Seeing Comes Before Words

Currently on view as part of Porzellan Manufaktur Allach at Anat Ebgi

144 x 480 in. (366 x 1219 cm)

from “Durian on the Skin” at François Ghebaly 

From CFHILL’s L.A. Dreams 3 Light Touch exhibition 

Michel Majerus in his studio 

by Shirt

140 x 100 cm

65 1/2 x 43 1/2 x 1 1/2 inches; 166.5 x 110.5 x 4 cm

72 x 60 inches (183 x 152.5 cm.)

66 x 58 inches (167.6 x 147.3 cm)

Tyrrell Winston’s studio in New York City

by Robert Rauschenberg

Virgil Abloh’s Lumiere Diamond Chain

“One can list the critic’s minimum qualifications: that he should understand the processes or art, if possible by personal experience: that he should have looked at many works: that he should have a sense of history: that he should have a finger on the pulse of significant contemporary affairs: that he should make himself familiar with all the different divisions and levels of taste in our society: that he should know something about the way artists live and the conditions of their employment (or unemployment): that he should be at least equally concerned with those who challenge the fashions as with those who make them: that he should follow, if only as an amateur, the development of the other arts besides his own: and over and above all this, that he should have a passionate love for art, that he should never forget, however trivial certain situations in which he may find himself, that art is one of the noblest achievements of man.“