Madonna and Child. 16th century. Credit line: Frederick C. Hewitt Fund, 1911 https://www.metmuseum.org/art/collection/search/463509
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NASA
Sade Olutola
Misplaced Lens Cap
Stranger Things
Three Goblin Art

❣ Chile in a Photography ❣

Product Placement
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YOU ARE THE REASON
Claire Keane
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Janaina Medeiros
we're not kids anymore.
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Madonna and Child. 16th century. Credit line: Frederick C. Hewitt Fund, 1911 https://www.metmuseum.org/art/collection/search/463509

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Perspective Study of a Chalice by Paolo Uccello, Pen on paper circa. 1450, Uffizi Gallery, Florence
48 years ago
"Bullet" is the second single released by the horror punk band the Misfits.
The four tracks comprising the EP, "Bullet", "We Are 138", "Attitude", and" Hollywood Babylon" was released June 1978
Medal of Major General Z. Taylor. 1848. Credit line: Gift of William H. Huntington, 1883 https://www.metmuseum.org/art/collection/search/5125

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The Carpentras Stele, the first ancient inscription ever identified as "Aramaic", 4th century BCE.
The Carpentras Stele is an Egyptian-style funerary monument inscribed in Aramaic and now preserved in the Bibliothèque Inguimbertine in Carpentras, France. It commemorates a woman named Taba, depicting her before the underworld god Osiris and later as a deceased person being prepared for burial. The inscription follows Egyptian funerary traditions, praising her virtuous life and wishing her well in the afterlife.
The stele is historically significant as the first Northwest Semitic inscription ever published in modern times and the first Aramaic text to be published, although it was initially mistaken for Phoenician. Discovered in the 18th century, it sparked a long scholarly debate over its language and literary form. By the early 19th century, scholars had conclusively identified the inscription as Aramaic, with some of its vocabulary showing parallels to the Aramaic found in the biblical Books of Daniel and Ruth. Today it is catalogued as KAI 269, CIS II 141, and TAD C20.5.
Motel Milano Speakers
Young Woman Reading a Book of Hours by Ambrosius Benson, c. 1495
Musée du Louvre
Gold copper silver alloy pectoral, Moche culture, Peru, circa 1-800 AD
from The Museo Larco, Lima, Peru
Fritz Klimsch - Regard vers le soleil, ca. 1950
Terre cuite

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Spinnen
Jan Fabre
1979 inkt op vlakdruk op papier (6 x) variabele afmetingen 1999 schenking
Marcel Broodthaers | 289 Oeufs, 20x13=260, 2x14=28, +1=1, = 289 Oeufs, 1966
Jason Confronts the Dragon Guarding the Golden Fleece (Par tels assauts Jason va travaillant le fier dragon de nuit et jour veillant…), from “Jason and the Golden Fleece”. 1563. Credit line: Bequest of Phyllis Massar, 2011 https://www.metmuseum.org/art/collection/search/397253
The vesica piscis is a geometric shape formed by the intersection of two congruent circles, where the center of each lies on the perimeter of the other. Literally meaning "bladder of a fish" in Latin, this almond-shaped (or mandorla) symbol represents the intersection of dual worlds, such as heaven and earth, spirit and matter, or the masculine and feminine.

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Strasbourg, France 1860s
Francis Wollaston Moody, 1824-1886
Pyramus and Thisbe (decorative panel), n/d, oil painting, 19x26.5 in
Victoria and Albert Museum Inv. P.79-1968