must feel so good to be soil absorbing rain
Lint Roller? I Barely Know Her

NASA
EXPECTATIONS
Cosmic Funnies

Andulka

blake kathryn
cherry valley forever
🪼

Product Placement

❣ Chile in a Photography ❣
untitled
RMH
2025 on Tumblr: Trends That Defined the Year
art blog(derogatory)
Claire Keane
KIROKAZE
PUT YOUR BEARD IN MY MOUTH


JVL
seen from Malaysia

seen from Malaysia

seen from Hungary
seen from Mexico

seen from Germany
seen from United States

seen from Türkiye

seen from Malaysia

seen from United States
seen from United States
seen from Canada

seen from United States

seen from Türkiye

seen from Malaysia
seen from China
seen from Germany

seen from United States

seen from Vietnam

seen from United Kingdom

seen from Türkiye
@saccrilegious
must feel so good to be soil absorbing rain

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"Direct opthalmoscopy." Modern ophthalmology. 1908.
Internet Archive
"Venus appears largest when in the crescent phase." Natural History. December 1949.
Internet Archive

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Even if I have to hold this love alone
Until it passes through
Alice Phoebe Lu
Rebecca Storm (Canadian, 1987) - The Fig Tree (2025)
Rebecca Storm (Canadian, 1987), The Fig Tree, 2025. Oil on canvas, 91 × 91 cm.
— Sylvia Plath, from The Letters of Sylvia Plath Vol. I: 1940-1956 (via lunamonchtuna)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Emily Dickinson, from a letter to Mrs. Holland, featured in The Letters of Emily Dickinson
Alexander Hacke during the Blässe project (circa 1980)
Oskar Schlemmer, German (1888–1943), diagram of theatrical space. Die Bühne im Bauhaus (The Stage at the Bauhaus). 1925.
"Lines converge on the human silhouette at center, making the person both the focal point and the measure of the entire space."
Heidelberg University Library

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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"But this is my own maze, she told herself, this is the maze I grew up in; I could not be a prisoner here; I know the way so perfectly, and she turned and was further lost."
— Shirley Jackson, The Sundial
Bridge House (1943-46) in Mar del Plata, Argentina, by Amancio Williams & Delfina Gálvez Bunge