aesthetic sideblog .

OPHELIA (details)

Send one or more emojis ( + descriptions ) for the kind of ship/dynamic you’d like to write with my muse! ( for multimuses, please specify. )

ROMANTIC

❤️ committed, romantic relationship 💘 friends to lovers 💔 used to be together but broke up ❣️ skinny love 💗 slow burn 💘 one muse has a crush on the other muse 💕 mutual pining 💝 romantic relationship of convenience 🏫 highschool sweethearts 💒 arranged relationship ( dating, engagement, political, etc. ) 💋 one-sided romantic relationship ( specify which muse, Sender or Receiver ) 🖤  lovers to enemies 🤍 enemies to lovers

SEXUAL

💖 a sexual relationship that could turn romantic 🧡 friends with benefits 👄 a sexual, non-romantic relationship 🏩 sexual relationship of convenience 🔥 unresolved sexual tension 💟 developing sexual relationship ( may include romance ) 💞 one muse approaches the other out of convenience ( specify which muse, Sender or Receiver ) 🔪 enemies with sexual tension

FAMILIAL

👪 biological family 👨‍👩‍👧‍👦 adopted family 🧑‍🤝‍🧑 family by choice/found family 👩‍👧 older/younger siblings 👭  twins 👥 cousins or extended family 👣 estranged family/feuding family 👨‍🏫 one muse is a teacher/mentor for the other muse ( specify which muse, Sender or Receiver ) 🚸 coworkers like family 🟡 family out of circumstance ⚪ pretending to be family

PLATONIC

💜 friendship 💙 queerplatonic partners ( an intimate, non-romantic committed relationship ) 💚 friends like siblings 💛 childhood friends 💧 friends due to traumatic experiences 🤝 coworkers ⛔ reluctant friends ✅ enemies to friends 🌈 developing friendship ☀️ friends of circumstance 👔 strangers working together ☕ one muse works in service of the other ( specify which muse, Sender or Receiver ) 🕴 partners in illegal activities 👯partners in crime trope ⚡ sparring partners 🩹 friends forced to work against each other 🟥 one muse makes a deal or contract with the other ( magic or non-magic. ) ( specify which muse, Sender or Receiver )

ENEMIES

The Northman was 95% storyboarded. As our shooting technique becomes more difficult, storyboarding has become more necessary. This film was a huge reach for us, so we needed to figure out for our huge crew and for ourselves what we were doing with as much clarity as possible. Sometimes just the act of drawing something immediately shows us what works and what doesn’t for a particular shot.

— Cinematographer Jarin Blaschke