where's the rom and where's the com

Have their ideals be right but their methods be wrong

Make it seem like their dastardly methods are really the only way to achieve the goal for the “greater good.”

Have them develop from a flat antagonist to a well-rounded protagonist

How to not write a morally gray character

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“who do you think you are?”

“i gave you everything.”

“I’m a fool for not seeing this earlier.”

“don’t you dare pin this on me!”

“i’ve been thinking it over and this… this was never going to work out.”

“you don’t get to say anything after what you did!”

“you broke my heart.”

“i trusted you.”

“i loved you.”

“i’m not blind, i can see the way you look at them.”

“did i do something wrong?”

“please, please, i’ll do anything just talk to me.”

“i can’t stand the silence between us.”

“there’s nothing you can say that can fix what you did.”

“what do you want me to say? do you want me to lie and say i love you?”

“you cheated on me! you don’t get another chance!”

“tell me what’s wrong.”

“i never meant to hurt you.”

“this wasn’t supposed to be this complicated.”

“wait. i didn’t mean that. please, come back.”

“how can i hate them, you’re the one that made the choice to cheat.”

“how long has this been going on?”

“if you know what’s good for you, don’t come around anymore.”

“i never want to see you again.”

“trust you? how can i trust you if you never gave me a reason to in the first place?”

“i believed you!”

“you lied to my face.”

“i never loved you.”

Okay I’m done, thank you for your time

chapter one has been posted - this is where it starts

Alyson Davis knows that in every classic sitcom trope, the characters that love to hate each other always, always end up together. She’s one hundred percent sure that her and Harry won’t be the same.

Or at least, that’s what they’re choosing to believe. (For now.)