From today until 17 July, I will be in Wiltz for an artist residency, making a series of birdhouses and feeders from natural and upcycled materials, meant for public spaces — plus a new textile collection for my upcoming solo exhibition in Bulgaria in late autumn.
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On June 12 at 17:30h, the exhibition PSEUDONATURE 2.0 will be opened to the public for the first time in Bulgaria at the Regional Ethnographic Museum. The project is an adaptation of the Bulgarian pavilion at the 19th Architectural Biennale in Venice in 2025.
PSEUDONATURE 2.0 brings the installation from Venice to Plovdiv’s Old Town, where the topics of climate change, technological simulation and artificial intelligence confront questions of national identity, cultural memory and contemporary reality in Bulgaria.
Opening: June 12, 2026, 5:30 PM
Exhibition: June 13 - August 15, 2026
Location: Regional Ethnographic Museum - Plovdiv, 2 Dr. Stoyan Chomakov Street
I was invited to take part with two of my works in the group exhibition of textile art at the historic Deveci Han, curated by Attila Güllü for the first edition of the Edirne Biennial. The Biennial is open to the public with free entrance until 28 June 2026.
𝗛𝗮𝗶𝗹𝘀𝘁𝗼𝗿𝗺𝘀 𝗮𝗻𝗱 𝗗𝗲𝗺𝗼𝗻𝘀: 𝗠𝘆𝘁𝗵𝗼𝗹𝗼𝗴𝗶𝗲𝘀 𝗼𝗳 𝗕𝗮𝗱 𝗪𝗲𝗮𝘁𝗵𝗲𝗿 documents a textile artwork by Rosie Eisor. The carpet was a central element in the interior of the exhibition PSEUDONATURE at the Bulgarian Pavilion, curated by Iassen Markov for the 19th Venice Architecture Biennale.
Made of tufted wool and measuring 270 x 480 cm, the work depicts three Hailstorms – malevolent demons from Balkan folklore, considered rulers of the natural forces. The idea of the carpet as part of the exhibition presents an allegory for the entangled relationship between humanity, artificial intelligence and nature.
Technical details:
27 × 19.5 cm, 40 pages
Cover/Body: Munken Polar Rough 150 gr
Hand bound with blue thread + pompom
Printed on a RISO Comcolor at @ateliersdutoner
Edition of 100 copies
Hailstorms and Demons: Mythologies of Bad Weather The publication “Hailstorms and Demons: Mythologies of Bad Weather” presents a handmade ca
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What happens when the enemy disappears? This bilingual photobook is an archive of personal memories and “scattered evidence” of the young counterculture that emerged in Bulgaria in the late 1970s and 1980s. The greatest paradox occurred after 1989: a movement that had thrived on marginality was temporarily brought into the mainstream to serve as a symbol of the society it had resisted. A document of a decade of change in which rebellion against the monolithic state turns into a rejection of the new reality as well.
Limited edition of 50 copies — a collector’s piece for historians, artists, and memory-keepers.
Bulgaria 1985-1995: Everything, but not fatigue by Blood Becomes Water What happens when the enemy disappears? This bilingual photobook is
Production & Credits
Dimensions: 22 × 14 cm
Pages: 62
Cover: Flexible grey cardboard (300 g/m²)
Interior: Munken Print White (300 g/m²)
Binding: Screw-bound (15 mm)
Printing: High-quality digital print
Languages: English / Bulgarian
Edition: 50 numbered copies
Editorial & graphic design: Raya Boteva
Communication with sources: Rosie Eisor
Proofreading: Svetoslav Todorov, Sarah Schug
Photography by: Alexo Petrov, Butch from Haskovo, Dimitar Kolchakov, Emil Bogoev, Georgi Kazakov, Ognyan Angelov, Tsvetan Polomski
Archival materials courtesy of: Imaginary Archive by Tihomir Stoyanov, Krumcho Valcho, Zhoro Martinov
The "Medium Wave 352.9 Metres" is an abridged, prototype photobook of which only five copies exist. It relates to the golden age of Radio Sofia, featuring photographs of the interior of its then-new building (1942). The book also includes several pages from an annual meeting report, documenting the work of the sound-recording team.
Concept: Rosie Eisor
Cover: Raya Boteva
28 pages, 21 x 29.5 cm, printed in black and white on 300 gsm recycled paper, hand-sewn with yellow thread, and individually numbered.
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We had a great time at the fair! It was a pleasure to present our four new publications and hear your thoughts on them. Shout out to the organizers for the invitation and to all the visitors, creators, and fellow book lovers who made the atmosphere so inspiring.
📷 Photos 1, 6, 10, 13, 16 by Beetle Vacauteren | Kanal - Centre Pompidou
Our participation was made possible by the Mobility Programme of the National Culture Fund of Bulgaria.
“The Bearded” is a limited edition book, developed as a collaboration project between Blood Becomes Water and Imaginary Archive by Tihomir Stoyanov. Through an extensive collection of photographs, the book explores the image of Dyado Mraz from the 1950s to his gradual disappearance after 1989.
Dyado Mraz (Grandfather Frost) and Santa Claus are two almost identical figures from the far North, but whose cultural journeys in Bulgaria are extremely different. The book captures Dyado Mraz’ school visits and the “exciting” moment of handing out gifts to children during the communist rule in Bulgaria. A brief accompanying text suggests the figure’s centuries-old roots, tracing the “good old man” from ancient mythology, Elin Pelin’s writings and Christian charity up until the moment the regime seized the country, leading to the outright banning of Christmas and the compulsory imposition of Dyado Mraz as the sole, ideologically “correct” figure.
The Bearded "The Bearded" is a limited edition book, developed as a collaboration project between Blood Becomes Water and Imaginary Archive
Dimensions: 14.8 × 10.5 cm
Pages: 106 pages
Cover: Flexible; Matt Coated paper (FSC) 300g/m², gold lamination
Body: Matt Coated paper (FSC) 170 g/m²
Binding: Glued square spine (11.5 mm)
Printing technique: High-quality digital print
Language: English / Bulgarian
Edition: 100 copies
Editor: Raya Boteva
Graphic design: Rosie Eisor, Raya Boteva
Illustration: Rosie Eisor
Proofreading: Hristo Kaloyanov
Photography: Imaginary Archive by Tihomir Stoyanov, Central State Archives of Bulgaria & personal contributions.
Cover typography by Robin Renard
Мои творби са включени в изложбата „НОВОТО ЦЕННО: Съвременно занаятчийско изкуство от България“ в музея „Етър“, Габрово. Куратор: Росина Пенчева. Изложбата продължава до 15 ноември.
В допълнение, няколко кадъра от демонстрацията, която се проведе по време на Международния панаир на традиционните занаяти.
We are happy to announce our participation in Brussels Ass Book Fair 2025 from 28 to 30 November at K1.
Organized by the Paris Ass Book Fair and KANAL-Centre Pompidou, the Brussels Ass Book Fair is dedicated to independent art publishing and will host fifty-five exhibitors from Belgium and abroad, complimented by a public programme of live events, music, talks and more.
For the full list of exhibitors and fair programme, visit https://brusselsassbookfair.be/
Our participation is supported by the National Culture Fund of Bulgaria / Mobility programme.
My latest tufted wool rug, made for the 'New Valuable' group show. Curated by Rosina Pencheva, the exhibition is on view at the Regional Ethnographic Museum ETAR in Bulgaria until November 15th.
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One month remains. Don't miss the "HAILSTORMS AND DEMONS: Mythologies Of Bad Weather" carpet at the PSEUDONATURE project in the Bulgarian Pavilion before the Venice Architecture Biennale closes for good.
Opening hours: 10—18h
Closed on Tuesday except the last week of the exhibition
Venue: Sala Tiziano, Center Culturale Din Orione Artigianelli, Venezia