Untitled (How Does It Feel)

Josef Frank (1885-1967)

Rob Horning (via jacobwren)

Senga Nengudi, RSVP Performance Piece, 1974

Bowls by Diego Romero

Janelle Shane on Twitter: “So this bot will draw a picture of whatever you ask for (badly) http://t2i.cvalenzuelab.com/ and this bot will identify whatever’s in a picture (badly). http://demo.visualdialog.org/#aboutModal What happens if I pit one against the other? Often, it turns out, they understand each other perfectly.…”

(via Alan on Twitter: “@boursier Rarely seen flatbed scanner artefact. You’d see this all the time in the early days of ebay. Seller scans a watch with moving seconds, face down on a flatbed. Almost no one had a digital camera in 1999. Delighted to see it again. (@GreatDismal will also remember)… https://t.co/VELXbaPsED”)

Dean Hunt

This is the living proof that white supremacy is an international system that tries not only to normalize its’ own values and make it dominant in the world but also tries to marginalize everything that doesn’t fit preferences of white supremacists. That’s how you can easily spot them – they don’t like unfamiliar and unaccustomed names, words, looks and call it “strange”, “confusing”, “not normal” and so on.

Bohumil Stepan. Illustrations for Gulliverovy Cesty (Gulliver’s Travels), by Johnathan Swift. Odeon, Prague. 1968.

Lynda Benglis

David Hammons

Robert Davidson