we're not kids anymore.
Cosimo Galluzzi

Product Placement
One Nice Bug Per Day
NASA
untitled

tannertan36
Three Goblin Art

Kaledo Art

Origami Around

pixel skylines

Kiana Khansmith

Andulka

oozey mess
trying on a metaphor
taylor price
sheepfilms
Keni
seen from Netherlands

seen from United States
seen from Brazil
seen from Mexico

seen from United States
seen from Costa Rica
seen from Mexico

seen from Morocco
seen from United States
seen from Mexico
seen from Mexico

seen from Mexico
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
@rotzaprachim

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
ok I’m armchair planning my first trip to Southeast Asia (my family’s general homeland - my moms father from the Philippines and my godmother from Vietnam) and omg found a very well regarded fair trade women’s collective in Laos that has a super cute guesthouse and classes on weaving, silk dying, and batik… my dreams can become reality
I’m not entirely sure you can write a “feminist retelling” of the odyssey from the perspective of a single female character because where the position of women becomes so interesting in the context of the epic is as a collective and how simply inescapable the presence of women is as the major scaffolding of the entire story. it is not imho the physical journey home that is the major backbone of the odyssey nor Odysseus on his boat with his men, but the consistent metaphor of weaving which reflects womanhood as an identity that is actively constructed and physically tangible in the cloth and clothes he is constantly having to receive from the xenia of other people, and this forms the connecting sinews between a lot of parts of that are slightly smaller but that ultimately do end up forming the physical bulk of the narrative - Athene, penelope, eurycleia, melantho, Helen, calypso, ino, nausicaa, arete, Circe, Persephone. The story starts with Athena’s actions and it ends with her too. Odysseus is undoubtedly gendered as male but he moves through a world in which the individual actions of diverse women stitch into an inescapable web. Even when Odysseus goes to the land of the dead its Persephone’s land. He meets the blind seer but he also meets his mother
I guess I’m not against the specific point of view limitation and I have fiddled with it myself and find it interesting, so much as the current publishing need to do this at the same time I don’t think I’ve seen a single modern adaptation/retelling that really includes what a major presence women as a whole are in the odyssey. I think I’m haunted now I’m actually reading it by how the retelling tends to restructure the story specifically in a way that limits their centrality in the narrative (to focus on Odysseus’s quests before Ithaka! Which is fine! Not a bad thing! But has lead to a social construction of the odyssey in which women collectively hold less space in the text than in the original odyssey, and it’s from this perspective of semi-erasure the new retellings are working from. You can’t put a voice back into the story in the space of the erasure of the voices already there
the reason I put feminist retelling in quotation marks is that I am not against the feminist retelling per se as a thing that exists!!! Just the execution
but I think the actual under discussed elephant in the room here is not the issue of the “feminist retelling” but the inverse, the normalized “masculinist retelling” that forms the majority of adaptations and popular consciousness about Homer’s odyssey specifically, where the version that the general public is aware of and that’s formed the bedrock of general retellings for a while one is not a slight deviation but a significant reworking of the entire structure of the text that centers a (more) linear retelling of odysseys and an all-male crew having present-tense adventures among islands instead of the past-tense recalled narrative amidst a complex array of mixed-gendered domestic environs in which women are far more actively present in every way. I’m generally kind of wary of people talking about the Correct Text versus the wrong text or Rewritten versions because it can leave out the operative fact that everything is retelling and interpretation but in the case of Homer’s odyssey it is really undeniable that the base structure of the whole text has been rewritten to fit a more pleasingly male-centric narrative about men doing adventures in a way that has really worked to recenter Odysseus as only and sole lead of the work and sideline the collective voices of women and their social world from being active and central members of the text! The entire thing has to be gutted and resewn to make Odysseus into that! Ironically this series of versions does just as much as say Madeline miller to restrict the entire text but while EVERYTHING is obviously a perspective it’s a very very certain perspective on how to adapt Homer that’s become very mainstream and idk, even stuff like epic the musical or Nolan’s odyssey doing this at least as intensely as any feminist retelling
(also like hmmmm i think this isn’t a men versus women thing so much as a way we tell this narrative but I think also!!!! These tellings really do Odysseus a disservice from what a complex character he really is in the odyssey and one we largely learn about from how he interacts with other people, particularly women! So much of who he is and what he does is about being this survivor who is no longer really a cool sexy war soldier because there is no war and yet he has the trauma, it’s just that as per Homer’s original text much of that trauma is due to the combined effects of years of rape and imprisonment and isolation and this has definite effects on the ways he contextualises the world and the people around him! So I’d really love to see and odyssey that digs into Odysseus himself in this wider and largely female context and that like, focuses on the fact he’s a male survivor of rape and a refugee who washes up naked on other people’s shores and that this has a massive impact on his narrative and how he views people)
the thing about the omg why are the women in the odyssey just sitting and weavinggg thing is that like I am absolutely not here to argue they are NOT living patriarchally confined lives! But the social situation in the odyssey is not a divide between getting to go on a cool YA anime magic quest with a sword or sit home and do nothing. The social setting in the odyssey is that the war is over and the war was a real war, which means it fucking sucked and people died. Odysseus’s men have died. “Why doesn’t she get to pick up the cool swordy thing?” Because the men who picked the cool swordy thing up are literally dead and often for reasons far beyond their personal sphere of control and they aren’t here any more and who is are women with their looms
blah blah odyssey is composite text of many parts blah blah very valid to only focus on one part of it blah blah everything is an interpretation HOWEVER the fact of the matter is that the vast majority of odyssey retellings recenter a frame story about one (1) man and the complex networks of women that overwhelmingly weave together the strands of a post war society in which the vast majority of preciously named male characters have died. In order to be a cool story about men as a whole
the opposite side of the pendulum to “Shane would abort that thang” to me is “Ilya would not leave any child he was even mildly responsible for to play hockey 200+ nights a year” like he would either hold off having kids till the hockey was done, or have the abortion, or if it was biologically someone else’s kid forced on him by whatever scenario he would quit the hockey.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
there’s really such interesting content with travel influencers in terms of like, the one reality of the fact places CAN be very different and that anywhere on earth can break a person down and being overwhelmed by any one area and its problems is not a moral failing. And then on the other that they follow absurdly different logical processes while in China or India or Central America than in their home countries. Like there’s an Australian guy who made a three part series about how “Indian broke him” and he left disgusted and traumatized and then it turned out his entire travel channel is dedicated to finding extremes and quirks of human behavior and his trip to India was largely following a path between kooky religious figures and extreme cultic practices like surely the way to find the normal and of human behavior and cleanliness in any nation. I went to the U.S. between Westboro Baptist Church and Provo Utah and their behaviour shocked me!
I couldn’t make this level of chutzpah up if I tried (the rats in the individual India photo are in a rat temple. Where he went)
there’s really such interesting content with travel influencers in terms of like, the one reality of the fact places CAN be very different and that anywhere on earth can break a person down and being overwhelmed by any one area and its problems is not a moral failing. And then on the other that they follow absurdly different logical processes while in China or India or Central America than in their home countries. Like there’s an Australian guy who made a three part series about how “Indian broke him” and he left disgusted and traumatized and then it turned out his entire travel channel is dedicated to finding extremes and quirks of human behavior and his trip to India was largely following a path between kooky religious figures and extreme cultic practices like surely the way to find the normal and of human behavior and cleanliness in any nation. I went to the U.S. between Westboro Baptist Church and Provo Utah and their behaviour shocked me!
Obsessed with this hotel in Navarra, a couple of hours drive from where andor DID film, that does an infinitely cooler job imagining a retro future wheat growing colony. And is immediately adjacent to this nature preserve:
And then these adorable wee tree houses in the forest that could have easily been doctored for yavin and provided some neat shot angles.
Also in Navarra
Obsessed with this hotel in Navarra, a couple of hours drive from where andor DID film, that does an infinitely cooler job imagining a retro future wheat growing colony. And is immediately adjacent to this nature preserve:
Screaming at this hot fashion some luxury hotel reviewers were apparently wearing in CDMX

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
it really bothers me that the discourses of the tourism industry focus on simple question of YES tourism or NO tourism that allow people to pat themselves on the back about Those bad people tourists rather than us good people and kind of refuse to get into the economic issues of tourism. Like tourism is an industry. It’s not an inherently good industry but it’s also a complex one and these discourses tend to leave out
a) tourism often emerges in the mass built form in areas that were previously destroyed by poverty and/or colonial or feudal systems. It means that tourism CAN be this very exploitative continuation of a Neo colonial system but it frequently also means that these simple newspaper descriptions of BEAUTIFUL LOCAL UNPERTURBED LANDS are often total state of nature noble savage bullshit when the towns they’re showing are like, sugar plantation company towns. It makes the decisions by local governments and communities - not always solely conservative - to bring in tourism as an alternative to pre existing destructive industries into something much more complex.
but if I see one more good old idealized “real” village and it’s the cabin of an indentured worker from the sugar plantation era I will scream.
2) so few of these conversations take tourism as an industry seriously. So many of these problems are definitively economic. If the only answer is “don’t visit” then what is the alternative source of income going to be? Is the shock of a lack of visitors going to undercut incomes enough as to make smaller properties vulnerable to being bought by larger conglomerates? The overriding thing with many kinds of beach tourism especially is that it tends to be totally monopolized by massive multinational corporations that can actually have more influence than local governments and this is, specially, a definitive economic problem of monopolies, but it’s so rarely treated as an economic problem in this way even by left wing circles, and the solutions are so rarely conceived of in terms of how to a) break monopolies and b) provide serious other income streams than tourism. Even in left wing circles. It’s always DONT GO TO X LOCALS TELL YOU NOT TO and the story with locals is often so much messier and specifically about economics but it always comes down to demonizing supposed tourists rather than seriously unpacking the economic issues in normie ways
What the fuck this years worldcup.
Quebec City I lahvvv you. I’m in loveeee
We need more women characters who are Male Protagonists. You know. Slightly haggard. She's splashing cold water on her face and gripping the edge of the sink staring in the mirror for a minute. She's coping badly with her deadwife
Ok listen I get that people tagging posts with men is a rule of physics on this hellsite but it's kind of bizarre how badly some of you have failed the assignment on this one. A generic male protagonist archetype who is a man is nothing. That's just the normal cliche I'm talking about subverting. What?
Meanwhile in québec

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
travel influencers with WHAT THE MEDIA HIDES or the side of (blank country) the MEDIIA WONT SHOW YOU are driving me bananas like
a) you’re the media
b) the media in question tends to be talking about a specific problem. You might not encounter this problem in your first two days in the country as an obviously foreign tourist with money
c) a lot of these guys do way more woooooh sketchy scary clickbait stuff than many mainstream media sights do in the first place. To make themselves look intrepid for going there
I love travel bloggers with clickbait because in the last couple days I’ve found
I don’t trust the MEDIA so I went to Mexico to discover for myself (cover photo with ai narcos and desert). Guy ended up going to the historic centers of cdmx and Oaxaca and was shocked how safe he felt because this went against the media lies about narcos
I went the a FIVE STAR HOTEL in Bangladesh to see what the media won’t show you (lady in video excited by how purpose built modern brick with helicopter pad and armed security is what the media won’t show you)
travel influencers with WHAT THE MEDIA HIDES or the side of (blank country) the MEDIIA WONT SHOW YOU are driving me bananas like
a) you’re the media
b) the media in question tends to be talking about a specific problem. You might not encounter this problem in your first two days in the country as an obviously foreign tourist with money
c) a lot of these guys do way more woooooh sketchy scary clickbait stuff than many mainstream media sights do in the first place. To make themselves look intrepid for going there