the "girls seeking an impossible wish trapped in a system that twists them into hollow shells of grief and resentment used by other girls to fuel their own desperate struggle" pipeline is multiversal
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❣ Chile in a Photography ❣
Keni

JVL
"I'm Dorothy Gale from Kansas"
Three Goblin Art

Product Placement
art blog(derogatory)
noise dept.
styofa doing anything
trying on a metaphor

@theartofmadeline
todays bird

tannertan36

祝日 / Permanent Vacation
Cosmic Funnies

Kiana Khansmith
Misplaced Lens Cap
Show & Tell

★
Stranger Things
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@s-aint-elmo
the "girls seeking an impossible wish trapped in a system that twists them into hollow shells of grief and resentment used by other girls to fuel their own desperate struggle" pipeline is multiversal
(ID and additional context in alt text)

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wound dressings and bandages are lingerie for the enlightened pervert
shit dude did we lose jesus again
Do you know this Musical Song? #332
I know the song and the musical
I know the song but not the musical
I know the musical but not the song
I may know this
I have never heard this
Do you know this TV Show Song? #28
I know the song and the show
I know the song but not the show
I know the show but not the song
I may know this
I have never heard this
i need the straight hair hegemony obliterated i am so serious

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Reading the Otherside Picnic novels after reading the manga is so fun, Sorawo seems very... aloof for much of the comic so getting her internal monologue in much more detail really re-contextualizes a lot of it. Turns out she's kinda bitchy and I love her for it.
kozakura dressed like she's trying to clean up her act now that she's got a third horrible disobedient daughter to deal with
brushnoodles
Hey guys its me Satsuki Uruma. Having soooo much fun haunting the narrative. Sure nothing will go wrong
FUCKERS BANISHED ME FROM THE NARRATIVE

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can you tell kozakura is my favorite character
Romonon POV
Screenshots of unreleased/interesting art shown during the recent Otherside Picnic stream. Apologies for the low quality, this is the best resolution available.
Kozakura and Toriko
SPOILER WARNING: major spoilers up to Vol 8 of the novels, screenshots of the manga-exclusive Kozakura POV Special Chapter 10 and two passing mentions of minor character development in Vol 9 of the novel (currently only in Japanese).
Vol 10 of the English manga was released yesterday, and re-reading the Kozakura POV Special Chapter at the end reminded me why it was actually my favourite of all the ones published so far, and why I am so enamoured with Kozakura as a character.
I know that a lot of the fandom is amused by the idea of Sorawo having a harem (and it's true - Miyazawa straight up confirms Runa's crush in Vol 9 and has regularly insinuated at Kozakura's feelings throughout the volumes), but I think not nearly enough people talk about Kozakura's dynamic with Toriko, or how the story unfolds from her perspective as literally the "only grown-up in the room" before Migiwa's introduction.
So this post is gonna talk about that.
There are multiple times where the story depicts Kozakura favouring Sorawo over Toriko, such as in when she asked Sorawo to accompany her back home because she was scared, or when she decided to call only Sorawo to go over to her house to collect the free hot springs tickets. A lot of people chalk it up to Kozakura liking Sorawo, but if anything I think this behaviour is more of a manifestation of the lack of guilt towards her, compared to the boatload she has towards Toriko.
In the novels, we as readers feel the disgust and dread from Sorawo's POV as someone retroactively discovering that her friend was a victim of grooming.
But what about Kozakura? If you think about the OP character chart from a bird's eye view, she wasn't a victim - nor exactly an innocent bystander. If anything, she'd be an accessory to a predator, being a late-20s/early-30s adult witnessing her similar-aged coworker rope in who was a literal teenager at the time to traversing and exploring a creepy af alternate reality, and doing absolutely fuck all about it.
Miyazawa made a deliberate decision here, to write in no uncertain terms, that Kozakura was conscious of what Satsuki was doing to Toriko, or the impropriety lurking beneath the dynamics of their "tutor-student" relationship. Kozakura saw it coming - his writing leaves no room for other interpretations - and she let it happen.
And how does she cope with this guilt? Kozakura could've avoided Toriko's attempts at reaching out after Satsuki's disappearance. It would've been easy I think, for Kozakura to simply break off all contact. A simple "our mutual friend is gone so bye" would've sufficed to send Toriko packing for good. Toriko is an abysmally shy girl - and unlike Sorawo, Kozakura knew that side of her from the start. Kozakura is clearly not afraid or incapable of conveying her displeasure, but nonetheless makes the conscious, harder decision to make Toriko feel comfortable enough to stick around.
Kozakura unexpectedly grows more accustomed to taking care of Toriko, plus her new sidekick Sorawo, over time. So much so that by the time Vol 6 rolls around, she pretty much gives up her house and lets our dynamic duo do what they want. By extension, I think her guilt over not doing anything to help Toriko in the past was a driving factor behind her decision to take in Kasumi. In a sense, it's a do-over, and now she's right there from the start to make sure the train doesn't derail. I'm happy to reveal that her efforts have paid off - Kasumi's communication abilities have greatly improved in Vol 9. Now the kid says hi, eats ice cream on the couch obediently when ordered to do so, and quotes entire Wikipedia pages psychically or whatever.
The complicated vortex of envy, jealousy and guilt doesn't stop Kozakura from trying to do right by Toriko, but that doesn't mean it's easy to face her either. Coupled with Sorawo's many similarities to her missing crush (emotional erh, robustness, vague physical resemblance, bravery regarding all things Otherside) and the lack of a complicated interpersonal history, it's no wonder why Kozakura intuitively prefers talking to our protagonist than the poor Bird Girl she allowed to be manipulated. And I don't think she's very conscious of this inclination herself.
Personally, I prefer this interpretation of Kozakura's behaviour, rather than the more popular everyone-likes-Sorawo take (not that it's not valid, unsupported, or fun). Also, this is my all-vibes no-evidence theory, but Kozakura totally seems to me like someone who'd only be into older women, not younger...
But that's probably just me projecting. I relate to Kozakura's position quite a bit, as a late-20s woman who leads a team of mostly early-20s younger women fresh out of university, like a naggy mother hen.
Many stories depict difficult situations from the eyes of a victim, survivor, or even perpetrator, but not enough explore the guilt of someone who acknowledges that she could've stopped a bad thing from happening, in my opinion. And she forces herself to atone by proactively keeping an eye for these girls. While maintaining that superior holier-than-thou attitude towards her kids lol. Ahhhhhhhhhhhh I love Miyzawa's takes so much.
This is a 5am, caffeine-fueled ramble. It's not particularly insightful or profound, but I have a lot of energy right now and decided to pen down these surging thoughts.
And yeah - buy the manga! The Kozakura POV shorts add such a rich dimension to these already-deeply introspective novels, and personally I think it really highlights Miyazawa's hyperawareness of complicated, problematic interpersonal dynamics.
PS. I wonder how many volumes we have to reach before finally knowing Kozakura's first name lol.

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otherside picnic is the only series I can think of with what I am going to call "load bearing aromanticism". What I mean by that is that the sorawo's aromanticism cannot be separated from the overall construction and structure of the story. It actively drives the plot.
The core concept of the Otherside is a space where the normal expectations of humanity interface with something outside the norm of human experience; the core concept of Sorawo and Toriko's relationship is a space where the societal normal expectations of romance interface with something outside the norm of romantic experience. Giving Sorawo an amatonormative set of attitudes would detract from the story that is being told.
not normal about this psychopath