#1 Razor fan

🐝~ Ah yes, every game I play just has to be a timeloop game, even if I wasn't aware of it beforehand they turn out to be one😭

Ask game (forgot to put it here last time oops)

Hii!! I love your stuff as well, it's so good!!

I think my favourite vessel is HEA, but truthfully I adore them all.

I love her whole thing of pleasing the player but not once thinking about what they want, until they eventually get trapped in this cycle and are so tired by the end of it.

I just love that route for what it does and what it changes, from Shadow Smitten to the way that the Narrator actually wants the princess to be free- and the one thing that she chooses to do for herself is dance under the stars with us.

The idea of the princess not thinking about herself at all, to then having to figure out who she is and her emotions and what truly are her needs and her happiness, when she was literally born from someone else's perception of love of her, to the point of believing her to be your true love- I just find HEA fascinating in so many ways.

Slay the Princess sticker transparents!

i think paranoid struggles with intrusive thoughts post-construct given his main gimmick is manifesting things be it intentionally or unintentionally

⬇️ other doodles

i like the idea he has sleep problems stemming from nightmare

+ broken & contra found him first post construct scenario. i wrote the events of that happening like a year ago. maybe i should bring it back

he sleeps with his eyes open

what's a romantic 4-letter word that starts with "ki" and ends with two of the same letter? That's right~! It's KILL also have sketches below

what if razor was a mecha all along

she's stained the ice and surrounding water all around her with what seems like gallons of slowly diluting blood, but aside from an already healed scar on her face, she is remarkably uninjured, if not nearly dead from hypothermia

when eva finally has a moment to talk with this woman, who has held onto life with broken bloodied fingernails, she is told a morbid story too fantastical to be believed:

The long quiet is constructed with more agency than the princess and the princess has to be on her guard with you because of the nature of how the Construct constricts you both to your particular roles, you as the agent with control who's been instructed to be the aggressor despite the little instinctively empathetic voice in your head telling you that its wrong, and the princess as a prisoner of your interaction despite anything she might be capable of or any hope that you'll be kind, in the same way that men are often taught to be forward and aggressive while women are taught to be on the defensive against the risk of dangerous men. Like to me thats flagrantly a metaphor for how the societal construction of patriarchy and oppositional sexism can make dating women as a man and dating men as a woman become a minefield of trust and power dynamics instead of an open, free relationship of equal comfort and agency, and the subsequent evolutions of those routes explorations of how past dating experiences can color future ones or change your perspective on the past. If your last girlfriend hurt you, you may fear the next doing the same, or if you hurt your last girlfriend, the guilt may haunt you into your next relationship, and so on.

and thats reflected by the princess as a creature of perspective warped by how you percieve her as the Other, and also reflected in how there is One Specific Way this interaction is Supposed To Go if you listen to the narrative being sold to you and the game tells you in no uncertain terms to accept and follow it without question will leave you miserable and Cold, each new voice in the long quiet's mind a new lense to see the other Through.

The long quiet is constructed with more agency than the princess and the princess has to be on her guard with you because of the nature of how the Construct constricts you both to your particular roles, you as the agent with control who's been instructed to be the aggressor despite the little instinctively empathetic voice in your head telling you that its wrong, and the princess as a prisoner of your interaction despite anything she might be capable of or any hope that you'll be kind, in the same way that men are often taught to be forward and aggressive while women are taught to be on the defensive against the risk of dangerous men. Like to me thats flagrantly a metaphor for how the societal construction of patriarchy and oppositional sexism can make dating women as a man and dating men as a woman become a minefield of trust and power dynamics instead of an open, free relationship of equal comfort and agency, and the subsequent evolutions of those routes explorations of how past dating experiences can color future ones or change your perspective on the past. If your last girlfriend hurt you, you may fear the next doing the same, or if you hurt your last girlfriend, the guilt may haunt you into your next relationship, and so on.

and thats reflected by the princess as a creature of perspective warped by how you percieve her as the Other, and also reflected in how there is One Specific Way this interaction is Supposed To Go if you listen to the narrative being sold to you and the game tells you in no uncertain terms to accept and follow it without question will leave you miserable and Cold, each new voice in the long quiet's mind a new lense to see the other Through.