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David Maclagan introduces Meta Doodles in issue 82, out in the UK now and rest of the world very soon. Pre-order at: http://ift.tt/1iG7uEE http://ift.tt/1oXqCMA

In Raw Vision 82, Laurent Danchin explores Art Brut today. Pre-order the new issue at http://ift.tt/1iG7uEE Image: Davor Vrankic, The Victory, 2011-2013, graphite lead on paper, 210 x 119 cm http://ift.tt/1m8Wpfq

In issue 82, David Maclagan explores automatic drawings, or the "Meta Doodle". Available to pre-order at http://ift.tt/1iG7uEE Image: Carlo Keshishian http://ift.tt/1xpOvSm

Billy Tripp's immense Mindfield construction is featured in issue 82, available to pre-order now at http://ift.tt/1iG7uEE “Sylvia,” Tripp’s motorcycle, is adorned with personal relics; the Mindfield Cemetery is seen in the background of this 2008 view. Photo by Fred Scruton. http://ift.tt/1lXdp8m

The compelling visual universe of Kurt Haas, in Raw Vision 41. http://ift.tt/1i02zxu http://ift.tt/1rnEqVr

Drawings appear on trees and bus stops in a Serbian city, created by mysterious urban artist, Zoran Tanasic. Featured in issue 82 – available to order at http://ift.tt/1iG7uEE http://ift.tt/1o2O61g

Billy Tripp's Mindfield Cemetery, a 38-metre-high industrial memorial construction in Brownsville, Tennessee. Featured in our summer issue, out next month! Pre-order at: http://ift.tt/1iG7uEE http://ift.tt/1qr6d79

Billy Tripp's Mindfield Cemetery, a 38-metre-high industrial memorial construction in Brownsville, Tennessee. Featured in our summer issue, out in July! Pre-order at: http://ift.tt/1iG7uEE http://ift.tt/1iG7uEG

In our new issue, out soon, David Maclagan presents the concept of the 'meta-doodle.' Image: Laure Pigeon, Horseman and Message, October 28, 1938. Ink on paper, 25.6 x 19.7 ins., 65 x 50 cm. Courtesy Collection de l’Art Brut http://ift.tt/1qF9FuC

Francois Burland, featured in the Outsider Art Sourcebook. http://ift.tt/1iYlcSu http://ift.tt/1uIdWv1

In Raw Vision 82 (out soon) Laurent Danchin questions, from a French perspective, whether Art Brut can retain its original status and power? Image: Serge Vollin Meeting of Naked People Oil on canvas 80 x 90 cm http://ift.tt/1nkCfv1

In Raw Vision 82 (out soon) Laurent Danchin questions, from a French perspective, whether Art Brut can retain its original status and power? Image: Fernand Chatelain's Le Centaure at Jardin Humoristique, Fyé, nr Alençon, France, 2005, painted plaster on wire netting, newly restored 2005–08. Photo by Jean-Pierre Faurie. http://ift.tt/STT089

The mysterious urban artist Zoran Tanasic is featured in our new issue, out soon! http://ift.tt/1n9ZlVh

Chelo Amezcua, born in northern Mexico in 1903, then living from the age of ten until her death in 1975 in the provincial border town of Del Rio, Texas, was a self-tutored artist. Her linear drawings, executed with ordinary ballpoint pens, invite exploration of a life story that reveals a naturally fecund imagination enriched by the complex interplay of cultural traditions along the Mexico–Texas border during the first half of the twentieth century. Featured in Raw Vision 71. http://ift.tt/1k0UBQq http://ift.tt/1uxRipa

Martha Grunenwaldt only began to make art when she was 71. Living at her daughter Josine’s home in Mouscron, Belgium, she instinctively took up her grandchildren’s colouring pencils and began to create a new world, making her distinctive colourful drawings. In Raw Vision 43. http://ift.tt/1hldKiV http://ift.tt/1li9Uso

Heinrich Reisenbauer of Gugging http://ift.tt/1quwzlJ