Crosby, that’s England right?

🧡 ORANGE 🧡

1. How would your OC describe themselves as a child? 2. Does your OC embrace or suppress their emotions?  3. What first impression do strangers get from your OC? 4. Is your OC a risk-taker? Do they take well-calculated risks or are they impulsive? 5. Is it easy for your OC to step out of their comfort zone? 6. Does your OC hold others to the same standards they hold themselves to? 7. What is your OC’s favorite season?

💛 YELLOW 💛

1. Is your OC an optimist or a pessimist? 2. How energetic is your OC? 3. Does your OC lie easily? What scenario(s) would justify lying in your OC’s opinion? 4. Does your OC have many secrets? Would they ever tell a person these secrets? 5. Does your OC have a strict morning routine? If so, what is it? 6. How cautious is your OC? 7. Is your OC humorous?

💚 GREEN 💚

1. Does your OC get jealousy easily? 2. Does your OC believe in the concept of luck? 3. How much does your OC enjoy nature? Do they enjoy being outdoors? 4. What is your OC like when they’re sick? Do they try to push through it or are they completely bed-ridden? 5. Is world peace something your OC believes is possible? 6. Is your OC generous? If so, is their generosity conditional? 7. How adaptable is your OC? Are they open to change?

🩵 CYAN 🩵

1. Does your OC get stressed easily? Are they cool under pressure or are they easily made anxious? 2. What brings comfort to your OC (person, place, object, etc.)? 3. How easily distracted is your OC? 4. Is your OC more humble or arrogant? 5. Does your OC like to swim? 6. Are your OC’s decisions influenced more by their head or by their heart? 7. How observant is your OC and how much does it affect them? Are they clueless or nearly paranoid?

💙 BLUE 💙

1. Is your OC confident in themselves? 2. Is your OC comfortable letting others see them cry? 3. How independent is your OC? 4. How trusting is your OC and does it have an effect on their relationships? 5. Does your OC have a comforting presence? 6. Can your OC stand up for themselves? 7. Is your OC structured or do they go with the flow?

💜 PURPLE 💜

1. What is one of your OC’s biggest dreams and do they believe that dream will come true? 2. How affluent is your OC? Does their level of wealth matter to them? 3. Does your OC daydream often? 4. Does your OC have any artistic hobbies? 5. Does your OC have a commanding presence? 6. Is your OC book-smart or street-smart? 7. Is your OC stylish? How much do they care about the clothes they wear?

🩷 PINK 🩷

1. Does your OC like traditional romance? 2. How playful is your OC? 3. What is your OC’s favorite love language? 4. How good is your OC with children? 5. Does your OC believe in soulmates? Have they ever thought someone was their soulmate? 6. Does your OC have a favorite flower? If so, what is it? 7. How easy is it for your OC to empathize with other people?

🤎 BROWN 🤎

1. Is your OC reliable? 2. What animal do your associate with your OC? 3. How protective is your OC? 4. Is your OC polite? 5. How much does your OC enjoy traveling? 6. Does your OC abide by the rules? 7. Is your OC a homebody? Are they consistent with doing chores?

🩶 GRAY 🩶

1. How forgetful is your OC? 2. Is your OC open to compromise? 3. Has your OC ever thought about having children? Do they believe they’d be a good parent? 4. Is your OC emotionally open with the people around them? 5. How mature is your OC? 6. What is one of your OC’s happiest memories? 7. How helpful is your OC’s advice? Do others come to your OC for their advice?

🖤 BLACK 🖤

1. How far will your OC go to achieve their goals? 2. Does your OC have a strict bedtime routine? If so, what is it? 3. What is one of your OC’s greatest fears and how much does it affect them? 4. Has your OC ever broken a promise? 5. Is your OC comfortable at fancy gatherings? 6. What does your OC have nightmares about? 7. How well does your OC sleep?

🤍 WHITE 🤍

1. How much does your OC care about cleanliness? 2. Is your OC religious? How do they feel about religion? 3. Will your OC take care of someone while they’re sick? Are they good at it? 4. Is your OC a perfectionist? 5. Has your OC ever upended their life and restarted from square one? If not, have they considered it? 6. Does your OC idolize their past? 7. Does your OC enjoy the simple pleasures? Are they satisfied with the bare minimum?

Mae West was an American actress, singer, comedian, screenwriter, and playwright whose career spanned more than seven decades. Recognized as a prominent sex symbol of her time, she was known for portraying sexually confident characters and for her use of double entendres (Wikipedia). During World War II, Allied aircrews called their yellow inflatable, vest-like personal flotation devices "Mae Wests" partly because, when inflated, the wearer resembled the actress's buxom appearance (Wikipedia).

Mr. Lucky is a 1943 romance film starring Cary Grant and Laraine Day. The film is about an attraction between a shady gambler and a wealthy socialite in the days prior to the United States entering World War II (Wikipedia).

Marlene Dietrich was a German-born American actress and singer whose career spanned nearly seven decades (Wikipedia). She renounced her German citizenship in 1939, and when the US entered World War II in 1941, she was one of the first public figures to help sell war bonds (Wikipedia). Dietrich went on two United Service Organization tours in 1944 and 1945. She traveled first to North Africa and Italy, where she was the first entertainer to reach rescued Allied soldiers in Anzio, and then later to France and Germany, with this second tour lasting 11 months, beginning just on the heels of D-Day. Her performances in the now-famous USO Camp Shows involved singing, dancing, and a comedy routine with a musical saw, and she usually left troops in fits of laughter. She fought off bouts of influenza, slept in tents, and suffered from frostbite, but in the end, Dietrich put on more than 500 performances for Allied troops throughout the war, many of which were on the front lines. When asked why she risked her life to support American soldiers, she responded, “aus Anstand – Out of decency” (USO).

Rita Hayworth was an American actress and dancer. She is one of the most renowned actresses of the Golden Age of Hollywood, and was the second top pin-up girl for GIs during World War II, after Betty Grable (Wikipedia). Nix's comment about Hayworth's marriage is likely a reference to her marriage to filmmaker and actor Orson Welles, whom she was married to from 1943 to 1947. This is also likely an oversight by the show's writers, as the scene takes place in 1945, and a marriage that happened two years prior would probably not be breaking news.

Abbott and Costello were an American comedy duo composed of comedians Bud Abbott and Lou Costello, whose work in radio, film, and television made them the most popular comedy team of the 1940s and 1950s, and the highest-paid entertainers in the world during World War II (Wikipedia).

Seven Sinners is a 1940 American romantic drama film starring Marlene Dietrich and John Wayne. The film is about a torch singer who wows a Navy officer and his shipmates at a South Seas cafe (Wikipedia).

John Wayne was an American actor who became a popular icon through his starring roles in films that were produced during the Golden Age of Hollywood, especially in Western and war movies (Wikipedia). He also notoriously did not serve during World War II, even though many of his contemporaries did. There are many reasons given as to why Wayne did not enlist, including but not limited to: his age (he was 34 years old at the time of Pearl Harbor), his 3-A deferment (family deferment), an injury he suffered in college, his unwillingless to put his film career on hold, and his infamous affair with Marlene Dietrich he allegedly did not want to give up. The most common reason given is that the studio he was contracted under, Republic Studios, allegedly threatened to sue him if he enlisted. The studio also reportedly intervened in the Selective Service process and requested Wayne's exemption from the draft (Wikipedia). On the other hand, arguably more bankable and more famous actors, such as Clark Gable and James Stewart, enlisted for combat despite pressure from their respective studios not to do so. No matter how much of not enlisting Wayne was personally responsible for, and how much guilt he felt after the fact, he was reportedly not popular with US servicemen during World War II, and he toured with the USO for about three months in 1944 (Slash Film).

"Looks like it's going to be a wet walk back home," a lawyer from the floor above them said, after they had both come to a halt in front of the door when they noticed the rain outside of it.

Ida had seen the tiny droplets on the window already as she had made her way down the stairs and cursed whoever had moved her umbrella the night before, so that it hadn't stood leaned against the doorframe, perfect for her to tug under her arm when she headed out. Of course, there had been no time to search for it and in the minute or so it took her to walk all the way down into the entrance hall, the rain had gotten heavier.

Not really heavy yet, still only thin drops; but more frequently and in a way which promised more soon.

"It seems so," she agreed, "let us hope it won't get any worse."

"Cheers to that," he said and held the door open for her.

"Thank you," Ida said and stepped out into the rain.

As it seemed to be the norm in New York, it was miserably cold, the raindrops like tiny pebbles, hard and pointy, on her freshly cut, now shoulder lengthed hair.

Just like she had predicted, the rain picked up quickly, the drops growing bigger and the frequency higher; all around her umbrellas were opened and steps quickened, suede shoes and heels hurrying across the pavement that was, now wet, a shade darker than it had been this morning. Her own shoes joined them as she picked up her pace.

No use - she was going to be drenched by the time she reached the subway station; it was better to find some shelter and try to wait it out, hoping that the rain would calm down as quickly as it had started up. There was a library close by, just a few of those massive houses away from her and she broke into a near sprint until she could push open the door and step into the warm space.

Dropping down into the first available chair, Ida set about catching her breath; really for someone who had won the Reichsjugendspiele three years in a row, this was an embarrassing performance. She probed her purse up on the table in front of her and opened it.

Rolled up on top of Thomas Mann's Buddenbrooks lay a two month old edition of Down Beat which she had gotten for two cents after fighting with the owner of the Jazz store until he lowered the price from five cents - used and old and you want five cents for it? you are a thief, she had accused and he had told her to take the damn thing and never ever visit his shop again. Her hand hovered over it for a second, as it had done during her lunch break for the last three days and then nudged it aside and picked up the Mann book. She leaned back in her chair, wet clothing shifting on top of her skin uncomfortably and opened the book where she had left off.

For some reason, might it be having been caught in the rain, the long day at work, the ever present headache, the flourished Fraktur letters got on her nerves at that moment. It was ridiculous - she had read her first book in this script and she had never consciously chosen publications in a different font - but right now Ida had a few choice words for whoever had designed it.

She closed the book again.

Thomas Mann was certainly having a fabulous time somewhere in Princeton or whatever elite university he was currently at, the high life of rich German immigrants while she, like Ernst Toller, would have to stay in New York until she'd hang herself in the nice little new apartment they now lived in. Naja. She was being entirely overdramatic and besides, Toller had killed himself in a hotel so she was already past that.

The book landed on the table in front of her with a soft thud and she pulled her pack of Lucky Strikes out of the pocket of her coat, just to make sure that none of the cigarettes had gotten wet. The package was the slightest bit damp, the logo a little smudge as if a few black-ink tears had rolled down the front and yes, she too might cry if her cigarettes were ruined. Not real, visible tears, of course, but she’d get close.

"You're not going to smoke in here, right?" A voice interrupted her musing, a voice that belonged to a young woman sitting opposite to her at the table; despite probably being a little younger than Ida, both the cadence of her voice and the look she gave Ida reminded her of a disappointed school teacher scolding a student who had passed on a note during lessons. It was the kind of look that should be thrown over the top of thinly-rimmed glasses and accompanied by a tight hair knot, not the fashionable dark cut the woman in front of her was sporting.

What was it with those damn Amis and not wanting her to smoke? If that was such an issue there, they shouldn't be selling such delicious tobacco.

"No," she said slowly and closed the pack again (everything had stayed dry, thank the Lord), "I was just looking for water damage."

"You seem to have a bit of water damage yourself," the woman said and then covered her mouth with her hand, as if to stifle a giggle and simultaneously push the word back inside. "I'm so sorry, that was rude."

"It was... accurate," Ida said and pushed a hand through her hair, assessing the damage; definitely wet, definitely not a respectable state for her hair to be in.

The woman winced in sympathy. "I'm sorry. You must have been caught in the rain outside."

"It was really unexpected," Ida confirmed. She balled her hand into a fist and held it up. "One minute, it's drizzling lightly and then next-" she opened her fist, imagery more appropriate for a bomb exploding than rain "-it's pouring.”

"And now you're seeking shelter here?"

"Yes, I'm hoping that it will stop raining soon and I can get on the subway."

"I'm keeping my fingers crossed for you," the woman said and turned back to her studies. The table in front of her was clustered, to say the least, two books open in front of her, a stack towering next to her elbow, pencils and paper strewn across the surface. It was the opposite of how Ida had studied as a child, with one of everything neatly lined up and she suddenly felt a pang of longing for Willi's teeth marks on her pencils and her father's four-fingered hand as he flipped through her exams.

Ida looked through the window, but the rain still fell tightly. She decided to give the Buddenbrooks another try and flipped it back open, this time on the very first page and discovered her brother's hand writing there, underneath the title. Theodor Ernst, Grübelstraße 12, Nürnberg, his ex-libris in faded blue ink. When she had packed the book, she hadn't been aware that it was his, that he must have purchased it with his own money and now she felt bad for taking it. Would he ever get it back?

She sighed and returned to the page she had previously been on, shifting in the chair to try and get more comfortable. An impossible task, since the issue at hand was not the chair but her wet clothing. She gave a little shiver, more to disperse the clammy feeling than to shake off the cold. The downfall of the family Buddenbrooks accompanied her rather bleak mood perfectly but Ida made only slow progress, her eyes dragging lazily across the letters, the words, across Mann's literary effusion on individuality, a passage she might have enjoyed greatly at some other point but now just served to annoy her.

"Are you reading one of Thomas Mann's books?" The woman asked her, looking up at Ida from across her studies. "I heard about him at Cornell."

Ida had never heard the name Cornell before, but if she put two (the woman's studies, her knowledge of Mann) and two (the intonation with which she had said 'Cornell', her age) she would guess that it was some kind of school. "Yes, he won the Nobel prize for this one."

"Do you think the book deserves it?"

Ida shrugged. "I guess you can read it. It's not bad but also not my favorite."

"I'm sorry for being so nosy," the woman said, "I just love books. I want to become a teacher! Oh, and I'm Juliet, Jules for short."

"Ida," she introduced herself, fighting the urge to give her full name, surname first as she might have done back in Germany. Even her boss called her by her first name, which at first had seemed to her a gesture so unprofessional that it made her recoil. "The book is interesting, I suppose, a bit long winded. I usually prefer plays."

"Really? Me too! I just love Shakespeare," she gushed. "I've read every play multiple times."

Ida had never once even picked up a Shakespear play, but there was really no reason to bring that up with someone who was clearly a big fan. "You must be quite the expert," Ida said.

"Oh, I can't claim that just yet. It would take me years more of studying his works to say that."

Ida nodded along; that seemed reasonable. She had hardly ever thought about this: literature and studying and expertise in a subject. She was good at typing and filing and drafting letters and handling documents, that was all she needed. The question of whether she would study had never even been raised and university had seemed to her a place about as far out of reach as mars, which was to say that she didn't even particularly desire to go there.

Although this wasn't entirely true - in her last year of Gymnasium, her German teacher had told her she should try to go to evening courses, make something of herself. Ida had told her she would think about it and never thought about it again.

"Who's your favorite author then?" Juliet, or Jules for short, asked.

Ida blinked and shrugged. "I suppose Goethe? Is it stupid to say Goethe and Schiller when they are just the two most famous German playwrights?"

"Oh no, not at all. I said Shakespear, after all, which is hardly more original."

A bit of rain dropped from Ida's hair onto her neck, sliding, cold and wet, down her neck, underneath the collar of her blouse and rolled down her spine. She shivered again and for a moment considered wringing out her hair right there.

"Oh, you poor thing," Jules said, "here, take my scarf." She had already unwrapped the garment from around her chair and halfway handed it over when she stopped. "No, that just won't do. The bathroom is just over there. Let's try and get you dry, alright?"

The idea of rubbing off at least a bit of the moisture clinging to her sounded heavenly to Ida, like the first note of Oh Heiland, reiß die Himmel auf echoing through church around Christmas time. They grabbed their purses with their valuables inside, and left Jules' books and study notes scattered across the table.

The two young women hurried over to the lady's room, a giggle in their step, the giddiness that came with doing something that was not illegal but certainly unusual.

Jules held Ida to wrap the scarf around her head, keeping her dripping hair contained. "You have such nice hair," she complimented as she tied the ends of the scarf into a bow on Ida's forehead.

"Thank you. I cut it only recently."

For a moment they work in silence, wringing out Ida's sleeves over the skin and using the provided towels to try and soak up some of the rain.

"So, you're from Germany...?" Jules asked carefully. "Because of the authors you like and you have a little bit of an accent, that's all," she added quickly.

"I am," Ida confirmed; there really was no use denying that, "moved here at the beginning of the year."

"With your family?"

"Not really," was all she had to say to that.

Jules seemed like she wanted to pry, find out more but was probably too well-raised to do so. "There you go," she said and gave Ida an approving once-over, satisfied with her work, "now you look presentable again."

"And isn't that just what we all strive towards? Presentability?"

-

"Now," Jules said, when the rain had stopped and they had both left the library, "you have to let me get you a coffee or something like that, to truly warm you up."