thoughts on characters

joker: chaos and order.

the foil to batman’s suppressed madness. bruce is discipline; none is above the code and justice. “you’re just one bad day away from being like me” WRONG!! bruce wayne has not had a good day since he was 10 years old. every good thing that happens to him is followed by 100 bad things. he is the universe’s punching bag. and yet he persists, does he not? does he not still believe in goodness in spite of it all? suck my dick joker he does not think of you AT ALL you are nuisance to him he wants to spend the one day off he has every year with his family and friends and you had to ruin it with ur lame jokes and terrorist attacks

riddler: obsession and intellect.

the foil to batman’s ego. bruce wayne is one of the smartest people in the world, by way of writer favouritism. wdym you outsmarted brainiac, a being of pure intelligence, just because ur the author’s favourite pretty princess? alright king whatever u say. but he never lets it rule him. his intelligence is a tool to of protection; it’s a shield, not a sword. he’d never raise it against the innocent. edward uses his intelligence to prove superiority, that he is better. he is batman without humility, and that is why he will always lose, because intelligence is nothing without wisdom

the penguin: wealth and corruption.

the foil to batman’s class. they’re both billionaires, Gothamite socialites. oswald embraces his privilege and uses it to oppress the poor. bruce wayne understands his privilege and uses it to pull others up. “you wear a mask too” yeah and it’s prettier than urs u ugly bitch. oswald’s socialite mask is a polished classy persona that disguises his inner evil. bruce’s socialite mask is just a himbo and remains true to his desire to help people

mr freeze: love and grief.

foil to batman’s ability to move on from the past. victor fries cannot let go of his wife and makes it everybody else’s problem. this is also the philosophy of grimdark batman, which is why it cannot apply to batman’s true character. bruce wayne is traumatized from his parents’ deaths, but it also inspired him to become the person who he wished had saved him in that alley. how many times has he looked into the eyes of a scared child on patrol and saw himself? he became the saviour for his 10 year old self left in that alleyway. he was able to heal; yes, his parents deaths has shaped him into the man he is, that’s literally what life does. healing doesn’t mean the grief will shrink, but your world grows bigger around it. he has a family again, built by his own hands

scarecrow: fear and power.

the foil to batman’s darkness. batman is iconic for instilling crippling terror into others by a mere look, psychics hate him because his mind is a screaming hellscape, he dresses like a bat because when he was a kid he fell into a hole filled with bats and he associates it with fear. jonathan uses fear to control the helpless, bruce instills fear in evil to protect the righteous. “you’re just as ruled by fear” WRONG!!! batman is ruled by love. it’s not fear that powers him when he drags his mangled, half-dead body off the streets at every dawn to go home for a costume change and immediately go to a charity gala for disadvantaged youths named after his street-rat son. it’s not fear that inspired him to keep lollipops in his utility belt for the children he saves. it’s not fear that makes him do the same old shit of throwing you fuckers into that useless max security prison twice a week after getting his shit rocked, knowing full well he’d have to do it again in a few days, instead of just killing you.

two-face: duality and justice.

the foil to batman’s divided self. harvey started off as a batman, a lawyer wanting to do good. his trauma split him, but bruce integrated it into himself. bruce wayne does not reject his pain, he lets it shape him and he asks himself: “ok that sucked. how do i make sure nobody else will experience that?” harvey dent is completely split, indecisive in his morality, good and evil depends on the flip of a coin. but batman? people say that bruce wayne is the mask and batman is his true self. dawg do u think his kids call him batman? that’s some shit he’d say in his 20s when he was figuring himself out but he’s a middle aged father now and his children would drag him to filth if he says his black-leather bat fursona is his “true self”. they are all him. brucie wayne isn’t completely his mask either, because it’s the persona he uses to fuck with rich people and you know full well he’d delights in that to the bottom of his heart

like that kind of "you didn't need magic, you could've gotten what you want the honest way" dramatic irony can be effective and i see why a lot of writers use it for "be careful what you wish for" plots like these, but i love that Obsession is like, "no. she doesn't like you like that. there is no version of this where you end up dating her, and you need to get over it."

because ultimately, it doesn't matter what nikki actually feels.

With the new film coming soon I was going to talk about one of the most neglected aspects of Madoka Magica in the English fandom. It’s very explicit use of Buddhism which is often discussed by Japanese critics.

The show is Buddhist in two primary ways

The wish system is based on the first two Noble truths

Madoka is the story of a young girl choosing to become a buddhavista, specifically Madoka’s story is a retelling of the popular Buddhist figure Kannon in a modern setting.

Both of these are done in a way that would be very obvious to a Japanese audience. While the show has a reputation in the west as dark or subversive I’m going to argue that it’s not out of line with common Buddhist themes.

(As a note, There is controversy that “suffering” is too strong a translation but since the show uses despair I’ll keep it.)

First the wish system and Despair. Though many see the show as dark and nihilistic, in Buddhism suffering is considered an inevitable and unavoidable part of life. Suffering is inherent in Buddhism because we desire and cling to things but nothing is permanent, everything is in a state of mutual dependence and change flowing forever.

We might achieve happiness, success, our goals but these are temporary. We age, we lose the people we love, the world we are born into changes around us, our relationships change. Even in minor ways the happiness of achieving what we want is not permanent. Consider any major goals you have accomplished in your lives, was that happiness itself totally permanent and unchanging and enough to carry you through for the rest of your life? Notably in Goethe's Faust, Mephistopheles offer’s Faust only one perfect moment for his soul.

So while the discourse has always been on if the wishes were selfish or not the real issue is that no wish other than those that threaten the wish system could ever work.

Sayaka wishes to help her childhood friend and crush. She thinks she’ll never regret the wish until she discovers the true cost. Hitomi and Kyosuke start a relationship none the wiser to what Sayaka has done and she can do nothing as her lifelong friends move on from her. She tries to throw herself into the magical girl role only to find out the people she protects are sometimes unsavory. Sayaka was attached to a naive view of the world that changed while she bore the cost.

Kyoko wished people would attend her fathers ministry to help her family. For a time this worked but her father discovered magic was involved and she lost everything in a night.

Mami wished to live after a car accident, she was left alive but lonely and without a family. This loneliness was so deep and crushing when she was given the chance to no longer bear it she became careless, got herself killed and dragged her friends into her dark world.

In the other timelines Madoka wished to save someone else. In every single one she was either killed or fell into despair when the threat was eliminated but the costs were made clear.

All the wishes provided real happiness to the wisher but when that wore off and the cost remained the girls either fell into despair or were left alone to fend for themselves. Only Homera’s wish and Madoka’s final wish, wishes that threatened the system, avoided this.

When despair becomes too great a magical girl dies and is reborn as a witch. Witches have motifs based on the magical girl's thoughts, a death echoing some Buddhist beliefs . While these witches share continuity with their magical girls they cannot be reached even by people they knew in life, in line with Buddhist rebirth. Becoming a witch is like being reborn into a hell realm of which there is no going back.

Now it’s necessary to compare Madoka to Kannon.

Kannon is a buddhavista and extremely popular in Japan. Buddavista is someone who can achieve enlightenment but vows to forgo it to help all sapient beings achieve it.

Her Chinese counterpart Guanyin is described as a woman in white robes like ultimate Madoka.

To become a Buddhavista one must have good karma from many lifetimes. Homura provides this as Madoka’s kindness inspires Homura to loop time over and over again. Kyubey explicitly confirms that Madoka is the center of Karma of many timelines.

Kannon saw the suffering of different beings and released her good Karma to either purify a hell realm or create a pure land for those suffering to go and achieve enlightenment. Madoka uses her karma to create a mysterious realm for magical girls she rescues.

Kannon is said to rescue those who are in their last moments who cry out for her help and save them from a negative rebirth. Madoka rescues magical girls in their last moments before they can become a witch.

Both Kannon and Madoka cleanse the Karma of those they help.

Kannon works tirelessly for others' salvation, Madoka assures magical girls that she is always fighting for them.

Madoka has a similar origin to Kannon and other Buddhist figures in general terms. She is relatively sheltered and privileged, unaware of the full extent of the suffering of the world. She still however suffers and has little sense of worth but great compassion for others. She wants to help but is ineffective until enlightenment.

It's something I really love to see, because I really love it when a film actually trusts the audience to listen and pay attention to the film and actually figure things out.

something needs to change here

this is urgent

I don’t know how to do it

death is the ultimate metaphor for drastic change. it’s a general specific. whatever your problems are, it is very likely that dead people don’t have to deal with them. a real solution to your problems may demand a very narrow range of action that’s likely to be out of reach at this moment, but death is sold on every street corner, so it feels like a more realistic fantasy than happiness.

you don’t really want to die per se but it’s also not completely random chemicals swamping your brain for no reason. you want the pain to stop, you want to be somewhere else, you want to be someone else. it’s urgent. you don’t know how to do it. the end is not the end but a means that feels within your reach right now.