Thats the context for this meme???
I feel like I've been robbed the whole time. This is magical.
I'm dying
Alisa U Zemlji Chuda

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if i look back, i am lost
almost home
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@procrastinatingfeminist
Thats the context for this meme???
I feel like I've been robbed the whole time. This is magical.
I'm dying

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back on the Gollum Is Boromir's Ghost crack.
I reread the scenes at Henneth Annûn a few days ago and have been rotating them in my brain ever since. first. i will say. Faramir and Frodo have undeniable chemistry. their dialogue consists entirely of not quite parallel lines intersecting and deflecting as they are naturally drawn into mutual sympathy and yet their interests are not fully aligned. lots of withholding of total transparency while still each being as truthful as they can within their respective lines of duty, while both fully recognising and respecting this tactic in the other. they just are extraordinarily well matched in conversation, in wisdom, subtlety, courtesy and circumspection, and clearly hold each other in very high regard. very sexy ngl.
setting the shipping goggles aside. i had totally forgotten that Faramir tells Frodo of the vision he'd had of Boromir floating down the Anduin in his funeral boat; Boromir's body had looked radiant, noble, "more beautiful than in life", indicating to Faramir that he had died well.
It's in the course of this conversation that Faramir discerns the shadow of Boromir's fall in Frodo's careful account of their parting - Frodo doesn't reveal the betrayal explicitly but Faramir basically pieces it together. He knows Isildur's Bane is some kind of powerful object, he knows the Fellowship was conveying it, he knows his brother would have wanted to use it and was capable of falling to this sort of temptation. Frodo doesn't deny it. Later - the scene with Gollum in the pool. Faramir asks Frodo why he shouldn't just shoot Gollum. Frodo says: have pity, he's afflicted with a hunger. Faramir himself takes this to mean hunger for Isildur's Bane. It's Frodo who then (somewhat coyly, I think) says - well, yes, but actually in this instance I'm talking about fish. But Faramir has already made the connection with the hunger that had afflicted and doomed his brother.
Frodo's ambivalent account of Boromir is sandwiched for Faramir by two visions of his dead brother, forming a bisected whole, like the riven Horn of Gondor that returns home in two clean pieces. Boromir in the river; Boromir in the creature.
when I say “Let me ask my husband”, one (or both) of these things is taking place:
1. I am in a loving, happy relationship where we value and respect each other’s opinion
2. I am using this as an excuse to get out of something I don’t want to do (sorry habibi)
what is not happening here: I am being oppressed
3. Brother I Have No Idea What Is Happening Let Me Consult My Trusted Advisor
One day I shall be that trusted advisor
"My liege you cannot attend that gathering, you have promised that evening to rituals of appeasement" (you promised you would rest and take some time just for yourself)
"My liege, there are worrying rumors about their trust and capability" (Last time they tried to plan something, it fell apart and you had to plan it last minute)
"My liege, you MUST attend to maintain diplomatic standing!" (You haven't seen your friends in a month and are saying you miss them every day, SAY YOU WILL GO)
You know, I made this post with a very specific context (how people see me, a married muslim lady in a hijab, and automatically assume I’m oppressed) but all these additions are absolutely sending me and the notes are delightful so by all means, please continue
Gotta tell you guys something wild in the Chinese fan sphere
So some fanartist drew a “sexy” (read: booby) version of a (cartoon) character who is traditionally very non-sexualised. Fans of the character got mad about it because it’s kind of groundbreaking how that character is written and portrayed and this art totally ignores the entire point of the character. They demanded the art be deleted. In response to that other people said, well what the fanartist did may be distateful but they have every right to draw what they’re into. The two sides fight for days and each starts a harassment campaign and even report their “opponents’” accounts.
So far so typical. But things eventually come to a head and they decide that this will be settled by votes - not through a poll. Through donations to a children’s education charity via each side’s portal. Whoever can get the highest amount of donation wins.
And that is how this charity received over 1 million in donations in three days lol. Oh btw the “freedom of expression” side won by a landslide (960k to 40k)
From now on this is how all petty fandom disputes should be settled.
mold pisses me off so much
oh you have to eat your produce the moment it leaves the store or the fuckin Hungering Dust will get it. and. poison your food
I ran into this post years ago and to be honest, it has completely reoriented the way I engage with food.
Like. I’ve always sorta understood that things grow moldy or stale or sour or such if left out, but I never really internalized it in a meaningful way.
But now I’m just like.
Yeah. The hungering dust. There exists omnivorous dust in the air that will eat my food if I don’t.
Those bagels have been sitting there for a week. Are we going to eat them soon or are we leaving them for the hungering dust?
Pizza’s been sitting out on the counter for an hour. Everyone’s enjoying the pizza, but if we don’t want “everyone” to include the hungering dust then we should probably put it away soon.
That’s just. That’s how food works to me now. There exists an invisible predator in the air that hungers for your yummies, and it will not hesitate to eat your food if you don’t make the effort to protect and preserve it. And eat what can’t be preserved before the dust can.
Life-changing.
food doesn’t actually “go bad”, it just gets eaten by something else first
food doesn’t actually
“go bad”, it just gets eaten
by something else first
Beep boop! I look for accidental haiku posts. Sometimes I mess up.
Mold asks, “You gonna eat that?” and waits an extremely variable amount of time for an answer.
(Raspberries are its favorite; it has no self-control when it comes to those.)

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pretty great for chris eccleston though
A German regional court has ruled that Google is directly liable for the content of its AI search overviews. According to the court, previou
Let’s fucking go
This is HUGE.
1. The court holds Google responsible for statements made by its AI, considering them Google's statements (search engines have limited liability for results in their engine as they're the words of other sites/companies/people), meaning when their AI lies/hallucinates they're liable for the defamation/harm resulting from those statements.
2. Google's defense that customers are generally aware of the lack of reliability and are responsible for fact checking was dismissed. As the court pointed out, that would "significantly diminish" AI Search's stated purpose and it can't be distinguished from Google's business practices/statements as a search tool.
3. Studies have found about 91% of Google's everyday AI responses are accurate, leaving millions of searches per HOUR with potential liability for falsehoods. 56% of correct responses weren't supported by the sources the AI listed. Both of which mean Google is now liable for a LOT more AI "errors."
4. Google was held liable for 80% of court costs in this case and this precedent is expected to reverberate around the world. This is a massive shift from the 3rd-party search provider role Google has previously played and it comes right as they've tied ALL searches to their AI search.
TL;DR Google reeeeeally stepped in it this time.
5. If the words are Google's, this solidifies the position of universities who demand that all answers from AI are fully cited. If all the in-line citations now have to be (Google, 2026), that's going to make it obvious when someone's trying to use Google as a source. There's still the difficulty with people who are academically dishonest by trying to pass off the AI writing as their own. 6. 91% accuracy is officially too low to use as a source of references, which means the AI can't be used as a source of references either. This makes it less legitimate for such purposes than Wikipedia of all places (Wikipedia might need date/time proof of when it was accessed for the reference to be valid, but at least it is possible to prove the link existed at a particular date and time). 7. This will help encourage the rollout of courses on how to avoid AI search for students who need academic accuracy, because it's statistically not good enough to use. 8. This strengthens the case intellectual property authors have against Google in the EU, as this is proof that an intellectual property transfer took place.
This is why Pride is not just a party. It's a joyful celebration, but it's also a pointed and colourful two-finger salute to a world that stood back whilst so many of us died. And we'll never go quietly, never again.
Intellectual property laws used to mean something when it targeted the consumer.
Now the venture capitalist steals the IP to make derivative AI bullshit.
[ID–
Textpost by "theselongwars" @theselongwars_. The post reads:
still not quite over the fact that i watched 15 year olds get sued for millions of dollars for downloading twelve songs and now we all have to accept AI slop because every tech company in the known universe decided that IP laws don't exist now that they're inconvenient for them
End ID.]
The AMVCAs
By Benjamin Njoku The 12th edition of the Africa Magic Viewers’ Choice Awards delivered yet another successful outing, one that continues to
The 12th Africa Magic Viewers' Choice Awards (AMVCA) took place on Saturday, May 9, 2026, at Eko Hotels and Suites in Lagos, Nigeria. The star-studded event celebrated excellence in African film and television across 32 categories, with "My Father’s Shadow" emerging as the night's top winner.
The Red Carpet: The 2026 edition focused heavily on themes of honoring craft and celebrating culture. Stars like Toyin Abraham, Osas Ighodaro, and Nana Akua Addo delivered highly talked-about, avant-garde fashion moments.
(TikTok credit: @spaghettiityrant)
The blue one with the fish and the gold right next to each other are my faves of this absolute stunning lineup and i went looking for other pics of the gold one cuz i wanted to know how it was done and man this is bitchin'
A close-up, with more if you click through the link below - absolutely love the movement and magic achieved by the construction

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"For decades, wolf researchers believed ravens followed wolf packs to find food. Every biologist who flew aerial surveys over Yellowstone saw the same thing.
Wolves moving across the snow with ravens overhead, black shapes trailing the pack like a shadow with wings. The assumption was simple. The ravens were following the wolves. The wolves would kill. The ravens would eat. A study published in March 2026 using GPS transmitters on wolves, cougars, and ravens in Yellowstone proved the assumption wrong.
The ravens were not following the wolves. They were remembering where kills had happened before and flying over those locations looking for new carcasses. The relationship between the two species is real. The mechanism is not what anyone thought it was.
Bernd Heinrich, a University of Vermont biologist who spent years studying ravens in Maine and Yellowstone, first documented the scale of the association. His data showed ravens present near wolf packs 99.7 percent of the time during winter in Yellowstone. Not occasionally. Not frequently. Essentially always. On Isle Royale, researcher John Vucetich observed the same pattern from the air.
Every wolf pack had ravens with it. The birds were just always there.
The numbers at kill sites are staggering. The average number of ravens documented at a Yellowstone wolf kill is thirty. The maximum recorded at a single carcass is 135.
A wolf pack brings down an elk in the Lamar Valley, and within hours over a hundred ravens have materialized from across the drainage to feed. They do not wait politely. They land on the carcass while the wolves are still eating. They grab chunks of meat and cache them in the snow and in tree crotches for later retrieval. Research estimates that ravens can consume up to forty percent of a carcass, which means a wolf pack that kills a seven-hundred-pound elk may lose nearly three hundred pounds of it to birds.
That loss is so significant that one study proposed a theory that reshapes how we think about wolf pack size entirely. If a pair of wolves can take down an elk, why do wolves hunt in packs of four, six, eight, or more? The per-capita meat return decreases with every additional mouth. A pair gets the most meat per wolf. The answer may be ravens. Two wolves cannot eat fast enough to outpace a hundred ravens stripping the carcass simultaneously. A larger pack can post guards, feed in shifts, and physically dominate the carcass long enough to retain a greater share of the kill. Wolves may hunt in packs not because they need more teeth to bring down prey, but because they need more bodies to defend the kill from birds.
The ravens pay for their meals. Heinrich documented in his book Mind of the Raven that ravens serve as an early warning system at kill sites. Ravens are more vigilant than wolves. They perch in trees overlooking the carcass and scan the horizon in every direction. When a grizzly bear approaches, or a rival wolf pack, or a mountain lion, the ravens see it first. Their alarm calls alert the feeding wolves to the incoming threat before the wolves' own senses detect it. The wolves get airborne sentries. The ravens get an animal with the jaw strength to open a frozen elk carcass that no raven beak can penetrate.
That is the core of the mutualism. The raven cannot open the hide. The wolf can. The wolf cannot see a threat approaching from a mile away while its head is buried in a rib cage. The raven can. Each species fills a gap in the other's capability, and the result is a partnership so consistent that L. David Mech, the most published wolf researcher in the world, wrote that each creature is rewarded in some way by the presence of the other and that each is fully aware of the other's capabilities.
The play behavior is the part that makes biologists uncomfortable because it implies something beyond transactional mutualism. Wolves and ravens play together. Not at kill sites. Not during feeding. During downtime. Yellowstone observers have documented ravens diving at resting wolves, pulling their tails, and flying away. Wolf pups chase ravens across meadows. Ravens steal sticks from pups and hold them just out of reach. The interactions look like the cross-species equivalent of two bored kids messing with each other because there is nothing else to do.
Doug Smith, the retired lead biologist of the Yellowstone Wolf Project, had watched this relationship from the air for decades. Wolf researchers have believed forever that ravens follow wolves, he wrote after the 2026 study was published. Every wolf researcher has seen it. I have seen it routinely from the plane while wolves are chasing an elk in Yellowstone Park, numerous times. Ravens are just always there. This is an age-old observation. But it has never been rigorously tested until now.
The 2026 study, which used 2.5 years of GPS data from transmitters on wolves, cougars, and ravens simultaneously, revealed that ravens were not tracking wolf movements in real time. They were patrolling known kill sites. A raven that fed at a wolf kill in a specific drainage in November would return to that drainage repeatedly over the following weeks and months, flying over the exact location where the carcass had been, checking whether a new kill had appeared. The ravens were not following the wolves. They were following the memory of where wolves had killed before.
That distinction matters because it changes the raven from a passive follower into an active strategist. A bird that follows a wolf pack is reacting. A bird that memorizes kill locations across an entire landscape and patrols them systematically is planning. The raven is not tagging along. It is running a surveillance network across hundreds of square miles of Yellowstone, checking sites where food has appeared before, and showing up fast enough when it appears again that every observer since the 1995 reintroduction assumed it had been following the wolves the whole time.
The wolf and the raven share almost identical geographic range across the Northern Hemisphere. Everywhere wolves live, ravens live. The association is not a Yellowstone novelty. It is a continental relationship between two of the most intelligent species in North American wildlife, running continuously across boreal forest, tundra, mountain, and prairie, built on meat, memory, and a mutual awareness that neither species has ever needed to be taught."
Sources: Heinrich, B. "Mind of the Raven: Investigations and Adventures with Wolf-Birds." / Stahler, D. et al. (2002). Animal Behaviour. / Mech, L.D. "The Wolf: The Ecology and Behaviour of an Endangered Species." / Cornell Lab of Ornithology, Living Bird, 2020. / Bozeman Daily Chronicle, March 2026.
rest in peace to this diva
Mexico amends its constitution to cut the maximum workweek from 48 to 40 hours by 2030 and gives 13.5 million workers the legal right to ign
Mexico amends its constitution to cut the maximum workweek from 48 to 40 hours by 2030 and gives 13.5 million workers the legal right to ignore their boss’s calls, messages, and emails after their shift ends, in the most significant overhaul of Mexican labor law in a generation.
Mexico has rewritten its constitution to guarantee every worker in the country a shorter working week, a legal right to switch off from work after hours, and a guarantee that no employer can cut their pay in response, enacting in a single legislative package a set of labor rights that workers in wealthier countries have spent decades campaigning for without success.
As I get older, the entire moral arc of Return of the Jedi irks me more and more, even without getting to see Anakin's actual atrocities in the prequels or the fact that his act of defiance barely even mattered in the sequels.
I remember an Expanded Universe comic set immediately after RotJ where Leia tells Luke words to the effect of "Vader literally had me tortured and blew up my homeworld. What, am I supposed to feel kinship with him just because I discovered he's my dad yesterday?"
The important thing that happens in Return of the Jedi is that the Emperor dies and the planet-killing superweapon gets blown up. Vader spent the last two hours of his life doing something good after 25 years of genocide, mass murder and torture, and even then, it was partly out of vengeful hatred. Vader fucking hated Palpatine for a quarter century and never had the spine to do anything about it. It was only after his own son was being tortured to death in front of him that he chose to act - and he'd cut off the kid's hand like two years before that! That's not a fucking redemption arc.
Darth Vader the fucking child-killing planet-murderer gets to stand there with Yoda and Obi-Wan as a Force Ghost, give me a fucking break.
"My father's name was Bail Organa, actually."
I have a whole other post I did about the original Star Wars trilogy that is relevant to this, but I'll try condense it:
So one, yes, absolutely it is entirely correct to take issue with Darth Vader's apparent forgiveness by the Force, there is no need for Leia to accept him as her father or to feel anything for him besides hate and contempt, redemption takes more than turning back for a couple of hours and then getting out of culpability by dying, all fair.
That said: the original trilogy is Luke Skywalker's story and the story of Luke Skywalker, on a meta level, is about being a young adult in the 60s and 70s who did not experience WWII or the depths of fascism personally, but who grew up with gaping familial wounds - family members who you never knew but who older people refer to or talk around, people they compare you to, figures who other children had in their lives but you didn't. Someone who as a child was given fantasies of heroes fighting daring battles, who was told it was all about nationhood and fighting for your people and the course of civilization, someone who internalized those principles as guiding lights for their own morality and who they want to be... and THEN finding out when you become an adult, and are permitted to know about the horrors, that it is not just honor and glory in your heritage, that you, 70s white boy, may have evil and darkness and the corruption of all your values as a potential to fall into just as your father did, the temptation to hate and cruelty and domination and atrocity. And the absences in your family are maybe not just because of death, of noble sacrifice, but perhaps instead because those people who shared your blood became monsters, severed from their family because of their terrible actions, and still live as awful hateful versions of themselves, enslaved to evil, and that could be you.
And what do you do with that? Will you strike your father down with all of your hatred, when the thing that corrupted him by his hate for its own ends is sitting there grinning and laughing, waiting to do the same to you? Is violence the answer against that creature, infinitely better at taking advantage from violence than you are? Or will you just die - and even just walking away here means death, sooner or later - and let the evil persist?
Or will you, privileged young person with ideals and hopes, with a family member who has done terrible unforgivable things but who still holds affection for you, make use of that affection to tempt them to just turn their back on that evil for a moment, the thing it will never expect from the person it made its slave for longer than you've been alive? Neither you nor he can pay back the crimes of those years, but perhaps you can stop the evil, here and now, from going on.
So you do that. And what is your reward? Is it appropriate for Luke, whose whole story has been about becoming the ideal he grew up admiring and defeating the evil that ideal had the potential to become, both halves of it embodied in the being of his father, to come back to his friends and then have the universe say to him 'your father was unredeemable, and had nothing good enough in him to deserve peace in death'? Or to say there was a darkness lifted from him, and a light restored?
The whole purpose of Darth Vader in the story of the original trilogy is to represent who Luke could be, and through Luke, the audience. He wasn't really supposed to have a character arc of his own, his redemption isn't for his own sake, the story isn't about him - or wasn't meant to be originally, in any case. How you depict the fate of Darth Vader is something that sends a very strong message, and there's a reason why it was chosen as the final message of the original movies, in the context of the world in which those movies were made and who they were intended to be speaking to. If you change that, you change the message. Which you can do! And you can take issue with the original message! But like, there was a message, that was chosen purposefully, and you have to lose the original message to add a new one.
This rebuttal is really good, but I actually think it also works as the culmination of Anakin/Vader’s arc… when you understand the message ISN’T “one good deed absolves years of atrocities”: It’s that it’s never too late to do the right thing, and be a better person.
It doesn’t mean people will forgive you - hell no. The things Vader did were unforgivable, and he knew that. But because of that, he believed the only path left was to keep committing atrocities, to wallow in self-hatred and anger for decades and take it out on the galaxy. He says it himself: “It’s too late for me, son”.
But what Luke shows Vader is that we ALWAYS have a choice: To be a better person, and to choose compassion. Anakin doesn’t kill the Emperor out of hatred, or even because he thinks it’ll make up for anything he did: He knows nothing ever will. He chooses to save Luke, and break the cycle of violence because it’s the right, kind thing to do.
Vader/Anakin isn’t fully redeemed by the end of Return of the Jedi: He simply takes his first step back into the light. Obi-Wan and Yoda chose to give him that second chance, but that was their decision to make. The people you hurt are by NO means obligated to forgive you - but you should still strive to be better regardless.
And I think that’s the message of Anakin’s sacrifice: No matter what we’ve done, we always have a choice to break the cycle and be better, with no expectation of forgiveness.
Vader/Anakin spent twenty years trapped in a cult/high-control situation/relationship with a malignantly evil, manipulative man who has been heavily involved in his life since he was a teenager---complete with medical control, by the way---and locked up by his guilt over things he was guided to do thinking they were necessary or righteous at the time.
And at the end of his life he took the terrifying step of freeing himself from it in a desperate effort to prevent a loved one from suffering. Should he have done that before? Absolutely. Could he have? I doubt it.
Few people---thankfully---are given the necessity of enduring their own failures at such a magnitude. It is NOT always easy to be good, and sometimes someone puts real effort into making it seemingly impossible. Humans often fail in that regard. Often.
But he saved the galaxy from the NEXT twenty years of the rule of the Sith, the absence of the Jedi, the overwhelm of the Empire, the destruction of more planets by the Death Star.
The fact he didn't save the galaxy from the FIRST twenty years of it doesn't erase that.
Leia doesn't have to forgive him, or see him as her father. But the message of Star Wars is, as stated above, that you're never too late to do better. Even, or perhaps especially, if you think it can never be enough.
Hell, sometimes the previous failure is what puts you in place to be a current success at it. Just as Han Solo's departure from the battle of Yavin let him enter the battle completely unexpectedly and land the hit that saved Luke from Vader in the trench run, Vader's presence as the Emperor's second-in-command and Sith apprentice, his loyalty to the Empire unimpeachable, put him in a position to successfully kill the Emperor---and, being the other Sith himself, to end their reign.
Sometimes your failures lead you where your successes wouldn't, and sometimes that's an important place to be.
[Image transcript follows]
"It really has to do with learning. Children teach you compassion. They teach you to love unconditionally. Anakin can't be redeemed for all the pain and suffering he's caused. He doesn't right the wrongs, but he stops the horror. The end of the Saga is simply Anakin saying, 'I care about this person, regardless of what it means to me. I will throw away everything that I have, everything that I have grown to love - primarily the Emperor - and throw away my life, to save this person. And I'm doing this because he has faith in me, loves me despite all the horrible things I've done. I broke his mother's heart, but he still cares about me, and I can't let that die.'
Anakin is very different in the end. The thing of it: The prophecy was right. Anakin was the Chosen One, and he does bring balance to the Force. He takes the ounce of good still left in him and destroys the Emperor out of compassion for his son."
George Lucas, The Making Of Revenge Of The Sith; page 221
Luke Skywalker in The Mandalorian but it’s Toxic by Britney Spears
I’m gonna propose something: if your combat/ass-kicking sequence can’t fit to a top 40 female-vocalist Banger like “Toxic” or “Mama Mia” or “I Need a Hero” you’re not Doing It Right.
At this point its starting to feel like Editors are using 140-150bpm as a standard for action sequences, and I cant say I hate it.
I agree wholeheartedly with every point above but I watched this first with the sound off because I forgot that was an option and what struck me most is how efficient Luke's lightsaber style is. Almost every flourish he makes and all of what, 2 entire spins?, is defensive to better parry blaster fire while nearly every offensive swing he makes is basically a head or chest level kill shot. If I had to make a guess about his character I'd say this vintage twink has probably Seen Some Shit and maybe comes from a background where resources are scarce and help is far away so if you get in a fight you have to end it before it starts or you're dead meat
deeply want a time travel fic where Luke visits the old republic and the Jedi are like “that’s not a dueling style” and luke is like “yea am not doing much dueling tbh”
Obi-Wan had been living and learning at the temple from age 2. Luke had maybe 6 months at best of half-assed instruction before whooshed off onto his haphazard rescue mission/trap, and afterwards got told by two lazy ghosts 'Yer a wizard now, Harry!' 'You are a Jedi now, you are fit to take on padawans of your own and revive the Jedi culture!' when in truth Luke isn't even fit to be called a padawan himself, much less a knight or even a master. (This copout in canon always irks me soooo so much). Yeah, duh, of course his fighting style is all about 'whatever works best for me to reach my goal with a minimum of losses and time' and not about style and technique.

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how measurements work in canada (ie/ badly)
And this flow chart needs another sub-level because I, as a Canadian scientist (archaeologist) use metric length measurements for work, but as a historic building researcher I use imperial length measurements for recording old houses.
Catastrophize Benedictine