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Hugh Dancy photographed by Matt Holyoak for Article Magazine (2015)

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nbchannibaldaily

feredir

the tables are turning

Hannibal-ACCA has permission to use this image on their site.

rotgospels

“I was carving my name into your side and you were calling me soft, calling me gentle. I do not think you were paying attention.”

— Trista Mateer, from “For the One Who Loved My Hands More than Anything Else,” The Dogs I Have Kissed (via lifeinpoetry)

hannibalism

You called us murder husbands.

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darkrapture1313

Vanitas

by Roberto Ferri

hannibalism

hannibal outfits | buffet froid (1x10)

hcnnibal

fcktober day 15: constellation

kvladi-blog

I ache for him … by Dori Hartley

hcnnibal

Never forget who gave you the best of them

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messmikkelsen

bedeliasbird-deactivated2021042

“Come kiss me!

What does it matter that something dark

is gnawing at my soul

with their teeth?”

—Magda Portal, frag. ‘Vacío’.

alooha

by cremedenuage

feredir

it’s beautiful.

tinymediaempire

Hannibal by Daniel Danger 18x36″ screen print. for Mondo & NBC Universal 2015

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blockberrycreative

im gonna smash hannibal’s ipad over his stupid fucking head.

blockberrycreative

what kind of games have you got on your ipad old man. candy crush? sudoku? scrabble? give me a break

vampireapologist-archive-deacti

the characters in Hannibal are just suffering from “'We’re In Dracula’ Syndrome.” Nobody in 2020 would walk into Dracula’s castle and NOT know that he’s Dracula. Dracula would have to 100% reinvent his image now, because everyone knows he’s Dracula. You can’t just scale the outer walls of your castle anymore and expect your guests to just send home a sort of worried letter about it. But the characters in Dracula never read Dracula, so they don’t know they’re IN Dracula. Do you get what I’m saying. They just think nobles are like that. Everyone from England is like, “man. Dracula. What a funky dude.”

It’s the same in Hannibal. Mads Mikkelsen in his fucked up library and his fancy suits and his horrible little pocket squares can serve a psychologist meat, tap a few menacing notes on his fucking HARPSICHORD of all instruments, look into the middle-distance, and be like, “imagine,…….if that meat…………….were human. and we were to revel in that……..would it be, do you think, to feel that we are alive? or to feel that the person we are eating….is dead.”

And everyone around them is like “haha this GUY am I RIGHT” and then eat the human salami on their plate bc they don’t know they’re in dracula (Hannibal)

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