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tricky by david lachapelle 1996

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Charisse Pearlina Weston
a density of soft gliding light, 2025
Photographic decal, mirropane, cast concrete
45 1/2 × 27 1/2 × 11 in | 115.6 × 69.9 × 27.9
Charisse Pearlina Weston, breach (a notion of freedom), 2019 layered, slumped, and manually folded glass, photographic decals, high-fire enamel, and etched text derived from work by Frederick Douglas and David Walker | dimensions (without pedestal) : 26x30x5”
This photographic series was created alongside An Appeal, and transcribes the poetic spoken components of that sound installation which were formulated from David Walker’s An Appeal in Four Articles (1829) and Frederick Douglass’s famous speech “The Meaning of the July Fourth for the Negro.” (1852).
photo credit: Paul Salveson
Website of visual artist Charisse Pearlina Weston.
Kehinde Wiley, Bound, 2015. Bronze.
WANGECHI MUTU
The Original Nine Daughters (8 of 9)
(2012)
One from a suite of nine etchings with aquatint, linocut and collage 18 3/4 x 10 inches Edition of 30

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Wangechi Mutu Sentinel I, 2018
Paper pulp, wood glue, concrete, wood, glass beads, stone, rose quartz, gourd, jewelry 87 1/4 x 19 3/4 x 22 in. at Gladstone Gallery, New York and Brussels.
Tomasz Wawryczuk (*1966)
Hairstyles by Donna Moses 💫
By Lucrezia Ganazzoli for No Magazine March 2025
Grace Jones for Essence (1971) 🤍

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Niko Riam by Jumbo Tsui for V Magazine China April 2024
Ellsworth Kelly, Study for Blue Yellow Red V, 1987,
Oil on canvas,
4 1/2 x 4 in.,
Courtesy; Phillips
Takuro Kuwata, Bowl, 2014
by Elise Ferguson, 2017
“Portrait of George Dyer Talking,” an oil painting by Francis Bacon
1966.

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Keith Haring- Mouton Rothschild Label (1987)
Alberto Biasi
Ka lani kuānoni (The sky of changing colors)
2018