LG Chocolate (2006)

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LG Chocolate (2006)

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March evening facing west, J-Six Ranch, Cochise County, Arizona.
Robinne Lee as Bethany in Deliver Us From Eva (2003)
The film adaptation of her book “The Idea of You” just released in theaters not too long ago, love that for her 🥰

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We don’t talk enough about the importance of having a personality that is so rooted in yourself that the exterior world is unable to change you. It’s so easy to allow ourselves to get influenced and carried away by what everyone else is doing that we forget to take a step back and think if how we’re acting is actually in alignment with our core self. Going back to basics and being yourself to the fullest without feeling the pressure to conform and be just like everyone else is one of the most freeing experiences one can have.
this blog is a safe space for black women ❤️

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going on a guilt trip do yall want anything
if you really cared about me you wouldn't have to ask
At the end of the day, you can’t delay joy until life looks a certain way. You deserve to enjoy your life now.
Weird Fantasy (1950) #18 written by Al Feldstein and drawn by Joe Orlando, with editor Bill Gaines
So he said it can't be a Black. So I said, "For God's sakes, Judge Murphy, that's the whole point of the Goddamn story!" So he said, "No, it can't be a Black". Bill just called him up and raised the roof, and finally they said, "Well, you gotta take the perspiration off". I had the stars glistening in the perspiration on his Black skin. Bill said, "Fuck you", and he hung up.
Al Feldstein, Tales of Terror: The EC Companion
Just to add context for those not aware of the impact of this story.
The reason it was so important for narrative purposes, was that the plot concerns the visit of the Astronaut, in his completely opaque spacesuit, to a planet populated entirely by self-aware robots (originally from Earth) who have built their own society and are petitioning to be allowed to interact with Earth again as equals.
They have a democratic government and free choice of careers etc. as the orange robot serving as guide tells the Astronaut.
The Astronaut notices that there are two different types of robot on this world; the orange ones, who are in charge, gifted access to all information and facilities. and the blue robots, who are seen as more limited in function, have less access to information and resources, and are not allowed positions of power or as wide a choice of employment opportunities. Even transportation is segregated.
The Astronaut investigates further and discovers that the blue and orange robots are actually structurally identical, there is absolutely no difference between their potential or capabilities, and it is only because the orange robots are instructed by their Educator system to consider themselves superior, that the difference exists.
The Astronaut tells the robots they are not ready for re-alignment with Earth, until they come to terms with their own unfairness, and how Earth had had to deal with this issue themselves. When that time comes, the robots will be able to ally with Earth.
Then he leaves in his spaceship, and it's only in that one final panel that we see the Astronaut is black.
Not subtle, nor should it be, but for 1950 this was a breathtakingly powerful statement, perhaps the first of it's kind in the genre.
The black character was not a caricature, or comedy relief, he was a main character in his own right, a human who "simply" was black.
When I was a professor I fucking LOVED teaching this comic. You can read the full thing here (and please read the letters to the editor at the bottom as well—including a message from Ray Bradbury).
I'm so glad people added the appropriate context here. Genuinely, this is one of the most important panels in the history of comics.
the losing dogs and i are engaging in insider trading

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*holds you in my mouth perfectly safe between my sharp teeth bc i love you*
Safe in the jaws of mama