"Don't know how many times I'm gonna get this type of view, so I gotta look while I can," he explains his perspective; life is short, sometimes shorter than anyone could ever expect it to be. He knows firsthand how easily life can be lost – he's taken it himself, watched it be taken from others. Their world is not a pure thing, unblemished, with a guarantee of tomorrow. Every night he can look at the stars is a blessing. "What's got you jaded about the stars, then? Life can't be all that bad."
Her eyes went back to the sky, as if giving them a chance to change her mind. “Life’s not all that bad. But it’s not all that good, either. I just don’t… romanticize what’s inevitable.”
She glanced at him, shrugging her shoulders. “What’s the point of making a wish on something that’s already dead?”
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Oh. Imani looks over at her, brow furrowing slightly. "Just because it's the same as it always is doesn't mean it isn't special..." He's probably just an idealist about these things; they live in a beautiful world, filled with beautiful things, and he likes to take the time to notice them. "I'm not trying to be poetic, I mean. I'm just... talking. I like the stars. You don't?" Her family name gives her grace with him, even if she's all but disavowed it. That's none of his business, though; he tries not to meddle in family business.
There was a time when Salem believed in things being special—moments, people, symbols. She used to pour meaning into them like it might make them real. But she grew out of that. Or maybe she just stopped needing the illusion. “Special” was rarely anything more than a distortion of reality. A trick your brain played to make things feel important.
“I don’t dislike them,” she said, eyes flicking back to the sky. “I just don’t look up enough to have an opinion. They’re there," she paused, turning to him. “But I guess I envy people who still bother to look.”
Salem du Bois, 30, has called Coronado home for the past five years—after nearly a decade of exile. As a political image consultant, their world is steeped in silent judgment, weaponized media, and inherited guilt. Often found rehearsing someone else’s speech under her breath or rebranding trauma into televised sympathy in under ten minutes, she moves through life with Thought I Was Dead by Tyler, the Creator in her ear.
name:Â salem du bois
age:Â 30
birthday:Â september 8
zodiac: virgo sun, aquarius moon, aries rising
occupation: political image consultant
parents: dominic (father) + georgiana (mother) du bois
siblings: angelica du bois, greta du bois, kassajin du bois, eleanora du bois
cousin: tatiana du bois
Salem was born a du Bois—a middle child, which already says enough. Just there, simmering somewhere in the middle, chronically overlooked, never quite loud enough to be a problem or good enough to be a pride. For some reason, she could never quite connect with her siblings, either. If you asked her, she would tell you they were always busy, buried in projects, parties, and people. There was never enough time for her. Or at least that’s how she remembered it. Maybe it only happened once or twice. Maybe someone forgot a recital or brushed her off at dinner. But Salem decided it was a pattern. She needed it to be one. It made the quiet, slow-growing resentment feel justified.
She figured early on that attention was currency. Naturally, she chased it, through achievement, then rebellion, then whatever brand of “different” would finally get her noticed. And when that didn’t work, she tried being good—like capital-G Good. Morally upright. Principled. She thought maybe if she poured herself into some grand cause, if she cared too much, someone would finally notice.
Her parents weren’t cruel. They weren’t even absent. They just weren’t enough for Salem. And “not enough” is a hard thing to accuse someone of. It sounds ungrateful. What would you do when you didn't want to sound like a brat? You'd turn your resentment into an ideology instead. Some called it activism. Sometimes it was. Other times it was boredom. Or loneliness. Or a very specific brand of rage that came from watching everyone in your family be worshipped for being morally questionable, while you got scolded for being a little too idealistic at dinner.
She told herself she was different from them. That she actually cared without resorting to any cruelty. About the city, the legacy, the truth. And yet, Salem still showed up at every gala. Still wore the name like armor. Still liked being photographed just enough to hate herself for it later. It was always like this: two versions of her running parallel. The one who wanted to burn it all down. And the one who still wanted a seat at the table.
By her early 20s, she’d already become a headache. Not in the dramatic, arrest-worthy way. Not like the cousins who lit fires just to watch their names blaze through the headlines. Salem’s sabotage was quieter, pettier. A leaked memo here. A strategically timed smear campaign there.
Whatever happened next—no one really says. Not aloud at least. There was no scandal on record, no dramatic fallout. Just absence. One day she was there, and the next? Gone. Exiled. Not a full-blown disownment—please, the du Bois would never be that cruel. But a soft erase. The PR equivalent of a sigh.
They cut her off financially (well, sort of.. Is it really a cut-off when you’re just not allowed to max your credit cards anymore?). Mid-purchase, if the rumors are true. One minute, she was buying some obscenely expensive art piece out of spite (something red and upsetting and supposedly brutalist), the next her card declined. Your credit card is declined. Just like that, legacy revoked.
She stayed gone for a while. At first, she liked it. Romanticized it, even. A girl without a legacy. No name, no safety net. Grocery lists instead of press briefings. Landlords instead of lawyers. She got a job. Paid rent. Took the subway. Learned how to pretend she wasn’t above it all. It was fun for a while. And slowly, Salem started to understand what the family had always tried to explain: The world isn’t run by the most righteous. It’s run by whoever can afford the microphone.
Life outside the du Bois orbit was humbling in all the worst ways: bureaucratic, indifferent, and underpaid. But it taught her something her siblings never had to learn, how to move without a surname to open doors. Somewhere between freelancing crisis comms and ghostwriting apologies for minor celebrities, it clicked: image was everything.
She didn’t set out to become a political image consultant. It just… happened. Like most things in her life post-exile: mildly unethical, wildly effective, and somehow always her idea in the end. At first, it felt opportunistic. A little gross. But also kind of genius. It let her keep playing morality police with a power complex. Once she had a name of her own—a reputation she built without the du Bois support—she decided to come back home. Not crawling, not failed. Just to prove a point. That she could survive on her own. That she was still the smartest person in the room.
And perhaps, she wasn’t done wanting a seat at the table.
"Stars are looking beautiful tonight, aren't they?" He's in the gardens, a glass of some fancy who-knows-what with a name he can barely pronounce in his hand. He doesn't feel like he's meant to be here, really, but the stars here are the same as the stars over the docks, which comforts him. "Not a cloud in the sky..."
Salem was invited. Technically. Probably out of some obligation—PR or bloodline or the simple fact that a du Bois absence would’ve said more than her presence ever could. She showed up anyway, unwanted, unwelcome, the ghost of a girl who never quite belonged. Looking like she hadn’t even tried (she had), like she didn’t care (she did), like none of this meant anything (it kind of meant everything).
There’s always someone in the garden pretending not to perform. Tonight it’s him.
Salem didn’t turn when she heard him. She just shrugged, eyes glued to the sky. “They look as they always do. Doesn’t mean anything,” she said finally, voice monotone. “They shine the same over six-figure homes and six-feet-under. That’s not poetic or particularly special. Just gravity.”
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