The act of designing a book, or anything else, must carry with it a conscious responsibility towards life.
Books, Letterforms and Design in Asia (page 93)
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@quotesondesign
The act of designing a book, or anything else, must carry with it a conscious responsibility towards life.
Books, Letterforms and Design in Asia (page 93)

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So when, instead of thinking of himself or herself as the protagonist, the designer keeps in mind all the other people who are actors in the process as well, the design of a book can turn out very different.
Books, Letterforms and Design in Asia (page 92)
To design is, after all, to touch something with one's own hands, to blow one's breath into it and give life to it.
Books, Letterforms and Design in Asia (page 91)
One can describe the genesis of technological artifacts as a network of transformations (goods to be distributed, contents in advertisements, merchandise, etc.).
The Semantic Turn: A New Foundation for Design (page 179)
Design finds itself in an endless cycle of solving problems that cause new problems to be solved.
The Semantic Turn: A New Foundation for Design (page177)

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The energy that propels the revival of cultural traditions is the power of memory. The physical memory of those traditions retained by people who still live in, and are themselves products of, the environment that produced the traditions.
Books, Letterforms and Design in Asia (page 64)
Traditions are the best, most state-of-the-art creations of any given era, rigorously distilled and polished in the currents of history, and passed on to the present.
Books, Letterforms and Design in Asia (page 65)
When we bring discrete elements together, they should create an impact even while retaining their individuality.
Books, Letterforms and Design in Asia (page 74)