RadioactiveRat

Seeing Toby as jealous asshole is real to me

(BTW the first drawing was my entry to a DTIYS on insta you should definitely check it out!!)

I wish I can look this effortless under the burning sun. In reality, I'll Ill probably just stay home. Wth is this weather? It's only May! 😭

also what fandom are you guys coming from?

Me with you guys simping over hot men

my jeff has albinism so, he’s more pink instead of white… this was super super fun…

Why dis 🤖 so mad???

Thundercracker Sanrio style

bro forgot what EVERYONE looks like except ej

promise / print

Miyazaki’s visual storytelling thrives on a sense of flatness that doesn’t diminish but rather enriches his worlds. By compressing the layers of his compositions—merging the foreground’s details, middle ground’s action, and background’s context—he crafts images that feel like living illustrations. Take the Warawara swarming with dishes in "The Boy and the Heron" or the jubilant feast scene in "Spirited Away" : both are packed with vibrant details, yet the visual plane feels collapsed, like a tableau unfolding all at once. This "flatness" isn't a flaw but a deliberate technique, pulling us into the frame as if we’re unrolling a scroll of visual wonder. It’s not depth that Miyazaki aims for—it’s a sheer density of storytelling in every frame, a reminder that 2D animation’s strength lies in its ability to immerse without imitating.

12 Days of Medieval Illuminations. Today, 11 medieval suns. (Getty Museum)