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リクエスト(4/7)
④Minamimoto with an autumn leaf or with something autumn+α
④南師と紅葉か秋の何か+α
This time, the only character was ZETTA, and the motif was autumn leaves or something related to autumn, so I decided to make it Japanese style.
今回はキャラとしてはゼタだけで、モチーフは紅葉もしくは秋の何かだったので、和風にしてみた。
When I thought of autumn leaves, all I could think of was Japanese. To be honest, I felt like drawing a Japanese style.
紅葉ときたらもう和しか思い浮かばなかった。というか正直和風が描きたい気分だった。
I decided on a kimono as a combination of Japanese style and autumn leaves, but I wanted something that felt Japanese, so I decided to add a sword.
和+紅葉で服装は着物に決まったけど、もう一つ和を感じさせる何かが欲しい…となって刀を加えることに決定。
If he wear the same kimono every time, he won't look different, so change to wearing one, half off, or one side off.
着物も毎回同じだと変わり映えしないので羽織る・半脱ぎ・片肌脱ぎに変更。
In fact, he was wearing some clothes on top as well, but somehow…he had taken it off before he knew it. Well, it can't be helped since it's ZETTA.
本当は羽織も着ているフォルムもあったのに、なんということでしょう…いつの間にか脱いでいたではありませんか。まあゼタだから仕方ない。
I wanted the color tone to be red and black from the beginning, so the atmosphere was a bit dark.
色調は最初から赤黒にしようと思っていたので雰囲気も少しダークな感じに。
In the request, ZETTA was the only one, so I was wondering if I should include other characters in the 2nd to 4th illustration like in the previous requests.
リクエストではゼタ1人だったので2~4枚目は今までのリクエストのように他キャラを入れようか迷った。
But I wanted to show Zetta and the sword!
After that, I decided on one person.
I hadn't thought about the flow at all, but COCO and KONISHI were scheduled to appear.
でもゼタと刀を見せたい!と決まってからは1人に決定。
流れは全く考えてなかったけどココや虚西さんが登場予定だった。
Throughout the whole thing, I felt that something was missing at the very end, so I added an 〇□△ design to represent the intersection of the fourth sword as an ×.
全体を通して、最後の最後で何か物足りないな~と思っって4枚目の刀の交差を×と見立てて〇□△のデザインを付け足した。
The first illustration is ZETTA + Autumn leaves as requested.
1枚目ではリクエスト通りゼタ+紅葉。
What is the composition that makes both the sword and Zeta stand out?
It was too difficult to compose, so I drew the composition over and over again in analog, and before I knew it, I had it.
刀とゼタの両方映える構図…難しすぎてアナログで何枚も描いていたらいつの間にかできた。
To create a calm atmosphere, the colors are dark and heavy, and to create a sense of dynamism, a slight breeze is used to create a wavering effect.
雰囲気は静けさを出すために色は濃くも重めに、躍動感を出すために少々風をあてて揺らぎを。
It was fun to scatter the autumn leaves on it…
I really like the leocanthus style tsuba.
紅葉を散らすのも楽しかった…
何気にレオカンタス風の鍔が気に入っている。
From the second illustration onwards, the main pose is ZETTA + sword, and I thought it would be nice to be able to clearly see the face and the unsheathed sword.
2枚目以降はゼタ+刀のポーズがメインで、できれば顔がしっかり見えるのと抜身の刀が見えるといいなと考えていた。
I want to draw from among the compositions I drew in analog, drew what I thought.
アナログで描きまくった構図の中から描きこみたい!と思ったものを描いた。
In the flow of TWTEY, Forbidden, and NTWETY, I created and drafted the shapes of one sword style, two sword style, and three sword style.
無印・禁断・新の流れで、一刀流・二刀流・三刀流の形をつくって下書き。
By the way, the shape of a normal sword swing is probably not called "one sword style", but it is labeled as "one sword style" in order to contrast it with others.
ところで普通の刀一振りの形はおそらく「一刀流」は言わないんだろうけど、他と対比するために「一刀流」と表記。
When I translated it, "Itto style" came out as a matter of course, because I almost believed it!!! Stop confusing me!!!!!
翻訳した時にさも当然のように「Itto style」って出たの、危うく信じかけたんだからな~!!!紛らわしいのやめろよな~!!!!!
The second illustration has the same clothes, hairstyle, and sword color as the first illustration.
2枚目は1枚目と同じ服装・髪型・刀の色。
The unsheathed sword is hidden in the body, but it's shown in the first illustration, so don't worry!!!!!
抜身の刀は体に隠れてしまったけど1枚目で見せているからいいか!!!!!
In battle, I think it would be nice if a noise appeared when he make a specific swing with the sword.
戦闘では刀で特定の一振りするとノイズが現れたら良いと思う。
In the final phase, I would like the space to be torn apart and thrown into another dimension like in the TWTEY anime.
最終局面では多分空間が裂けてすばせかアニメみたいに異空間に放り込まれてほしい。
At the end, gather the power at the tip of the blade and do a level imaginary explosion (=level imaginary flare)!
最期は刃先に力を集めて段階虚数爆発(=レベル虚数フレア)して散ろうね!
The third illustration is Forbidden ZETTA, which I've been excited about since I was sketching it in analog.
In a way, I feel like I had the most fun modifying it.
3枚目はアナログで下絵描いていた時からワクワクしていた禁断ゼタ。
ある意味一番楽しんで改造した気がする。
He wearing one side off.
Eroding the forbidden part it definitely suits him because it has the most surface area.
片肌脱ぎ、禁断部分の侵食も一番面積多いから絶対似合う。と思って描いた。
It's hard to tell the color of the swords, but one is black and the other is white.
It would be nice if the sword changed form along with the image of Forbidden Noise.
刀の色は分かりづらいけど一方が黒、もう一方は白。
禁断ノイズのイメージで刀も共にフォルムチェンジしていたら良い。
It would be nice if he could teleport behind you or make a forbidden noise when he make a specific swing with his sword.
刀で特定の一振りすると背後に瞬間移動してきたり、禁断ノイズが出現したら良い。
Normally, Forbidden Noise was released during TWTEY's time, but this has a lot of attack material, so it's time for Forbidden Form.
本来禁断ノイズは無印の頃だけど、無印は攻撃ネタがたくさんあるので禁断フォルムの時で。
In the scene where someone knocks him down without his knowledge, I want him to be crushed by a giant Jizo or stone lantern.
知らない間に誰かに倒されたシーンではでかい地蔵や石灯篭とかに潰されていてほしい。
The fourth illustration is the NTWETY ZETTA that I definitely want to use as a three sword style.
Since it's a three-sword style, of course one goes to the mouth.
4枚目は絶対に三刀流にしたい新ゼタ。
三刀流なのでもちろん一本は口へ。
If the other swords were swung too wide, the composition would end up looking far away, so I decided to have them cross each other.
他の刀もあまり大きく振りかぶったりするとどうしても遠い構図になってしまうので、交差してもらうことに。
The sword is all red in the image of Leo cantus Armo.
刀はレオカンタスアルミスをイメージして全て赤。
I think it's cool when he get a claw effect every time he swing his sword, or when he stab a sword into the ground and the ground cracks in the direction of the enemy and erupts.
刀を振るたびに爪痕のエフェクトがついたり、刀を地面に刺すと敵の方向に地割れが起きて噴火するいいなあ。
With certain swings, Soul Pulvis will appear and cling to the enemy, dealing damage and causing illusions.
特定の一振りではソウルプルヴィスが出現して敵にまとわりついてダメージを与えたり幻覚をみせたり。
I also think it would be nice to have a counter activate for a certain amount of time if he bring the sword in front of his face.
刀を顔の正面に持ってきたら一定時間カウンター発動したり。
I want him to fight Japanese style ZETTA in the evening or at night.
It looks best when the sun is setting or when the moon is shining brightly.
和ゼタと戦う時は夕方か夜にして欲しい。
日が沈むころか、月が煌々と輝くときが一番似合う。
It would be even better if the autumn leaves were scattered at that time.
I want a shrine scene.
その時に紅葉とか散っていたらなお良い。
神社のシーンとか欲しい。
Jump down from the torii gate.
I think it's good to sometimes use a coarse oilpaper umbrella.
鳥居から飛び降りてきてね。
たまに番傘差したりしていると良いなと思う。
Karesansui, the roof of a temple… there are endless places that would be cool to be in…
Of course, I would like the opus to be made in Japanese as well.
枯山水、お寺の屋根…居たらカッコいいところは無限にあるな…
オブジェももちろん和で作っていて欲しい。
I had a lot of fun with Japanese style ZETTA this time, and I came up with a composition that I want to draw again, so I'd like to draw it again someday!
今回和ゼタがすごく楽しかったしまた描きたい構図も浮かんだので、いずれまた描きたい!
リクエスト(2/7)
②777 and SHO MINAMIMOTO (funny if they're friends) +α
②777と南師猩(友達だったら面白い)+α
When thinking about the illustrations of 777 and ZETTA, I thought that the main thing would be a live performance.
777とゼタのイラストを考えるにあたって、メインはどうしてもライブ系したいなと思っていた。
At first, I was thinking of doing a live within A-EAST, including the members of Death March.
最初はデスマーチメンバー含めてA-EAST内でのライブを考えていた。
But I didn't know which instrument Tenho and BJ were playing, so I changed it to an outdoor live.
でもテンホーとBJの担当楽器が分からないので野外ライブに変更。
The request said, "It would be fun if we were friends." So the invisible feet are opus.
リクエストに「友達だったら面白い」とあったので、すごく仲良くなったらオブジェの上でライブさせてくれるのではと思って月を背景に立ってもらった。ということで見えない足元はオブジェだったりする。
The live on the opus is good, but the pork city rooftop is also good.
オブジェ上のライブも良いけど、ポークシティ屋上も良いよね。
If we get along well, I want you to perform live in various places. You can also make your own venue (in the sense of an opus)!
仲良くなったら色んな所でライブして欲しいな。会場も自作(オブジェ的な意味で)できるし!
Since ZETTA is the self-centered type, I think it would be difficult to be friends with ZETTA in the true sense of the word.
ゼタが自分本位なタイプなので、真の意味でゼタと友達になるのは難しいんじゃないかと思っている。
But I feel like I can get closer to a certain extent...Even so, in terms of power, it's ZETTA >>>>>> a wall that can't be overcome >>>>>>>>>>> 777, but...
でも、ある程度までは近づける気が…といっても力関係的にどうしてもゼタ>>>>>>越えられない壁>>>>>>>>>>>777になってしまうけど…
ZETTA is an image that only gets involved in 777 when there is something to do.
ゼタは何かしら用事がある時だけ777に絡んでくるイメージ。
If 777 happens to see ZETTA, he can see that talking to her will cause trouble, so I have a feeling that she will leave it alone.
777はもし偶然ゼタを見かけても、話しかけると厄介なことになるのが見えているので、そっとしておく気がする。
Since there was a mic incident, everyone in Death March seems to avoid ZETTA.
マイク事件があったのでデスマーチ全員ゼタ避けてそう。
Speaking of the mic incident, W2D4!
マイク事件といえばW2D4!
I miss the compulsory missions that I had to complete when I went to Udagawa-cho...
宇田川町に行く時にこなさないといけない強制ミッションが懐かしいね…
At that time, Joshua was annoyed, so I thought that he would do something as sarcastic as this, so I made it into a mission without permission.
あの時ヨシュアがムッとしていたので、これぐらいの嫌味はやりそうだなと思って勝手にミッション化してみた。
There are ZETTA objects, cars, and vending machines, so it must be difficult to find a single mic.
ゼタのオブジェ、車とか自販機も混ざっているからマイク1本探し出すのもきっと大変だろうな~それにしてもマイク事件の犯人と動機を知った時は思わず笑っちゃったね…
I definitely want to draw one Death March trio, so I drew the story about the mic incident.
デスマーチ3人組は必ず1枚描きたいな~と思って描いたのはやっぱりマイク事件ネタ。
Every time I see a public phone in front of Morco, I feel like it would be interesting if they were messing around with that incident.
モルコ前の公衆電話を見かけるたびに、例の事件のことをいじられていたら面白いな~という感じ。
I couldn't draw it here, but it would be nice if Nek and the others remembered the mic incident when they saw that payphone, and told everyone about it.
ここには描けなかったけど、ネク達も例の公衆電話を見かけた時にマイク事件を思い出して、皆に話してたらいいな。
There was no story where forbidden ZETTA met Death March, but if they did, what would it be like? And I tried to make it a battle style of POK●MON.
禁断化ゼタはデスマーチと出会うストーリーはなかったけど、もし出会っていたらこんな感じなのかな?とポ●モンの戦闘風にしてみた。
Since I have never fought 777, I set Pteropskaner's HP of 4000 in W3D2, and ZETTA (forbidden) with HP of 5926 during battle in W3D6 as a reference.
777とは戦ったことがないのでW3D2のプテロプスカナーのHP4000を、ゼタ(禁断化)はW3D6の戦闘時HP5926を参考に設定。
Actually, the one in front is the target of the command, but I wanted to mainly use 777, so I changed it a little.
本当は手前にいる方がコマンド対象だけど、777を主にしたかったのでちょっと変更した。
I managed to find Mic from the opus, but if ZETTA finds it, it's likely to be targeted again...
マイクはオブジェからどうにか探し出せた設定だけど、ゼタに見つかったらまた狙われそう…
777 is tormented by the feelings of "what if my mic is stolen" and "how am I going to get out of this place".
「マイクを奪われたらどうしよう」「どうやってこの場を切り抜けよう」という気持ちに苛まれる777。
And what if we meet...? log.
そしてもし遭遇したら…?なログ。
The forbidden MINAMIMOTO appeared! ▼
Attack of MINAMIMOTO!▼
"What, you're just going to ignore me?"
(禁断化したミナミモトが現れた!▼)
(ミナミモトの攻撃!)
「おいおい俺様を無視かよ」▼
777 tries not to make eye contact...▼
(777は目を合わせないようにしている…▼)
Attack of MINAMIMOTO!▼
"This mic is zetta sexy!"
"Perfect for my opus!"
(ミナミモトの攻撃!)
「こりゃ…ゼタイカすマイクだぜ…」
「俺のオブジェにふさわしい…」
777 quietly hid the mic▼
777 covered his face! ▼
(777はマイクをそっと隠した▼)
(777は顔を覆ってしまった!▼)
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Free to watch • No registration required • HD streaming
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality
Anya is LIVE right now
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Free to watch • No registration required • HD streaming