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AnasAbdin
Lint Roller? I Barely Know Her

tannertan36

ellievsbear

Love Begins
dirt enthusiast


Kaledo Art
Not today Justin
RMH
cherry valley forever

JBB: An Artblog!

pixel skylines
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Misplaced Lens Cap
occasionally subtle
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@salvajes
who here

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Research, 2018
will I find peace
or nothing at all?
What the fuck is up, dead fucking website with a bunch of autopost bot and absolutely no fucking human life.
Noise War - 1993.

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What I’m forever told
Sup dead site
Han Xu - Drowning
Mgła

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Is anybody here alive?
Anyone who isn’t a porn reblogging bot pls
Camille-Félix Bellanger - Abel [detail]
The Art of Hugh Ferriss
Hugh Ferriss (1889 – 1962) was an American delineator (one who creates drawings and sketches of buildings) and architect. After his death a colleague said he ‘influenced my generation of architects’ more than any other man. Ferriss also influenced popular culture, for example Gotham City (the setting for Batman) and Kerry Conran’s Sky Captain and the World of Tomorrow.Â
 In 1916, New York City had passed landmark zoning laws that regulated and limited the massing of buildings according to a formula. The reason was to counteract the tendency for buildings to occupy the whole of their lot and go straight up as far as was possible. Since many architects were not sure exactly what these laws meant for their designs, in 1922 the skyscraper architect Harvey Wiley Corbett commissioned Ferriss to draw a series of four step-by-step perspectives demonstrating the architectural consequences of the zoning law. These four drawings would later be used in his 1929 book The Metropolis of Tomorrow. This book illustrated many conte crayon sketches of tall buildings. Some of the sketches were theoretical studies of possible setback variations within the 1916 zoning laws. Some were renderings for other architect’s skyscrapers. And at the end of the book was a sequence of views in Manhattan emerged in an almost Babylonian guise.
Via

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Titian and workshop - An Allegory of Prudence