Salvador DalĆ - Archeological Reminiscence of Milletās Angelus, 1933-1935.Ā
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Salvador DalĆ - Archeological Reminiscence of Milletās Angelus, 1933-1935.Ā

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RenĆ© Magritte - The Portrait, 1935.Ā
More spooky shenanigans from one of Japanās masters of the ancient art of making-you-shit-yourselfĀ Kawanabe Kyosai. Iām not sure what type of yokai these little buggers actually are, but I do know that theyāre fun on a mother-fuckinā bun. More soon.
āPeople are often unable to do anything, imprisoned as they are in I donāt know what kind of terrible, terrible, oh such terrible cage.Ā I do know that there is a release, the belated release.Ā A justly or unjustly ruined reputation, poverty, disastrous circumstances, misfortune, they all turn you into a prisoner. You cannot always tell what keeps you confined, what immures you, what seems to bury you, and yet you can feel those elusive bars, railings, walls.Ā Is all this illusion, imagination? I donāt think so. And then one asks:Ā My God! will it be for long, will it be for ever, will it be for eternity?ā
- Vincent van Gogh, in a letter to his brother Theo, July 1880.
Vincent van Gogh: Skull with burning cigarette (1886)Ā Skull (1887/1888)Ā

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Portrait of Adele Bloch-Bauer I 1907
Gustav Klimt
Francisco de ZurbarƔn - Cup of Water and a Rose on a Silver Plate, c. 1630
Diego Velasquez - Las Meninas, 1656
Head Of A Young Woman With Tousled Hair (Leda) 1508
Leonardo da Vinci
There was something terribleĀ in me sometimes at night I could see it grinning at me
William Faulkner, The Sound and The Fury (via antigonick)

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The Forge, 1812, Francisco Goya
Size: 125x181.6 cm Medium: oil, canvas
RenƩ Magritte (Belgian, 1898-1967), Le faux miroir [The false mirror], 1952. Gouache on paper, 14.5 x 19.2 cm.
Sunset, 1866, Ivan Aivazovski
Donāt scream, silly, 1799, Francisco Goya
Size: 15.1x21.8 cm Medium: etching, paper
Camille Monet On Her Deathbed via Claude Monet

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Head Of A Young Woman With Tousled Hair (Leda) 1508
Leonardo da Vinci
The oldest known icon of Christ Pantocrator, Saint Catherineās Monastery in Mount Sinai.
The two different facial expressions on either side emphasize Christās dual nature as fully God and fully human.