old images reworked

Interactive Computer/Video Installation, Ars Electronica 89, 1989. Video projection with sensor controlled computer animation, video tape, 2 live cameras, real doors, 1 B& W monitor, art reproduction, sensor controlled sound.

/ William Eggleston, 1960s- 1970s

Vivian Meier, Self-Portrait/ Self-Shadow, 1956

Angeth Joh by Eomji Sim for Novembre Global February 2026

Nan Goldin, self-portrait

'aoi kotsuhioroi, "forbidden color," 2013' in killer heels: the art of the high-heeled shoe - lisa small (2014)

“Ranner’s impenetrable interior models radiate an oppressive aura of alienation and isolation, which she heightens by erecting them as free-standing constructions. Consequently, visitors can only view the interiors from the outside – as if they were looking at paintings. The spaces are reminiscent of sets where a scene has just been played out, or is about to begin. This makes for a theatrical feel. But because the interiors are completely devoid of distinguishing personal features, they are also utterly anonymous – much as most hotel rooms are. Through her installations, Ranner exposes a typically modern void: the loneliness resulting from detachment.”

Lucy Glendinning - ‘Featherchild’

Matthieu Blazy delivering his closing bow at the Chanel métiers d’art show yesterday at the Bowery station nyc

Comme des Garçons A/W 2025 © Paolo Roversi

White egrets "kissing" as part of their mating ritual By: Tokutaro Tanaka From: Life Nature Library: Animal Behavior 1965

Dana Smith Beyond Noise #4 ph. Robin Galiegue