About Gaza Funds
Sade Olutola
Cosmic Funnies
Not today Justin
KIROKAZE
I'd rather be in outer space 🛸

shark vs the universe

art blog(derogatory)
2025 on Tumblr: Trends That Defined the Year
d e v o n

Origami Around
PUT YOUR BEARD IN MY MOUTH
Show & Tell

pixel skylines

bliss lane
Noah Kahan
Monterey Bay Aquarium
untitled

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@ribspureheroine
About Gaza Funds

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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dear brain shut up pls
Hopi overlay bola ties by Lawrence Saufkie. The Kachina mask (left) is a favored Hopi theme; so too is the maze (right) borrowed from the Pima. Scanned from the book Ray Manley's Portraits & Turquoise of Southwest Indians; 1975

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Galápagos hawk hitching a ride on a giant tortoise By: Tui A. de Roy From: Wildlife of the Islands 1980
Xu Ziqi.
aboditransylvania
audience

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Night in the Red Room by Esther Sarto, 2017
National Geographic’s Travelling the Trans-Canada, 1987
boboli gardens
Existing in 2026:

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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But seriously though. Learning to draw fat people will make you a much better artist. Understanding how skin and fat behaves and folds in certain poses, and being able to adapt complex poses to fit a fat body (as usually references are with thin models) will help you TREMENDOUSLY. Drawing fat being properly affected by gravity will aid you in ALL figure drawing in the future. Like if you have any sort of interest in drawing humanoid figures (AND furries) you really ought to learn how to draw fat of all kind.
Your local African wildcat, the extant wild ancestor of the domestic housecat.
Taken in Kruger National Park, South Africa Photographed by Philip Venter