Taking Care Callista Buchen
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Taking Care Callista Buchen

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truly some people have no genre savviness whatsoever. A girl came back from the dead the other day and fresh out of the grave she laughed and laughed and lay down on the grass nearby to watch the sky, dirt still under her nails. I asked her if she’s sad about anything and she asked me why she should be. I asked her if she’s perhaps worried she’s a shadow of who she used to be and she said that if she is a shadow she is a joyous one, and anyway whoever she was she is her, now, and that’s enough. I inquired about revenge, about unfinished business, about what had filled her with the incessant need to claw her way out from beneath but she just said she’s here to live. I told her about ghosts, about zombies, tried to explain to her how her options lie between horror and tragedy but she just said if those are the stories meant for her then she’ll make another one. I said “isn’t it terribly lonely how in your triumph over death nobody was here to greet you?” and she just looked at me funny and said “what do you mean? The whole world was here, waiting”. Some people, I tell you.
Joy Sullivan, from "Late Bloomer", Instructions for Traveling West
no, i understand the only way out is through, i know this and i am very familiar with the concept and i have forced myself through and through and through and through, like an arrow to an apple; like a bird to the air. i push myself through mesh and sieve and stormdrain.
i am saying this thing is like stone to me. i am saying i have taken a pickaxe and a plow and a chisel and a spoon to it and i have made no dent or scratch in the surface. i have pushed and pushed, sisyphus beside me, and still my skin gave before the stone could.
i am telling you if there is a passage i do not see or some kind of clever way to thwart this enemy i'll take it. i've been up down and sideways of it, i've whispered to it and cajoled it and sang to it. i have tended to it like a kitten and i've kicked it to the curb. i have exhausted all available avenues and approaches as are available to me. i'll do whatever stupid fetch quest or answer the riddles three. i am standing here and every part of my body hurts and the stone is unmoved. please. if you know how to resolve this, i'm begging you.
and still, you say. the only way out is through.
Wildness Before Something Sublime Leila Chatti

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whats cool about being trans is my parents are totally right. i did kill their beautiful son. im the thing that animates his corpse in an ever more convincing parody of a happy girl. i devoured him from the inside out and now there is nothing left of him and he is dead dead dead and there is only me, with my hollow eyes and dark eyeliner and long hair, and my big smile. my limp, effeminate gestures belie the marionetting of the boy they loved. my fagginess is his death. already his body becomes a fitter home for my parasitism in full; the tits, the hips, the thighs. sorry about your kid. thanks for the biomass <3
Goatsong Leila Chatti
Nick Barlow, Clusterfuck/Keep It Together, 2022
Oil on mountboard, 81 X 81 cm
Babe, are you okay? You reblogged Nick Barlow’s Clusterfuck/Keep It Together again
why not have the reader re-read a sentence now and then? it won't hurt him....
Tomatoes Joy Sullivan

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i’ve mentioned this here before, but it will remain one of the most ideologically influential experiences of my life: when i was in fifth grade i did a report on post traumatic stress as manifested in veterans of the vietnam war, and my father did me the huge favor of connecting me w/ a vietnam vet friend of his who was diagnosed with PTSD, assuring him that while i was only ten i was bright and curious and he should be as honest with me about his experience as possible.
i remember entering his office with my tape recorder, sitting in a chair that was too big, and asking him questions about war, and his life after war, while swinging my legs over the edge of the chair. i remember being very, very quiet as he spoke of pulling the car over on the highway for fear of crashing when his hands would shake uncontrollably in response to song on the radio or a smell that he couldn’t be sure was real or sense-memory. and of ruined relationships and anger and american hypocrisy.
and i also remember that was the day i learned what “valor” meant. he used “valor” in a sentence and i didn’t know that word, and when i asked him to explain “valor” he became very quiet. and i can’t remember precisely what he said, if he ever offered me the dictionary definition or not, but i do remember him looking very sad, and saying something about our country’s idea of “valor”, and also something about a broken promise. and there was an edge to his words that i couldn’t parse at the time that i would later come to understand was bitterness, that he sounded bitter.
to this day i can’t hear or read the word “valor” without seeing sunlight coming through his office window at a slant, close-to-sunset light, and feeling the kind of quiet, confused, completely internalized panic a child feels when they sense that a grown up is trying very hard not to weep in their presence.
hey does anyone have that poem. about the author seeing two boys cuddling on a hotel lobby couch, where he refers to it as something like an island of safe anonymity or smth. its been 5000 years my college boyfriend had it written out and pinned to his wall
THANK YOU @witchoflight it is indeed "on traveling together" by Kayleb Rae Candrilli
hey dude, idk how much you remember from the party last night but- yeah, everyone saw your want. yeah no it was pretty late and winding down so it was quiet enough that every single person there saw it throbbing and twitching in your chest and so wet with hunger it was glistening under the kitchen light. they said it looked like it was reaching for something
they were right btw. you have to dig yourself out of your grave over and over again
Anne Boyer
[id:
WHAT RESEMBLES THE GRAVE BUT ISN'T
Always falling into a hole, then saying "ok, this is not your grave, get out of this hole," getting out of the hole which is not the grave, falling into a hole again, saying "ok, this is also not your grave, get out of this hole," getting out of that hole, falling into another one; sometimes falling into a hole within a hole, or many holes within holes, getting out of them one after the other, then falling again, saying "this is not your grave, get out of the hole"; sometimes being pushed, saying "you can not push me into this hole, it is not my grave," and getting out defiantly, then falling into a hole again without any pushing; sometimes falling into a set of holes whose structures are predictable, ideological, and long dug, often falling into this set of structural and impersonal holes; sometimes falling into holes with other people, with other people, saying "this is not our mass grave, get out of this hole," all together getting out of the hole together, hands and legs and arms and human ladders of each other to get out of the hole that is not the mass grave but that will only be gotten out of together; sometimes the willful-falling into a hole which is not the grave because it is easier than not falling into a hole really, but then once in it, realizing it is not the grave, getting out of the hole eventually; sometimes falling into a hole and languishing there for days, weeks, months, years, because while not the grave very difficult, still, to climb out of and you know after this hole there's just another and another; sometimes surveying the landscape of holes and wishing for a high quality final hole; sometimes thinking of who has fallen into holes which are not graves but might be better if they were; sometimes too ardently contemplating the final hole while trying to avoid the provisional ones; sometimes dutifully falling and getting out, with perfect fortitude, saying "look at the skill and spirit with which I rise from that which resembles the grave but isn't!"
/id]
HOW’S THAT HOUSE THAT RAISED YOU? - Lev St. Valentine

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Telemachus’ Detachment by Louise Glück
Wildness Before Something Sublime Leila Chatti