ahoy, sexy!

A gifset for each song on Florescence → [4/15] ‘Houses’ + La La Land

The documentary includes a brief clip of a 1954 televised newscast about the rise of homosexuality. The host of the program interviewed psychologists, a police officer, and one “known homosexual”. The “known homosexual” is 22 years old. He identifies himself as Curtis White, which is a pseudonym; his name is actually Dale Olson.

So I tracked down the newscast. According to what I can find, Dale Olson may have been the first gay man to appear openly on television and defend his sexual orientation. He explains that there’s nothing wrong with him mentally and he’s never been arrested. When asked whether he’d take a cure if it existed, he says no. When asked whether his family knows he’s gay, he says that they didn’t up until tonight, but he guesses they’re going to find out, and he’ll probably be fired from his job as well. So of course the host is like …why are you doing this interview then? and Dale Olson, cool as cucumber pie, says “I think that this way I can be a little useful to someone besides myself.”

1954. 22 years old. Balls of pure titanium.

Despite the pseudonym, Dale’s boss did indeed recognize him from the TV program, and he was promptly fired the next day. He wrote into ONE magazine six months later to reassure readers that he had gotten a new job at a higher salary.

Curious about what became of him, I looked into his life a little further. It turns out that he ultimately became a very successful publicity agent. He promoted the Rocky movies and Superman. Not only that, but get this: Dale represented Rock Hudson, and he was the person who convinced him to disclose that he had AIDS! He wrote the statement Rock read. And as we know, Rock Hudson’s disclosure had a very significant effect on the national conversation about AIDS in the U.S.

HENRI DE TOULOUSE-LAUTREC — “In Bed: The Kiss” (1892)

“The painting is admired for its ability to render a deep connection between the couple, who appear oblivious to their painter, and impervious to the judgments that might be cast upon them by their society if their relationship were exposed. They seem utterly absorbed in one another, and the viewer has the sense that in the instant captured by Toulouse-Lautrec, they have no concerns besides the moment they are sharing together.” "I cannot love a maid. I cannot be with a maid. I cannot think of a maid every waking hour, longing for a life with her, and yet...you have taken possession of me. Shot me back to life. Turned me from someone who could not sit still for a moment to one who wishes to be in one single place: beside you, for as long as I might live...You're the person I've been searching for all my life. I love you. I love you. I love you."

FREDERIC LEIGHTON — “Wedded” (1882)

the way she looks at him??? the way enchanted sounds almost mournful?? “look how kind he is to her”????? HIM LOOKING JUST AFTER SHE WALKS AWAY????