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Also shout out to the incredible actors in the Rise and Fall of Sanctuary Moon scenes, that was some truly amazingly terrible acting from a bunch of award-winning stars XD
Murderbot quoting The Rise and Fall of Sanctuary Moon in episodes 1 and 2
[4 and 6]
Bonus:
It’s also so haunting that coming to sentience and deciding not to kill multiple times wasn’t enough to save murderbot because this isn’t how the system is designed
I’m also thinking how I’d translate the dialog of murderbot for a Yiddish dub because this show is one of the best golem adjacent things I’ve ever seen and realised how fun it would be for presaux to sound like bundists

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I’m out of practice at controlling my expression
I haven’t yet read the Murderbot books so I don’t want to discredit them, but I do know that Martha wells was involved in the show production and while apparently the books had a more explicitly physically mechanical machine-human hybrid Murderbot that was purposefully made to /look/ less human, I can’t help but think that the show did something really interesting on its own terms and seemed to be responding to a very long running theme of explicitly human-shaped and human looking or even human-filled expendable Imperial Bad Guys in media in everything from battlestar galactic to marvel movies to overwhelmingly and especially Star Wars. It isn’t to say that Murderbot is SOLELY a riff on Star Wars - I’d actually say that the internal main plot reminded me a lot more of old Trek - but the overwhelming structure really reminded me of the classic Fight the Empire/Corporation With Unlimited Violence sci fi plots that often requiring side stepping whom those soldiers actually are. thus:
(And yes, Star Wars has kinda sorta tried to bring in these questions with Finn, an explicitly Black character in a way that the show’s Murderbot absolutely is not, which is important to acknowledge. As is SW being totally unaware what to do with Finn and the implication of the stormtroopers being persons in the imperial system given that a whole planet of them was blown up by the end of the movie and the sequel trilogy ended up completely sidelining Finn and John Boyega. And the fact that Murderbot is played by the only white man in the show’s entire cast. That being said, this is berg much want the initial helmet reveal reminded me of:
Further spoilers below cut
one really underrated aspect of Murderbot is that not only does it have a central cast with only one white man, it also has multiple women of color over 40 in the main cast which is something where the bar is kind of on the ground but… it’s so refreshing to see, especially in a show about professional scientists. Noma Dumezweni who plays Captain Mensah a Black woman who is 57, Tamara Podemski who plays Bharadwaj is an Indigenous and Jewish woman who is 48, and Tattiawna Jones who plays Arada is a Black woman who is 41. So that’s 3/7 of the central cast and that’s just really cool to see in a show about highly skilled professionals that finally has people in the age range of highly skilled professionals.
I just finished the murderbot show and well that will stick with me for a long time
Noma Dumezweni as Ayda Mensah MURDERBOT season 1

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One thing I haven't heard people talk about. In the finale Murderbot says "may I have my armor" not "will I need my armor" not "do i need my armor" it asks "may I have my armor" and it is denied.
It is denied because PresAux doesnt hear the question for what it is. They hear "will I still need to be a killing machine" when thst is not ehat it is asking. PresAux is trying so hard but murderbot needs to check the perimiter because, not intentionally, its first ask once it is told its allowed to choose is denied.
Idk if this is coherent its 1 am and I am watching the finale for the 7th time and I just realized how important that one exchange is. It feels like its lost its purpose snd it needs to find it. It cant have its armor and it needs to find out what that means
Imagine if you found out your Roomba just. Deleted a portion of your home layout to make space for all 15 seasons of Supernatural. Well, my friends from PreservationAux don’t have to wonder.
627 Ithakan soldiers on a boat, 627 ithakan soldiers on a boat, kill seven off, splash em around, 620 Ithakan soldiers on a boat
a slaughterhouse. an outlet mall. slot machines. fear of god. you know the usual
fuck it I’m learning Greek

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My scorching hot take on Christopher Nolan Presents Homer's The Odyssey is Tom Holland having his mind blown while filming this, then going back to Marvel to and being all "Why did no one tell me that you can, like, have a finished script before you start filming and a cinematographer who has all the shots planned before filming instead of figuring it out in post, has anyone else heard about this?" is pretty funny
Visionary Director Christopher Nolan's controversial directing style of "telling actors what's happening in a scene when they're filming"
https://www.lrb.co.uk/the-paper/v40/n08/colin-burrow/light-through-the-fog
This article from years ago is stunningly good. It focuses on the issues of active interpretation involved in in translation and how e.wilson went about the task but simply many of the cultural issues involved in any kind of homer interpretation and translation, and it’s also drily funny in a kinder way. The interaction at the bottom I also found to be telling, to say the least.