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@sadafsawhore

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@sadafsawhore
Linguistic racism and antiblackness, internalized or otherwise, always rear its head in conversations surrounding the language spoken in the Caribbean. Namely, Jamaica.
Patois has its own grammatical structure which is separate from English and is accompanied by its own lexicon (which yes, does include English loanwords.. we were colonized and enslaved for a few hundred years so that happens).
Patois is not to be confused with a Jamaican person with an audible accent speaking English.
The sheer disrespect people give it because it’s a language born from colonization is ridiculous at best, and these same people are the ones who claim to love vacationing in our country and consuming our arts.
Jamaican Patois contains many loanwords, most of which are African in origin, primarily from Twi.
To reiterate:
Patois is not to be confused with a Jamaican person with an audible accent speaking English.
Let’s look at some hard examples.
Examples from African languages include /se/ meaning that (in the sense of “he told me that…” = /im tel mi se/), taken from Ashanti Twi, and Duppy meaning ghost, taken from the Twi word dupon (‘cotton tree root’), because of the African belief of malicious spirits originating in the root of trees (in Jamaica and Ghana, particularly the cotton tree known in both places as “Odom”).
Let’s keep it going.
The pronoun /unu or unnu/, used for the plural form of you, is taken from the Igbo language.
Let’s look at some real world examples of linguistic discrimination and trivialization of culture and denial of right to call a language what it is: a language.
Rihanna, a Bajan artist, released a song entitled “work”. On the track, she used quite a bit of Jamaican patois in the song, which was a dancehall/pop fusion.
People went bananas. The first thing to happen was the demotion of the language to “gibberish”.
Now, I want to take a step back here and actually rewind about 20 or so years.
Dancehall, a Jamaican music genre, has been in the international eye in a major way since the 90s, with artists like Shabba Ranks and Beenie Man holding the culture torch.
We’ve been scrutinized as a people for our language that exists in our music since then (and of course before that as well, but we won’t go into that for now).
From jokes about gibberish in movies and television (In Living Color did a skit on Shabba Ranks, mocking patois and Shabba’s prominent Black features. Thus, reducing a key bearer of popular Jamaican culture to an ugly (read: Black with Black features) gibberish spouting comedy crutch), we’ve been perceived as a caricature for so long, that blatant disrespect of our culture seems trivial.
Here’s the video for “Mr. Loverman” by Shabba Ranks: (xxx)
Here’s the parody video by the cast of In Living Color: (xxx)
So here we are in present day. We’ve watched dancehall in the 90s and early 2000s get “othered” in the American and European eye, and we’ve seen the caricaturization of Caribbean (in this case, Jamaican) culture so much that we are desensitized.
as an aspiring linguist, thank you for this post.
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If Dr. Seuss Books Were Titled According to Their Subtexts