Defibrillator Performance Art Gallery invites you to participate in
Let's gather together for the last hour of sunlight on the last day of winter.
THU 19 MAR 2026 | 6 PM to 7 PM
America’s Courtyard | Museum Campus
sameBUTdifferent is a one-hour collective performance action marking the final hour of daylight on the last day of winter. Participants gather in public space to improvise gestures, movements, and small actions that reflect balance, presence, and shared space. As the season turns, participants harness the moment to channel the electric energy of the creative act into a shared environment.
Arrive anytime between 6 and 7 pm. Stay for five minutes or the entire hour.
Conceived as an international initiative, Same Difference: Equinox to Equinox unfolds simultaneously in nearly twenty locations around the world. At each site, performance artists and participants gather for an informal and unscripted collective improvisation guided by principles of equality, presence, and mutual respect.
The equinox marks a rare moment of balance when day and night briefly exist in equal measure. This action invokes that balance as a metaphor for the fragile right to assemble in public space, a right increasingly contested across the globe.
Participants are welcome to bring simple objects or materials to explore within the collective improvisation. Nothing should be left behind, nothing destroyed, and no one should interfere with the life of the place.
Observation is also participation. You are welcome to simply witness.
To interface with the international network, join the Facebook group:
Same Difference: Equinox to Equinox
Arrive ready to experiment. This is a one-hour collective action marking the final hour of daylight on the last day of winter. Participants improvise gestures, movements, objects, or small actions that respond to the moment, the site, and the people present.
Boldness is welcome. Subtlety is welcome. Work at the scale that feels right while remaining aware of the shared space and those around you.
Do not block pedestrian paths, bike lanes, or vehicle access. The action should coexist with the normal flow of the city.
Bring objects, materials, or simple interventions if you wish. When the hour ends, leave no trace. Everything you bring should leave with you.
During the action, allow the space to hold a focused energy. Conversation should be minimal so a collective field of attention can emerge. Think of the courtyard as a temporary creative zone where individual gestures accumulate into a shared moment.
There is no central performer and no audience. Anyone present may participate or observe. The work emerges through the interaction of many independent actions unfolding at once.
Restrooms may be difficult to find. There is a beach pavilion nearby but it may not be open during the off-season.
Dress for the weather. One hour can feel like four in rain and cold. We know from experience.
A walkway runs through the earthwork, allowing participants with mobility considerations to access the site and take part.
America’s Courtyard (1998) by Brazilian artists Denise Milan and Ary Perez is a monumental land art installation near the Adler Planetarium on Chicago’s Museum Campus.
Set against the horizon of Lake Michigan, the earthwork unfolds as a field of granite forms radiating in widening circles that echo the geometry of galaxies and ancient astronomical sites. Composed of fifty-six granite blocks arranged around four central stones, the installation transforms the ground itself into a quiet observatory where visitors move through stone, sky, and light.
Milan and Perez consider America’s Courtyard a democratic and participatory sculpture where visitors have, in their words, “an opportunity to jump, meet, represent their reality, declaim, dream… to transform the simple actions of everyday life into rituals.” The work proposes a metaphor of an America where cultures coexist in harmony through shared space and mutual presence.
This project takes place on land historically stewarded by Indigenous peoples of the Great Lakes region. We acknowledge the enduring presence of Native nations including the Potawatomi, Ojibwe, and Odawa, whose relationships to this land long predate the city that stands here today.
America’s Courtyard is located on Museum Campus, just south of the Adler Planetarium and easily reached from the transportation hub at Roosevelt and State.
From Roosevelt Station, take the 146 bus toward Museum Campus (about 10 minutes), or walk approximately 27 minutes along the lakefront.
Museum Campus is an urban oasis with panoramic views where city and water meet. From the site you can see Chicago’s skyline rising to the west while Lake Michigan stretches eastward to the horizon. Accessible pathways connect the monument, the lawn, the waterfront, and surrounding landscape so that the space remains open to all.
Based in Chicago, Defibrillator Performance Art Gallery (DFBRL8R) is an international platform dedicated to performance art and other time-based practices. Since becoming itinerant in 2020, DFBRL8R has presented projects wherever opportunities arise, actively contributing to global dialogues surrounding ephemeral and immaterial artistic forms.
By connecting local and international communities, DFBRL8R works to expand awareness, appreciation, and respect for the discipline of performance art.
Facebook Group
https://www.facebook.com/share/g/1B2CEmqT8g/
Google Map
https://maps.app.goo.gl/6vApggAYgBt4ZCt96
America’s Courtyard Info
https://www.chicagoparkdistrict.com/parks-facilities/americas-courtyard-artwork
CTA 146 Bus Tracker
https://www.ctabustracker.com/bustime/wireless/html/eta.jsp?route=146&direction=Southbound&id=316&showAllBusses=on