The Murderbot Diaries are a power fantasy about being aromantic and still developing extremely important dedicated emotionally intimate partnerships where you are a top priority in a person's life, equal to their other family or romantic attachments despite your own emotional difficulties. And having guns in your arms
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I see your “Rocky swears like a sailor but only in pitches humans can’t hear/refuses to teach Grace what those words mean” and raise you “Rocky swears like a sailor and now has to explain to Grace that ‘bad bad bad’ isn’t actually a sequence you play on your Eridian speech piano in polite company.”
Grace is both horrified and amused to realise that a more accurate translation for what Rocky’s been saying is “shit shit shit”.
Sure they were real but went extinct and we found their DNA and resurrected the species to capitalise on their extreme intelligence for corporate interests. Sure their natural ability to go into stasis for long periods of time as part of their hunting and survival strategies is great for genetically engineering hybrid humans so they can be put into stasis for extremely long-distance space travel. Sure they're stopped by crucifixes because a flaw in their fuckign. Multidimensional hyperanalytical predator thought processes makes their minds bluescreen when they try to comprehend right angles. Why not.
#vampires stopped by sugar cubes#wait... doors are fucking right angles#vampires would be fucking useless in modern society#my math notebook could destroy them
They have to take mind-dampening drugs to go out in public. In the lab they're kept in oblong rooms where the lighting is designed to not create right angled shadows. It's a whole big thing and probably a big part of why they went extinct, humans fucking love making rectangles.
On Grace’s relationship with DuBois and Shapiro in Project Hail Mary
***book spoilers ahead***
I want to do a quick dive into the infamous scene between Grace, DuBois, and Shapiro in chapter 17 (pp. 283–285 in my copy) because an idea occurred to me and I can’t rest until I dig into it. This is the scene in which DuBois informs Grace of the sexual nature of his relationship with Shapiro.
Something about the conversation didn’t sit quite right for me. Upon reflection, I wanted to take a step back from (or perhaps, as it happens, a step further into) my aroace reading of Grace and get to the bottom of what Weir’s intention was in writing it. While I do believe that the aroace reading is strongly supported by the text, I don’t believe that it was specifically intended, which brings us to these points:
The reader is meant to understand that Grace feels a general social disconnect from the Project Hail Mary team stemming from his poor self-confidence
The reader is meant to perceive his total lack of awareness with regard to how highly he ranks in the project’s hierarchy of power
These two points, having previously been established, are both cemented by the scene. Grace is uncomfortable being enlightened to the details of DuBois and Shapiro’s sex life, and he doesn’t seem to grasp the fact that both scientists view him as a superior. It’s heavily implied that DuBois initiates the conversation because he feels the need to report developments in his workplace relationships to a higher-up, and I firmly believe this to be the case—he comments on the prudence of informing Grace on the subject—but that motivation alone doesn’t account for all of what he says. The way I see it, just about anyone alive (regardless of their personal stance on romance or sex) would feel awkward in Grace’s shoes, which begs the question: Why did DuBois and Shapiro both overshare so brazenly?
The first possible interpretation: Knowing that their relationship is doomed, they’ve elected to completely set aside social decorum in the interest of enjoying their time together to the fullest.
The second possible interpretation: They wanted to test Grace’s receptivity to becoming their third.
Stay with me. We can infer that the conversation was premeditated—DuBois launches into it very suddenly, and the first thing he does when Shapiro returns from the restroom is update her on the basics of what’s been said. This is clearly something that they discussed sharing with Grace in advance. Furthermore:
DuBois gently counters Grace on the merits of entering a relationship under the otherwise bleak circumstances
He’s overly blunt and forthright about specifics, such as the lack of need for condoms and the fact that he and Shapiro have both undergone thorough medical examinations
When Grace demonstrates disinterest, DuBois drops one last hint, which is what really sealed the deal for me: “It’s quite pleasurable.” Grace still doesn’t take the bait, so DuBois begins to back off. After briefing Shapiro on the status of the conversation, he deftly changes the subject by pivoting into science talk, but Shapiro gives another independent push: She interrupts the beginning of Grace’s lecture to openly invite DuBois to sex after the lesson, and then they both look at Grace. Grace interprets this gesture as them being “ready for their lesson,” but I would argue that it’s really a classic case of unreliable narration. He misses the cue.
I imagine that at this point, Shapiro (like DuBois) is willing to give up the cause, but we get one more small tidbit of insight: Grace asks (out of what I can only assume is morbid curiosity) if DuBois sticks to his convention of using Shapiro’s professional title during sex, and they both answer affirmatively. Just prior, we hear Shapiro address DuBois by his first name, and prior to that (directly before introducing the topic of sex), DuBois encourages Grace to address him by his first name as well. Granted, that encouragement was prompted—Grace makes it known that he would prefer to drop the formalities in private settings, given that he views the three of them as equals—but DuBois is shown time and again to be someone who highly values professionalism in and out of the workplace. He politely declines Grace’s invitation to address him as Ryland.
Power dynamics seem to play a role in his sex life with Shapiro, as evidenced by her disclosing that she “kind of likes” his use of her title in the bedroom. With that in mind, I don’t think it’s a stretch to conclude that they would both be into the idea of incorporating (what they mutually perceive to be) actual power dynamics into the relationship through the inclusion of Grace.
Circling back to DuBois’s staunch professionalism, I would cite that as further evidence that he’s coming on to Grace in this scene—discussing the minute details of your sex life with your boss is about as far from professional as you can get. Much of what he says is superfluous and irrelevant to the goal of reporting on the existence of a sexual relationship under obligation, unless you factor in the possibility that an obligatory report wasn’t his only goal.
As a final note, I remember the DuBois-Shapiro scene in the movie sticking out to me even upon my first viewing, just because of how oddly it plays out: The two of them are cuddling up at the pre-launch party, and DuBois seems to intentionally make eye contact with Grace from across the bar—who, being caught off guard and slightly uncomfortable, nods in acknowledgement and looks away. I wasn’t sure what to make of that prior to reading the book, but now it stands to me as a reference to the existing undercurrent between the characters in the text. In both versions, DuBois and Shapiro make a bid for Grace’s attention, and Grace is unreceptive. Given that no pre-launch party scene occurs in the book, I have to conclude that the inclusion of this detail in the movie was intentional and carries subtextual significance.
Obviously, if we take this interpretation at face value, it’s more fuel to the fire that is the aroace reading of Grace. It can be used to argue that he rejects amatonormativity on all levels—not just in his scant experience pursuing longterm committed relationships, but in his failure to so much as entertain the idea of a fling or friends with benefits arrangement, even when an easy opportunity presents itself. Romantic affairs never seem to cross his mind. He’s oblivious to the way his relationship with Stratt is perceived until confronted on the subject by DuBois, and he’s quicker to accuse her of sexism upon learning that she sought an all-male team of astronauts than he is to put stock in her actual line of reasoning. If DuBois and Shapiro were indeed trying to make a move on him, it’s no wonder that it flew over his head.
Even beyond the aroace reading, though, this interpretation still contributes to the narrative: It showcases Grace’s emotional isolation on a broader scale and demonstrates how grossly he underestimates the regard his associates have for him. He’s woefully out of his depth in the rigid world of international negotiations that he gets thrust into, ignorant to the degree of sociopolitical power and authority he’s been granted through his close proximity to Stratt, and unaware of what makes his participation so crucial to the project’s success. It only follows that he would also be immune to flirtation, never recognizing his own assets or what might make him uniquely desirable. Thematically, this underlines his later growth in finding a purpose, building the courage and confidence needed to fulfill that purpose, and embracing love (however unconventional its form) as a driving force.
#i think the authorial purpose of the scene was moreso establishing a reason for shapiro to go with dubois at the research centre#but i would be lying if i said I don't love the#“my fellow human sacrifice and i saw you from across the lab and we really dig your vibe” interpretation
With the heart of an Atwood tale and the visuals of a classic Asian period drama, Nghi Vo's The Empress of Salt and Fortune is a tightly and lushly written narrative about empire, storytelling, and the anger of women.
A young royal from the far north, is sent south for a political marriage in an empire reminiscent of imperial China. Her brothers are dead, her armies and their war mammoths long defeated and caged behind their borders. Alone and sometimes reviled, she must choose her allies carefully.
Rabbit, a handmaiden, sold by her parents to the palace for the lack of five baskets of dye, befriends the emperor's lonely new wife and gets more than she bargained for.
At once feminist high fantasy and an indictment of monarchy, this evocative debut follows the rise of the empress In-yo, who has few resources and fewer friends. She's a northern daughter in a mage-made summer exile, but she will bend history to her will and bring down her enemies, piece by piece.
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dreamt that i went to a car dealership and Light Yagami and L were there and I saw L first so I went "woah are you L death note?" and L went "L what?" and light went " L WHAT."
“Because the truth is, tech doesn’t have an image problem. It doesn’t have a message problem. It has an intention problem. What’s wrong with the axe murderer who broke into my house is not that he hasn’t successfully persuaded me to buy into his narrative. What’s wrong is that he’s trying to kill me with an axe. Similarly, when you launch a product that’s designed to put millions of people out of work, block access to sources of verifiable truth, replace human creativity with slop, and lower the barriers to every sort of atrocity, the problem isn’t that you haven’t told the public a good story about those things. The problem is that you are trying to do them.”
Shout-out to aromantic people whose lives are so fucking busy that they periodically forget what day of the week it is. today is Wednesday, June 5th. Happy Aromantic Visibility Day.
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Tell me you're asexual without telling me you're asexual
Any opinions on the new asexual flag?
(Personally. I like it because it has yellow which connects it to the aroace flag)
lol fuck that noise
Like, I'm sorry, there is no reason to change the ace flag? When the lesbian flag got a redesign, it was because the creator turned out to just not be the kind of person we wanted to stand behind and we didn't want to have a flag created by a racist biphobe. This was a reason for a redesign.
I tried to look it up but the most I found was on a post from the creator of this flag that people were bothered that the meaning of the white stripe...? How would that constitute a redesign at all. Much less a redesign into a flag that still has a white stripe. It's almost like you, personally, could just decide what the colors mean for yourself.
This is so fucking wild and unnecessary, also just the gall to decide to that you should get to redesign a widely known and beloved flag. With the lesbian flag, it really was a community wide decision, it spanned multiple platforms, there was an actual valid reason behind the change of our flag, and it was a huge process of choice. But one person deciding they wanna change it and doing polls or whatever on their instagram with their followers? That's not a decision made by the community.
Also, I find it incredibly inappropriate that anything I came across that acknowledged a backlash to the flag redesign just instantly boiled the reason for that down to racism, just because this person is black. Sure, she is definitely facing racist accusations here too because racists always come out of the woodwork when black people do anything and she most certainly does not deserve that, but you do not get to pretend that racism is the only reason why other members of this community might take issue with one single person deciding to redesign that community's flag for no reason.
Be real for a second here, if a white girl decided to add an orange and a green stripe to the bi flag and discussed it with their facebook followers, you really think the rest of the internet would go "oh yeah slay queen" and just accept an unnecessary change to a well-known and beloved flag and start using that new flag unanimously with nobody saying "hey, hold on I actually like our flag and don't think this change is good or necessary"?
This is not an official pride flag. It's one person's instagram pet project and this person does not speak for me. 🖤🩶🤍💜
I swear to god every year right before pride month someone tries to redesign the ace pride flag, citing boring colors or 'just not liking' the old flag.
If you are someone who sees the ace pride flag and cringes away from it, I need you to stop and examine why that is. Is it really because of the colors, or the (honestly kind of obscure) meanings of the stripes? Or is it because you associate that flag with a stereotype of ace people as boring / cringe / grumpy / etc?
Because, newsflash: Maybe you're too new to know this, but we as a community kind of went through this four fucking year long hate campaign called 'Ace Discourse' where people specifically crafted that stereotype to discredit us and exclude us from the queer community.
Changing the colors or design of the ace flag won't change that. It won't undo the harm we suffered to our community. It won't bring back the aces who went back in the closet and abandoned the community to save their mental health. It won't repair the damage done to our reputation by that stereotype, that continues to be perpetuated by bad actors fighting to keep the 'discourse' alive in 20-fucking-26
Like it or not, THIS is our flag. This is the most widely known symbol of our community. We can either continue to stay divided and obfuscate our identities under a dozen different color schemes, hoping against all reason that one of them will be the bandaid that fixes everything, or we can hold up OUR flag with pride and finally rebuild our community as a united front
There’s an emotion only unlocked when you live in a house with multiple stories. I call it “the stair emotion” and it’s when you realize the object you need is on the other side of yet another trip up and down those goddamn stairs. It’s the closest I get to transcending the desire for material goods. Maybe I don’t need that notebook. Maybe I don’t need anything.
it’s so special to me that so much of fan culture is textual analysis for the love of the game. like thank god there are people in my phone who are also thinking about this thing i love so much that they are writing transformative fiction as character studies and setting clips of the show to music with theme-relevant lyrics and writing long text posts analyzing every line of dialogue like!! yay!!!
under US law, it's illegal for anyone who's not a member of a recognised native tribe to own an eagle feather. the penalty is a $100,000 fine.
14 years ago when I had recently moved to Alaska, I went hiking with an Aleut friend, and she pointed to a feather lying on the ground and said "hey that's a bald eagle tail feather, you should grab it!" and I was like "uhh I'm very white and that's very illegal" and she went "they're fuckin everywhere up here man. I have 20." so she grabs it off the ground and hands it to me and says "there, now it's a ceremonial gift from an indigenous person."
and I'm like, okay, cool, I guess this is how we do things in Alaska. nice.
so I keep this bald eagle tail feather around for years. display it in my home among other cherished memorabilia from places I've lived and visited, etc.
on a whim, I have just now looked it up. there is no exemption to that law for a ceremonial gift from an indigenous person. the last 7 years I lived in the US, I was technically a bald eagle poacher.
probably a good thing I don't intend to move back there anytime soon. I wonder what the statute of limitations is on bird crimes.
@freedomisscaryshit I'm fucking dying I think you forgot the word "feathers" in your tags?? or do you just wish you could grab whole ass eagles that land in your yard??
As an Indigenous person, it continues to astound me that there are such strict laws (written by White people) in our name, laws against...picking up things just found on the ground. Like, stop pretending this is "for" us. We don't want this.
so, for clarity, that's not what this is. the law against possessing feathers is an anti-poaching measure, derived from a North American treaty protecting certain migratory bird species from hunting. that treaty has an exemption for indigenous people to allow tribes that use eagle feathers in ceremonial or religious practices to continue doing so.
i used to collect feathers (illegally) as a teenager and the thing is that it's incredibly important for feathers from wild birds to be illegal to possess because it ensures that they never become fashionable to wear. the reason we passed the migratory bird act was because the american and european fashion industry was driving species to extinction in a timespan of years. not just decades. the ecological devastation of exporting birds for hats was absolutely insane and people were watching wetlands and forests and meadows just empty out in realtime. look at the wikipedia article for the plume trade.
the law against 'picking feathers up off the ground' means that you can't go shoot an eagle then sell the feathers on etsy by saying you 'just found them'. you can't own them no matter where they came from, which makes sure that they're not going to come from any birds killed and then secretly disposed of.
these laws, as harsh and ridiculous as they seem, saved flamingos, spoonbills, egrets, and all kinds of hawks and eagles from extinction. the minute these laws weaken and people can make money off killing them again, they're fucked.
this is one of those "no actually this regulation exists for a reason" laws much like work place safety and building fire codes (that Republicans keep trying to roll back) and is written in blood just like them as well. it's just not human blood this time, and the fact that people actually cared enough about long term future over short term profit to get it put in place is nothing short of astonishing. That it didn't get put in place in time to save several species is heart breaking.
#my only qualm#with the mbta is that it doesn’t discuss#regions at all#so birds that have expanded outside their natural zones#like starlings and sparrows#are still protected no matter what#which like#small issue#but funny when that bitch isn’t wven native and you can’t touch its dead body AT ALL (via @hellbent-boy)
Starlings are entirely non-native to North America so you can in fact hunt those. It's encouraged, even, because they crowd out native species.
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Have you ever tried to explain to someone not on tumblr the tumblr tagging ecosystem? You sound bonkers. They look at you like you explaining a 5 lane highway designed by frogs to optimize lily pad travel.
like you’ll be like okay so the tags are kind of for your own blog sorting, right, like #myposts or #reblogs so you or someone else can find them later, hopefully, or people can just wander into a tag for a show or character and see a bunch of posts about that
but also sometimes the tags are just… commentary, like a little side whisper you attach to the post that only lives in your corner of the swamp unless someone else decides to pick it up and carry it with them like a note in a bottle that has somehow developed opinions
and there are actual comments, which follow the post, but tags don’t, so tags are like speaking into a parallel dimension where only people who specifically go looking for it will hear you, and also the original poster, sometimes
so you can react to something without technically adding to the post in a way that propagates, unless someone sees your tags and goes “no actually this deserves to be part of the text” and manually copies them onto the post like a form of peer review, tags so good they achieved publication
and then it can also function as a PS on your own post, like an afterthought that didn’t quite fit into the main body but you still needed to say it, so you just tuck it into the tags like “also btw [unhinged addendum]” and send it drifting downstream
and at this point the person you’re explaining this to is just staring at you while the frogs continue building their infrastructure in the background and you’re like no I promise it makes sense once you live here long enough