A Randumm Place

afro collection

Here is a revamp of my afro hairs that I released throughout the years. This collection consists of 36 hairs. I added 5 new hairs. Many are slight modifications of previous versions. Please delete any hair from my previous SavvySweet name when downloading. 

For example: If you see [savvy.sweet] penny puffs in your mods folder, replace it with (sheabuttyr) - penny puffs.

Hat Compatible

Maxis 24 swatches + 7 Mod Max swatches

don’t re-upload/claim as your own

download: patreon

braids collection

Here is a revamp of my braid hairs and retextures that I released throughout the years. This collection consists of 41 hairs. Many are slight modifications of previous versions. Also please use caution with some of these hairs, they are higher polycounts. I would suggest you test and download the ones that work for your respective computer specs. Please delete any hair from my previous SavvySweet name when downloading. 

For example: If you see [savvy.sweet] bria braids in your mods folder, replace it with (sheabuttyr) - bria braids.

Hat Compatible

Maxis 24 swatches + 7 Mod Max swatches

don’t re-upload/claim as your own

download: patreon

"We are the sum of our memories. Erasing the memories edged in oneself is the same as loosing oneself" - Ergo Proxy

Seena Owen and Gloria Swanson in Queen Kelly (1929)

22 YEARS AGO ON DECEMBER 18, 1998 - DREAMWORKS ANIMATION RELEASED “THE PRINCE OF EGYPT”

Because DreamWorks was concerned about theological accuracy, they decided to call in Biblical scholars, Christian, Jewish, and Muslim theologians, and Arab American leaders to help the film be more accurate and faithful to the original story. After previewing the developing film, all these leaders noted that the studio executives listened and responded to their ideas, and praised the studio for reaching out for comment from outside sources.

The animation team for The Prince of Egypt included 350 artists from 34 different nations. Careful consideration was given to depicting the ethnicities of the ancient Egyptians, Hebrews, and Nubians properly.

Both character design and art direction worked to set a definite distinction between the symmetrical, more angular look of the Egyptians versus the more organic, natural look of the Hebrews and their related environments. The backgrounds department, headed by supervisors Paul Lasaine and Ron Lukas, oversaw a team of artists who were responsible for painting the sets/backdrops from the layouts. Within the film, approximately 934 hand-painted backgrounds were created.

African American female portraits ca.1909