Caylin Capra-Thomas, “Voice of the Woods on Fire”

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Caylin Capra-Thomas, “Voice of the Woods on Fire”

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Moths are clustering and flocking softly in vast numbers around the bomb, settling on it first as snow might fall on land then as coccolithophores might rock to ocean floor, building up in depth, thorax to thorax and wing to wing, leaving tiny glittering squares of wing powder, until they reach such vibrant density that it seems to those in the Green Chapel that they might contain anything, block out any source of light, soften any blow.
Robert Macfarlane and Stanley Donwood, from Ness, Ghostways: Two Journeys in Unquiet Places (W. W. Norton & Company, 2020; orig. pub. 2018)
8 x 10 print of matisse goldfish with cat from fuffernutter
Antonio Frasconi Illustration from A Book of Many Suns, 1962 (printed in Graphis magazine, issue 100)
Collage by Colombian artist María Berrío (b. 1982)

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artist: liv lee
As though the world was made for them to exist in it, as though they want not to tip their head back, take the whole damn thing in their throat.
Ryan Dzelzkalns, from “A Working Definition of the Monstrous” (via the-final-sentence)
Shane Cotton (New Zealand, b. 1964), Kei muri ngā mea i te rā / Things behind the sun / Dans les coulisses du soleil, 2021. Acrylic on canvas, 200 x 160 cm.
Suad al Attar, Garden of Eden, 1993
Yuki Yamada

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Felix Vallotton The Ray, 1900
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Morris Graves, Fox with a Phoenix Wing, 1952
Louisa Chase (American, 1951–2016)
Bees, 2001
Acrylic and Oil Pastel on paper
Illustration from Pierre Louÿs’ Les Chansons de Bilitis by Georges Barbier (1922)
Harry Fonseca — In the Silence of Dusk They Began to Shed Their Skin (mixed media on canvas, 1995)

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Zarina, 2018
Shahzia Sikander, Pakistani-American, b. 1969
Devi, 1960, Satyajit Ray