Facts.
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@rosevintagedreams
Facts.

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I think you like being noticed before you have to explain yourself. The tiny changes. The shorter replies. The way your energy drops when your head gets loud. You act like you don’t want anyone looking that closely. Cute lie. The quieter you get, the more I watch. Not loudly. Not softly. Carefully. That’s usually where the truth starts leaking.
The soft side of submission is what most people explain badly. They make it sound weak. Or needy. Or like someone just wants to be controlled because they can’t handle themselves. Wrong. Sometimes submission is just the first quiet breath after holding everything together all day. It’s not always begging. Not always being used. Sometimes it’s being told to eat. To sleep. To stop overthinking. To put the phone down. To come closer. Sometimes it’s not losing yourself at all. It’s finally having somewhere safe to put the weight.
there’s something almost sinister about how Shadow Lord handles Maul… and I don’t mean in-universe. I mean what it does to us as the audience.
because tell me why I caught myself multiple times leaning forward like, "oh… this might actually work." "oh, i would like to see what happens," like I was considering it. like I was ready to watch Devon fall and go, "yeah, okay, I get it, I support it."
and that’s the trap.
this whole time, we knew who Maul is. manipulator, survivor, (at one point) a victim, walking vendetta wrapped in charisma, Sam Witwer voice, and cool tattoos. him technically not being a Sith anymore doesn’t cleanse anything. it just makes him more unpredictable. he’s not serving Sidious anymore, he’s serving himself.
and still… the show makes you feel for him.
that last episode especially felt like emotional whiplash in the best, most unsettling way. one moment you’re watching him inch closer to getting what he wants; Devon as an apprentice, and there’s this creeping tension where you think, "is it really gonna happen?" and then the next moment he’s practically delivering Master Daki to Vader like a calculated sacrifice.
and it snaps back into place.
oh. right. he’s awful.
but it doesn’t stick, does it? because then Daki dies, Devon is angry and shattering the way Maul wants.
and Maul... Maul has that moment. that barely-contained smile. that flicker of satisfaction he tries to hide while feeding her anger, sharpening it. "we will have our revenge." and suddenly you realize something deeply uncomfortable:
he’s not just manipulating her.
he’s been manipulating us the entire time.
because why are we feeling anything close to hope when he speaks? why does his pain feel compelling enough to blur the lines? why did I, even for a second, forget that wanting Devon to follow him is wanting her destruction?
it’s not just character writing at that point. it’s narrative sleight of hand.
and honestly? I have to give it to the writers. because making Maul likable isn’t new. making him tragic isn’t new. but making the audience complicit in his manipulation? making us feel the pull of the dark side alongside the characters?
that’s something else entirely.
it’s unsettling. and it works a little too well for my liking.

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always funny to remember darth vader is anakin skywalker. the adrenaline junkie chucklefuck who used to dive head first out of speeders and built a pod racer in his yard when he was like six is now upper-middle management for the evil empire. half of his appearances in the original trilogy are Meetings. vader spends like 80% of his time dealing with bureaucratic bullshit. status updates. team meetings. holo-Zooms. budget rundowns. anakin betrayed the jedi and caused the fall of the republic and his punishment is being CC'd on every email forever. and you know what. he would hate that. the punishment fits the criminal
THE GOLDEN GIRLS 2.03, “Take Him He's Mine”
What are we holding on to, Sam?
Can I watch you pee and suck your thumb for my mental health?
She was amazed to discover that when he was saying, 'As you wish,' what he meant was, 'I love you.' And… she truly loved him back.
THE PRINCESS BRIDE (1987) dir. by Rob Reiner THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING (2001) dir. Peter Jackson

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"My pretty girl" during mating press.

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Hand Embroidered Silk Velvet Evening Gown
c. 1934
Augusta Auctions
olivier theyskens rtw autumn 2o19