistance feeding on the Cardassian soldiers they kill is fucking metal. But then what happens when you don't have Cardassians as acceptable targets anymore? What if that's part of what splinter sects like the Kohn Ma were radical about, was who or how they drank from after the withdrawal? Did Cardassians bring vampirism with them or is it a Bajoran thing? What if Starfleet can offer a cure and Kira et al have to decide if they want it? Endless room here. Also offers further fuel to why she is so unable to face her father's death.
Odo: At first I was going to put Odo on the bottom of the list because vampirism is such a physical, primal thing and he's so divorced from his own body's needs and capabilities, and then I realized that's the genius of it. Odo is the stranger in a strange land who doesn't know how his anatomy works or what he's capable of until they find the Founders, who are like surprise, you can do so much more than you realize but you need to drink the blood of solids in order to do it! Drinking blood replaces linking as what the voice of the founders distracts him with during the occupation arc. The fear and disgust the others on the station have when they learn the truth. Makes changelings even that much more untrustworthy and frightening and witch-hunt-worthy. Does Odo become a regular blood drinker? Is it worth it? Or does he commit to always denying himself? How does this affect his ending?
I saw the words fetish and Dr Bashir together, and now I can't help imagining Julian wrestling with himself as to whether or not it would be ethical for him to delay Quark's treatment because he's probably never going to get this chance again... (After an evening with Julian, Quark realises he actually wants the cure, after all!)
#Julian putting his foot in it even more saying he excited he is to be able to research vampirism#Oouuuh and how would it link to religion and esp. Winn's pov?#SO many directions!#Vampire Winn acting superior cos she's 'never drank blood' - except she has and she's terrified that's why the prophets don't speak to her#There's so much here is so interesting!!
I can't leave this is in the tags because it's so brilliant! I am obsessed with how Winn fits into this! Okay, picture this. She was imprisoned for five years by the Cardassians. We know Cardassians are torturers. What if one of the sick things they did was try to get Bajoran vampires to bite other Bajorans, and it's a way that they taunted her, maybe even offering to let her go early or lessen her punishment in some way if she did, or not offering her other nourishment, and she steadfastly refuses. Until presented with someone who is sick, and/or severely injured, and they're going to die anyway. They're going to die anyway- so how bad can it be for her to have a taste?
And so she says she's never killed anyone by drinking from them (unlike Kira, this is why she's so much more holy than Kira, why will the prophets not talk to her like they talk to Kira)- and that one person all those years ago does not count, cannot count, because they were going to die anyway.

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Do you think Garak's jealous about Julian's enhancements? That maybe - as well as he tries to hide it - he finds it deeply irritating the way that Julian refuses to acknowledge his good fortune, and indeed (in Garak's eyes) appears to be throwing a "woe is me" sulk about the whole thing.
Because, doesn't the doctor understand how lucky he is? His parents had loved him enough to risk their reputation and standing in the Federation, in order to correct his deficiencies and make sure he didn't have to struggle through life; Garak's father hadn't even been able to risk acknowledging him as his son on his deathbed, when they were alone. And if Tain had cared enough to have genetically enhanced him - if he'd done a proper, thorough job of cutting out Garak's weaknesses as soon as they appeared - then surely, Garak wouldn't be this miserable, wretched failure of a Cardassian that his father had allowed him to become.
But Garak can only dream about how much easier his life might have been with that sort of advantage. Meanwhile, his doctor doesn't even seem to be grateful for what his parents gave him - and while Garak tries not to let it get to him, that rankles. It really does.
Was Julian Bashir robbed for the Carrington?
Yes, his work on biomolecular replication was both audacious and groundbreaking
No, his nomination was premature
Other answer
Cold Heaven
This man has his own agenda when it comes to people like us. He’s more likely to recruit you… Garak and Bashir, on Starbase 375. Set during 'Favor the Bold'.
julian comes back from internment camp 371 speaking nearly fluent klingon. mainly because the only way to pass the time during the long, lonely nights is to ask martok to tell him traditional klingon stories and martok insists that julian turns the UT off to preserve the nuance.
garak tells himself that this is Fine, even though julian hasn’t bothered to learn kardasi. in the five years they’ve known each other. even though julian and martok are laughing and joking together in the runabout back. it’s good to know more languages, of course. what is not Fine is julian insisting from that point on that they only read klingon stories for their book club. ”they’re so engaging”, julian says. ”so romantic and muti-facetted! so much better that that last play you forced on me-”
and this is where garak decides that sto’vo’kor might be a good place for general martok to go, actually
years after the war martok ends up writing the song about their escape. it’s fantastic. garak has never been more angry in his life

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Ranking Non-Human DS9 Characters By How Interesting They Would Be If They Were Vampires
Leeta: I think this could be fun but knowing the show it would quickly land in Elvira territory.
Quark: As a rule, I think it's more interesting to consider if characters were vampires the whole time than getting turned mid-show (because getting turned has been played out so many times and there's not much new to do with it). However, Quark is the exception, because if he were a vampire from the beginning it would just be a very obvious metaphor for capitalism, but if he were turned mid-show the comedic potential would be gold. Vampirism is so violent and Quark really hates being up close and personal with violence. Would have a real problem with it until he figured out a way to monetize it. Once he learns some people have a fetish and will pay to be bitten he'll be devastated when Dr. Bashir invents the cure.
Worf: Worf already has deep angst about his capacity for violence that makes him hate fun (according to Let He Who Is Without Sin) and this is just more of that in a fairly boring way. Why he scores higher than Quark is because I'm imagining Worf's human parents adopting a child and finding out he's a vampire and deciding to love and raise him anyway, and I think that's funny. (Vampires aren't stuck at one age here for the purposes of comedy.) And he thinks everything about him is that way because he's a vampire until he meets the others, much like in canon.
Rom: Even funnier than Quark, because of Rom's general affability and dopiness. Unlike Quark, I think he would remain a vampire until the end of the series and it's just kind of a running joke in the background. Quark finds Rom drinking blood less disgusting than Rom drinking root beer.
Jadzia: Vampirism works pretty well with her arc of being a joined Trill- she was recently turned and is still figuring out the rules of engagement and how to balance vampirism and Starfleet. Julian is infatuated with her about it and she isn't interested. Curzon is her sire and still running around and that provides fodder for an interesting dynamic. Is Ezri someone she turns by accident? I'm unclear on that part but I think there's interesting potential, particularly for it to give early seasons Jadzia more to work with. (Later seasons Jadzia doesn't need it as much.)
Garak: Garak was my initial number one because I always want to hit him with more angst. Tain was his sire, but not his biodad, which adds a whole other layer to "admit you're my father," especially if Tain killed his real father. How long has Garak been alive and doing this? When was he turned and what memories does he have of life before? In The Wire, he runs out of his secret source of blood and has to come clean to Bashir about it, who has been trying for a year to figure out if he is a vampire or not without success. Works extremely well with his whole oh-ho-I'm-just-a-simple-tailor whoops actually-I'm-very-dangerous-in-the-dark-don't-mind-the-sharpness-of-my-smile thing. I'm ranking it lower than initially thought though because at the end of the day it's interesting but doesn't change much; works out pretty much the same as in canon.
Kira: Kira has that thing with Kai Opaka about how she worries the Prophets won't forgive her for all the blood she's spilled and just imagine how hard core that scene would be if she drank the blood instead, and violence is a part of her she cannot excise. The Resistance feeding on the Cardassian soldiers they kill is fucking metal. But then what happens when you don't have Cardassians as acceptable targets anymore? What if that's part of what splinter sects like the Kohn Ma were radical about, was who or how they drank from after the withdrawal? Did Cardassians bring vampirism with them or is it a Bajoran thing? What if Starfleet can offer a cure and Kira et al have to decide if they want it? Endless room here. Also offers further fuel to why she is so unable to face her father's death.
Odo: At first I was going to put Odo on the bottom of the list because vampirism is such a physical, primal thing and he's so divorced from his own body's needs and capabilities, and then I realized that's the genius of it. Odo is the stranger in a strange land who doesn't know how his anatomy works or what he's capable of until they find the Founders, who are like surprise, you can do so much more than you realize but you need to drink the blood of solids in order to do it! Drinking blood replaces linking as what the voice of the founders distracts him with during the occupation arc. The fear and disgust the others on the station have when they learn the truth. Makes changelings even that much more untrustworthy and frightening and witch-hunt-worthy. Does Odo become a regular blood drinker? Is it worth it? Or does he commit to always denying himself? How does this affect his ending?
wish everyone could perceive the Vague Concepts in my head because i just know you would looove my Vague Concepts. you would think im so smart if you saw the misty clouds of Vague Concepts floating around in my head. #MyVagueConcepts
An Archive of Our Own, a project of the Organization for Transformative Works
Ch 5 is short but the plot is crescendoing
Again, going to delete the obvious spam, but I've never seen it have an edit history like this:

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Sometimes things have no right to be as good as they are. What do you mean this absolute smash of a song comes from an attempt to capitalize on the popularity of Anne Rice adaptations by producing a musical based on the 80s b horror movie version of Mom's On a Date With a Vampire.
a lot of rpf can be explained by the fact that actors are all like that with each other constantly but i never want to say that on here because it feels like telling a 7-year-old santa isn’t real
actors hanging off of each other constantly isn’t a sign that they’re fucking it’s a sign that they were once in a BFA program and never relearned normal boundaries. when actors are fucking and it’s complicated they won’t even stand in the same room with each other.