Volunteer Tourist-A Needed NaĂŻve Hope
In the beginning of our time here in Rwanda, our professor Pastor Anastase told us, âWhen a Rwandan man cries, his tears go inside.â But a heart can only carry so many tears, and at the point of overwhelm and overflow, the Rwandan man must choose to either drown or cry. That afternoon, in the social worker office of Streets Ahead Childrenâs Center Association (SACCA), T. cried.
This man, for whom the only thing bigger than his heart was his smile, cried. How could he not? How did he not? I had already cried countless times, though I had been here a mere four weeks, as a volunteer with a three hour lunch break. He had been here for over six years, spending every waking minute doing all he can to change the fate of unloved children from poverty to possibility. The very beating of his heart was set to the rhythm of their dancing, their football playing, their wandering on the streets in search of something and someone, their childness guarded by fear and a makeshift fence of confidence, their corroding of the fence by an unexpected sprouting of trust. As the Rwandan drums seemingly unceasingly echo on the thousand hills, so T.âs heart continued to beat. As the drums must be most strong, confident, and unwavering when the dancers are most tired, so T.âs heart beat loudest when the childrenâs hearts could not.
But I knew why he could not cry. Itâs the same reason why the sun reflects off of peopleâs smiles the brightest in the darkest valleys. Within this culture, smiling is the prescribed cure for every ailment, for âthis is life.â Joy is shared and sorrow withheld, for why should we burden others who undoubtedly carry enough of their own? No, we should not. So let us smile, so that the sun may again be bright in this dark valley.
However, two months was obviously not long enough to completely assimilate this muzungu.
I have cried through sorrow, anger, then desperation, pausing as I passed through the brief, choking darkness of hopelessness, and beginning again at the flickered return of sorrow. A mother who fed her son but not his twin sister, who left precious baby girl for dead. A policewoman who slapped a seven year old boyâs face for leaving the home of a stepfather who beat him.
I have cried through awe, bliss, love, then celebration, pausing as I encountered reality too beautiful and fragile to be met with anything less than disbelief, and beginning again when I was finally convinced to believe. The girl who didn't believe she could, celebrating when numbers found their place in her mind. The small boy with the slapped face giving away the bracelet I made for him as if he owned the world though really he owned nothing.
That afternoon, as I sat beside T., I didn't know whether to celebrate rain after a drought or to mourn the sentencing flood. But I did know that, considering all the variables, there was at least some good of my being here as a volunteer tourist. You see, tourists are notorious for breaking the rules of the culture, both intentionally and not. Some may call it boldness, though more commonly it's called ignorance or stupidity. But in this moment, he needed a person bold or ignorant enough to tell him it was okay to cry, though everyone else around him said it wasnât.
Tourists are also pretty good at recognizing beauty. I mean, thatâs why they tour. To see beauty. Contrastingly, ask anyone who lives near a tourist hot spot how many times theyâve visited that place. My guess is not too many. It seems that the longer time spent in proximity to a phenomenon, the easier it is to see its beauty as common. I think similarly, it is possible for the beauty of these children and of SACCA as a whole to become common. Tourists can remind the world again of that beauty.
This is why SACCA does not say goodbye to one volunteer without saying hello to another. They need people bold and stupid enough to resupply their waning pre-discouraged hope, to convince them again that the work they do is inspiring, and to prove it true. They need people to carry in unrealistic dreams, for when reality is so harsh, so loud, there is no way to dream. They need people to interrupt the cycles theyâve clung onto by necessity. They need people to show them the small paths with stubborn flowers sprouting from the cracks and convince them that itâs safe to walk down. They need people with romanticized passions to relight their fires that have burned out.
For four weeks, I was that tourist. I fell in love with the beauty within each of those boys and girls, in the purpose and work of SACCA and its staff with an empathy not yet worn down by reality. I expected and requested and demanded, sometimes boldly, sometimes brashly with naĂŻve hope of healing the hurt around me.
So was it worth it? Was everything worth it? For me, maybe it was.
-March 28, 2017, SACCA, Jamie-Claire Chau














