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YOU ARE THE REASON

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shark vs the universe
let's talk about Bridgerton tea, my ask is open
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#extradirty
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@recipient0fxxxx

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I keep looking at this and can't stop thinking that:
Kyouji wasn't trying to jump in the river just because of some fucking coins, but he was just trying to runaway from this awkward situation.
Like we know he'll go along with Satomi saying he wants to end everything and to never see him again without a word even if he (so obviously) doesn't want to; But also having to accept money from him is so weird and awkward especially for someone like Kyouji who's scared to won't even accept a hug from Satomi.
Every time I look at his face all I see is: "I rather jump in the river than keep this conversation."
Also he probably knew that this meeting could be their last time and he's suicidal af so him thinking "better now than never" is kinda hilarious to me.
— Image given by anonymous
Fiction affects reality if you allow it to affect reality, but fiction in itself cannot change ANYTHING. It is an object a matter of thoughts.
Propaganda while is "fiction" it's pushed towards people as if its the truth, as if its real. Propaganda is lies covered in a blanket to make you see something that isnt there it's meant to change your world view and thought process.
The slenderman case, has already been a disproven clause by other people, I won't say much but they were not mentally there enough to acknowledge that it was fiction, most people do have the stability to acknowledge what fiction is even if they don't want to accept it.
Santa clause is something you tell a 2 year old which 2 year olds believe their parents on a lot because you are seen as a reliable and trusted source. Why would your child not believe you?..
Most fiction has a warning that it's fiction and if it contains dark topics and topics that may be sensitive, I have a book near me that's dark fiction this is what it says "as much as *books name* is a dark romance comedy and will hopefully make you laugh it's still dark, read responsibility." Then lists the triggers, whats stated in that post doesn't promote itself as fiction as fake while this "fiction affecting book" that I have does, because it's a fiction piece of work meant to be seen as fiction and enjoyment.
▸ I DONT CONDONE ANY HARASSMENT TOWARDS ANYONE THAT IS POSTED TO THIS PAGE, ANTI OR NOT.
It's Madarame Slander Time:
Why's he such a fucking chud. Every damn route he's just out here beating people up. GET A JOB!! STOP STALKING YOUR EX AND GET A JOB!!!
This mf who is literally pushing 40 walking around acting like those cringy booktok mafia bosses.... Everytime this freak of a man talked about how he's gonna make Towa his pet I wanted to gouge my eyes out like get a fucking life man, leave him alone you've fucked his life enough and NO you're not alike at all

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Nitro+ in general is famous (or for some infamous) for its depiction of dark, disturbing and taboo themes that makes many people uncomfortable.
And then there is Nitro Chiral which focuses on BL games and is always surrounded by negative views over its depiction of toxic relationships (mostly in romantic context), disturbing scenarios and as some usually say “mishandling” of the said topics.
But the thing is… There is no mishandling of said topics. It’s mostly a perceived wrong idea/expectation of the stories.
The whole point of these stories made by Nitro+ -as Urobuchi said himself- is “Poison”. It’s to excite you AND to make you uncomfortable. It’s all about this weird feeling it forces you to feel while seeing the ugliest and most horrifying parts of mankind. (and that’s what makes it so beautiful)
That’s why to be able to truly understand and appreciate the stories of Nitro Chiral’s games (as well as Nitro+ games) people should stop looking at them as “romantic stories”.
Yes they are marketed as BL games, yes the L stands for Love but that’s just a label to say it’s about same sex relationships, and these games are not dating simulators.
Yes there are multiple choices of characters in all different flavors of romantic tropes for the main character to end up with, but the stories are not about the main character finding his ultimate love and settling down.
The love interests are vessels for the story to help the player to understand more about the main character or the main plot of the story in different ways/perspectives or adding nuance to the plot. They’re not the main purpose of the plot.
Togainu no Chi is about Akira finally stopping to just pass through life with indifference and to finally Live his life.
Lamento is about Konoe being able to live a normal and peaceful life.
Sweet Pool is about Youji coming to terms with the horrors of all of the unwanted changes in his life.
Dramatical Murder is about Aoba accepting his unruly wild part of himself he keeps suppressing.
and Slow Damage is about understanding who is Towa, what is Towa and why is Towa.
Even the messy erotica is one of the main parts of the “Poison” not just as romantic interaction (like a “hey look at these idiots in love now lets watch them fuck yay!” way). Every erotic scene is telling something about the characters, and their relationship at that moment whether it’s toxic or wholesome.
Yes of course you can feel uncomfortable while watching Madarame straight up abusing Towa while acting like he wants what’s best for him and says he loves him, THAT’S THE POINT. And of course some can feel excited about that because there is a taboo and dangerous tension in that and again THAT’S THE DAMNED POINT.
And guess what? It was never intended to be romantic. It’s only romantic if you choose to look at it that way. The whole point of that storyline is for you -the player- to see Towa in that situation and understand how he's living in that situation and what will become of him and what decisions he will make. And it’s you who decides whether it’s exciting (aka get high on the Poison) or uncomfortable (aka die in pain on the poison).
It honestly baffles me how people call Madarame’s route as glorifying and romanticizing abuse. If you read that and felt it was romantic it’s because you saw it that way and if you felt it was absolute horror and toxic and can’t understand it to be romantic it’s because you saw it that way. And there’s nothing wrong with both of this feelings because THAT’S THE POINT.
And it can be said about all the other games like how I feel utterly baffled by seeing Keisuke and Akira’s pairing as one the most popular pairing of the game while I feel nothing but hatred and disgust about Keisuke’s route and he himself (lol).
But again THAT’S THE WHOLE POINT for you -the player- to consume that Poison and either die in ecstasy or die in bitter pain and disgust or even both.
It’s your perception of the story that gives it meaning for you and it’s because that’s how ART works. It doesn’t necessarily mean that the author is morally wrong or flawed in writing the story.
And in my opinion best written stories are the ones that give you space to think and decide. it’s what make the story to have more nuance. If at every time Madarame hit Towa the author would’ve said “look guys this man is a piece of shit don’t be like him” then what about people thinking for themselves? As a viewer watching Madarame abusing Towa and understanding on your own that why this is bad based on what you're seeing is way more impactful than having the author say “hey this is bad btw” and accepting that. and just because it was never clearly resolved or the story didn't put everything into words, it does not mean that it was mishandled. It was always supposed to be disturbing and for you to realise how you're going to take that.
hello! before I ask my question, I wanted to say that I’ve read some of your analyses of slow damage, and they are absolutely wonderful. I really love how deeply you look into the characters and the nuances of different scenes!
I really love Fujieda, and I'd like to ask about the park scene in his route. I’ve seen that many people in the fandom consider it completely out of character for him, and some people even hate him because of the rape and the lack of an apology later in the story. I’m really curious to hear your opinion on this scene.
(also I’m really sorry if this is a topic that has already been discussed a lot, it’s just something that has been bothering me for some time.)
AWWW your welcome~
It makes me overjoyed to know that people love my metas!
I thought the scene was obvious, but I’ll explain it again for better clarification
firstly lets examine the park. The park plays an important role in the route its the place where Fujieda and Towa first met each other and cooperate to find out about the past.
The true route throws around the park all the time. It might not seem important at first, but if you look deeper, you come to realize that the park holds special significance in the route,
When you think of a park, it is a place where children come to play. With that in mind, you begin to realize that the park symbolizes Towa and Fujieda’s loss of childhood in the hands of their abusive parents and their determination to get it back.
It's a subtle reference that goes unnoticed, but when you play through it, you realize it.
As for why Fujieda attacked Towa, I already explained it before in my mirror symbolism meta,
"In another scene in the game when Fujieda attacks Towa, Fujieda overcome with sorrow after learning the truth, lashes out at Towa believing that Towa is just as culpable as Maya he is furious that he had no idea that Towa’s a victim of Maya despite Towa being her son. Fujieda is finding a tangible way of getting revenge for Mei. This mirrors how Towa attacked Fujieda in their first meeting in the playground when he is overcome with his PTSD symptoms from remembering the past."
Fujieda has pent-up emotions that he suppressed for the sake of the quest for the truth, and here he unleases them in a flurry.
If you think about everything up until now in Fujieda's past before the events of the route its not completly out of character for Fujieda to go on a rampage and attack Towa.
The reason why this scene shows Fujieda behaving violently this way is supposed to show that he was acting out in contrast to how his character was presented to us, the audience. He doesn’t act rationally as we expect him to, but is angry and broken.
The reason Fujieda doesn’t apologize to Towa for his actions is that Fujieda still views Towa as a prime suspect in Mei's death, and that neither of them trusts the other.
If you think about how Towa doesn’t care what happened afterwards, and doesn’t even want Fujieda to apologize, this points out that neither Towa nor Fujieda trusts each other; they only cooperated out of shared interests.
Fujieda is not a prince to save Towa, but a human who is just as broken and imperfect as Towa is.
can you explain what the song in slow damage true ending means?
okay I will try it explain it in the best of my abilities,
the song is bittersweet since it represents how Towa and Fujieda spend a long time in sadness, resigned apathy for life for what felt like eternity. they never thought that life would ever get better so they look back in marvel that went to nowhere to no here. there another thing that I like to mention its the use of “Towa” in the song
トワに鳴る⼼臓亀裂の海
Towa ni naru shinzou kiretsu no umi
A heart beating for eternity, a sea full of cracks
despite it being an insult that people choose for him. Towa transforms into something beautiful in the song
it references Towa’s character development that he goes through in the game, where it changes from being a derogatory term to using a word change in eternity.
#satokyo
Runaway husband #satokyo
Karafami one of the (if not the only) fandom where people are actually loosing their shits over how the Ossan is actually trying to be the responsible adult- I wish you all the best and get what you want and please never cease to exist.
I mean, part of the problem is that he is very much not being a responsible adult.
A response adult wouldn't have gone NEAR Satomi as a kid, let alone bring him to third locations and give him rides. A responsible adult wouldn't have been all fucking weird and touchy feely or flirty with the kid. A responsible adult wouldn't have disappeared without a word despite promising to keep in touch only to show up basically the second Satomi moves out of home at 18. And he certainly would keep going on what amounts to basically semi-regular dates with him.
No, no. Our problem isn't him being a responsible adult, our problem is him being a fucking coward and not following through.
Nah this is so true HE IS A FUCKING INDICISIVE, DELUSIONAL COWARD
This Ossan is delusional enough to think after all the things he's done, acting oblivious to everything and being like "Staomi kun is my good friend~" is the act of being responsible.
He's trying so hard to do his idea of the right thing, but still can't fucking decide to either put proper boundary/end to all of this or just fucking do what he wants.
At this point he's just waiting for Satomi to jump him so he has no excuse anymore...

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Even the guy who married Miku Hatsune said 「現実と架空は区別してくださいね。」 ("Please keep reality and fiction seperate").
How does the guy who married Miku have more self-awareness about this than antis do? 😭
!!!!!!
Yesterday I described erha as "ancient chinese fantasy snarry, if Harry was reincarnated voldemort" and I've been mad about it since
this also reminds me of that post someone made about SVSSS saying its plot is "if a HP fan got reincarnated as Snape and started to actually be good to Harry and then they end up getting married"
Thinking about Wayama saying even for her Kyouji is a mystery is so fucking hilarious to me. like even she the actual author doesn't know what the hell is wrong with him lmao
Also her saying funniest moment she's drawn is when Kyouji went to Satomi's house to eat the pork buns because "she's never thought Kyouji would ever go to Satomi's room (willingly)" is another thing that keeps me up at night.
Genuinely puzzling how some fans see karafami as a grooming story, demonizing kyouji as this predator, meanwhile i think this is the most accidental grooming that could've happened. Satomi could've been older singing in that Choir and kyouji still would've have had the same reaction, he did not go for him because of his age and he did not intend for any of this to happen but BUT yes he continued, he craved in afterward even after realising satomis feelings. The whole reason why kyosato is still not canon is this, kyouji is punishing himself. He knows better than anyone else how unethical it would be to get closer to him and I'm sure if they've met later they would have not struggled as much as they did.
omg i want to fucking chew on kyouji from karafami. Like the way he's so touchy and flirty and unserious in karaoke because he doesn't realise how deep he is. satomi is just a kid, and sure, he kinda wants to be around him all the time but he's a kid so obviously it means nothing. He likes him, and he'll act on that and tease him, and bully the kid into going places with him and take charge because it's not serious. Because satomi's a kid so it would be nuts if it was serious, it's completely unthinkable.
But skip forward to famiresu and kyouji is nearly a completely different character. He's still got that unaffected air but he never touches satomi, never flirts with him, is basically completely passive in their relationship, except he keeps organising their meetups. Gives satomi that fucking watch. Gives satomi whatever he wants but he's completely stopped taking anything.
Because at some point in between the two series' he's realised that it is serious. It's like the wiping away of that invisible line when kyouji turned eighteen made him thoroughly freak out. He has no idea how to deal with how in deep he is and no idea to get out. He's drowning in it all, only being kept afloat by ceding all autonomy in their relationship.

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I’m really sorry about your uncle 🫂 he is wrong in so many ways
Thanks~ may these people go extinct ^^
this is a dumbass comment for two (2) reasons, which i will now tell you.
1: no one is arguing that fiction doesn't affect reality. no one. in fact, the only people i've seen argue that "fiction doesn't affect reality" are proship bait blogs (blogs made by antis to "bait" proship people), so maybe you want to redirect this energy towards your fellow antis.
fiction does affect reality, but not to the extent that most antis argue. fiction can make you happy, sad, angry, etc. if you're not careful with what you're consuming, it can potentially trigger you, but it can also help you heal from trauma(s). what fiction cannot do is make you abuse or assault someone on a whim. if you have a good grasp on fiction and reality, if you know the difference between the two (which most people do), you don't have to worry about fiction turning you into an abuser. if fiction somehow makes you do things you'd never consider doing, then clearly your moral backbone is comprised entirely of wet spaghetti, which is a problem with you, not the fiction you're consuming.
2: if you're aware that certain things in fiction may have a negative impact on you (such as causing psychosis, as the comment claims), then it is your responsibility to safely manage what you consume in fiction to avoid being negatively affected. no one else's. you being stupid enough to consume fictional content that you know negatively affects you (multiple times, apparently!) does not suddenly make fiction bad and dangerous, it just makes you irresponsible.
"fiction caused x negative affect on me" will never mean "fiction is inherently harmful".
all it means is that you need to curate your damn internet experience and stop reading shit that you know you don't like! which is what the proship community has been saying!! fucking listen!!!