✨🦋 Mothra's Battle Suit Design ✨🦋

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@princess-nobody
✨🦋 Mothra's Battle Suit Design ✨🦋

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I miss your smile
wait aw
everyone loves leo’s cheeks
Kun and Leo, 2008

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A tie to my birthday and also the birthday we shared of my MV OC and fanchild of Mothzilla: Princess Mothra Astra.
Go see here!
@sassyassblog Tagging you just to see this cute photo
mothzilla gijinka doodles
old versions of CTM (colored)
Im totally forgot about the spooky day, so the design was sketched out only under 1 hour
Anyways, here's the guardian's halloween designs :D
Happy late spooky day :D

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I once again forgot that I have a tumblr account, buuut now I'm back and also hyperfixating on jsab again!! Yippee!!
Some Mitsi doodles because of the new AVA episode yohoo!!
I quite like Tsireya!
I know this comes off as a very nothing statement (because who cares what I like really?) but in the years since the release of Avatar: The Way of Water, Tsireya's personality has occasionally come up as a contentious point, so much so that it was even a topic of debate among a group I often discuss Avatar with. Admittedly, her personality isn't that overtly depicted, as she isn't that large of a presence in the movie, but we've seen enough of her to know that she is a kind, tender, emotionally sensitive girl who seems to cower in the face of confrontation and struggle when faced with severe adversity.
The main argument I saw against her depiction – and in support of her character changing in the next few films – was that she was a weak character, that they felt she should be more tough and headstrong like Ronal and Neytiri, and that having a female character like her is incredibly boring. Now, I will admit that in TWOW, she isn't too interesting as she lacks any meaningful development or presence, but I believe that has less to do with her archetype itself being bad and more to do with her not being *that* important in the grand scheme of things (at least, in TWOW).
I think a lot of people forget that TWOW functions mostly as an introduction to the next act of the Avatar franchise, and because of that the new characters in the film weren't going to be as deeply delved into, considering it's basically just set up for what's to come. As a result, Tsireya's character is naturally going to come off as less interesting because we haven't seen much of her in different scenarios, I mean, she (and all the Metkayina tbh) basically disappears in act three!
With that being said, while I do agree with the sentiment of her becoming more self-sufficient, useful and even combat trained in the coming films, I actually don't want her to become some super tough warrior princess, mostly because I feel like her being the more tender and emotional soul is what makes her stand out. To put it simply, we've seen the headstrong tough girl from pretty much every na'vi woman, whether it be the films, the comics, or even the few games based on the franchise. I don't think a female character has to be intimidating and powerful in the generic way to be interesting, and it's more than possible for Tsireya to be a fascinating, important and necessary character while maintaining her traditional softness.
I think it would be very fulfilling for her to be able to keep her gentleness, her kindness, her sweetness even after experiencing so much, for her to be able to rise above her fear of confrontation and battle, without losing the light in her eyes. While I can understand why some may have the earlier stated impression of her, I think it's pretty reductive to claim she's just some weak crybaby, destined to be weak and useless until the end of the franchise. She has potential to almost be a symbol of hope, because what is more radical and noble than maintaining your joy, happiness and love of life, even while it's being actively stolen from you?
TLDR: I really like the blue mermaid girl she means a lot more to me than she probably should 😭
"The na'vi look too human to be believable as an alien species"
This criticism has been something I've always felt pretty blasé about; as in, I personally see no issue with their designs (love them in fact) but I can see why some people don't like them and I've never been bothered by fanmade redesigns (I find some to be rather cool actually).
However, since the release of TWOW, I've been rolling my eyes at this "critique" (nitpick imo) as well as redesigns because the movie actually provides a non-humanoid race of alien people: the Tulkun. In the film, as well as supplementary material, the Tulkun are described as being a group of people with their own culture, language, belief system, art, music, poetry and law. Sure, they're a whaling metaphor, but as opposed to portraying them as really smart whales, they're actually a native community of people.
Yet, let the people who watched the movie – fandom or otherwise – tell it, and they're just really smart big fish the Metkayina bonded with 😭 people talk about Payakan like he's a wild animal Lo'ak tamed and not a person he befriended, I've even seen fanwork where they humanize Avatar and have Payakan be a pet he adopts or a feral animal he tames and not a guy he forms a friendship with. I remember reading a oneshot where the writer claimed Lo'ak named him and I was like? No, Payakan introduced himself to him!
People claim that Ronal losing Ro'a is some sort of parallel to Neytiri losing Seze, but – not to downplay Seze's death btw – based on Ro'a being an actual person and a familial bond to Ronal, wouldn't it be more of a parallel to Neytiri losing Sylwanin? You know, her actual sister? Or her son Neteyam? It's like saying a character losing their pet hamster is the same as a another character losing their twin sister. 💀
Idk, I just wonder if the people who claim the na'vi look "too human" would have actually empathized with them if they looked more alien and less humanoid, because if the Tulkun are anything to go by, it was a great decision to anthropomorphize them because people would have dehumanized them if they hadn't been (at least, more than they already do). Audiences seem to struggle to empathize with or humanize characters that don't look anthropomorphic in any way.
Sorry for this long ass yap session 😭 this is just something that has bothered me for a while and I needed to get it off my chest.
Bonus point: It becomes more horrifying when you acknowledge that historically, indigenous and native populations having their body parts/organs harvested by colonizers and invaders for medicinal and ritualistic purposes is actually a terrifyingly common phenomenon. Indigenous people having their skulls, scalps and organs harvested by settlers, mummified egyptian people having their bodies stolen and consumed, and many more examples of this happening make it so claiming the Tulkun to be "just a whaling metaphor" feels deeply reductive. Yes, they are a whaling metaphor, but it's a lot deeper than that, yet no one acknowledges it because they look like whales I suppose.
@bl00dh0rs3 I really liked your tag additions, but wanted to specifically talk about the last three points you made because I agree wholeheartedly and it's something I've wanted to talk about since forever and you just out a battery in my back lol.
I usually hate saying we're in an era of anti-intellectualism because it sounds so deeply pretentious that people dont take it seriously, but the fact of the matter is that people don't want to think about anything or take anything seriously anymore. This bleeding into circles like Avatar is most infuriating because Avatar and franchises like it require you to take it seriously due to its themes, messaging, and plot points.
That isn't to say you can't meme, joke or have fun, of course not! However, when I resposted this opinion piece onto the Avatar subreddit, one of the first responses I got was "they're fictional, so it doesn't matter", but it does matter, if it didn't matter I wouldn't be talking about it? Or the many other times I posted there and received responses such as "holy yap" or "it's not that deep" or whatever, it's like they really don't want to think at all over there.
I assume it's due to the pandemic and an attempt to recuperate from it, as well as the social and political pendulum swinging more right, but nobody wants to be sincere about their discussions on anything anymore, everything has to be surface level now because even the most puddle deep analysis of literally anything receives waves of backlash. I suppose it's more fun to just be a nasty, mean spirited contrarian than to sincerely engage with a piece of media, but it makes discussions surrounding a lot of the things I like (such as Avatar) so deeply boring.
It's easier to reduce the Tulkun to whales and nothing more because then you don't have to acknowledge the horrifying reality of an indigenous population of people being hunted like livestock, and you can instead just have your fun free willy story of a young boy befriending a sea creature! It's easier to ignore Avatar's social commentary – no matter how surface level and on the nose – and just focus on something more mundane like the logistics of na'vi tails or whatever because then you don't have to talk about the real life issues it tackles. Being reductive and dismissive is more fun that actively engaging, which is sadly why people lean into it more.
Like, why are we talking about how the na'vi are ugly and biologically weird on a post about how audiences struggle to empathize with non-humanoid races of people. Why are you actively denying the personhood the film gracelessly shoves down your throat and reducing them to kinda smart whales 😭 and people why the movies are so blunt in nature, they have to be or people will just ignore it, which is funny becaude they still do!
"The na'vi look too human to be believable as an alien species"
This criticism has been something I've always felt pretty blasé about; as in, I personally see no issue with their designs (love them in fact) but I can see why some people don't like them and I've never been bothered by fanmade redesigns (I find some to be rather cool actually).
However, since the release of TWOW, I've been rolling my eyes at this "critique" (nitpick imo) as well as redesigns because the movie actually provides a non-humanoid race of alien people: the Tulkun. In the film, as well as supplementary material, the Tulkun are described as being a group of people with their own culture, language, belief system, art, music, poetry and law. Sure, they're a whaling metaphor, but as opposed to portraying them as really smart whales, they're actually a native community of people.
Yet, let the people who watched the movie – fandom or otherwise – tell it, and they're just really smart big fish the Metkayina bonded with 😭 people talk about Payakan like he's a wild animal Lo'ak tamed and not a person he befriended, I've even seen fanwork where they humanize Avatar and have Payakan be a pet he adopts or a feral animal he tames and not a guy he forms a friendship with. I remember reading a oneshot where the writer claimed Lo'ak named him and I was like? No, Payakan introduced himself to him!
People claim that Ronal losing Ro'a is some sort of parallel to Neytiri losing Seze, but – not to downplay Seze's death btw – based on Ro'a being an actual person and a familial bond to Ronal, wouldn't it be more of a parallel to Neytiri losing Sylwanin? You know, her actual sister? Or her son Neteyam? It's like saying a character losing their pet hamster is the same as a another character losing their twin sister. 💀
Idk, I just wonder if the people who claim the na'vi look "too human" would have actually empathized with them if they looked more alien and less humanoid, because if the Tulkun are anything to go by, it was a great decision to anthropomorphize them because people would have dehumanized them if they hadn't been (at least, more than they already do). Audiences seem to struggle to empathize with or humanize characters that don't look anthropomorphic in any way.
Sorry for this long ass yap session 😭 this is just something that has bothered me for a while and I needed to get it off my chest.
Bonus point: It becomes more horrifying when you acknowledge that historically, indigenous and native populations having their body parts/organs harvested by colonizers and invaders for medicinal and ritualistic purposes is actually a terrifyingly common phenomenon. Indigenous people having their skulls, scalps and organs harvested by settlers, mummified egyptian people having their bodies stolen and consumed, and many more examples of this happening make it so claiming the Tulkun to be "just a whaling metaphor" feels deeply reductive. Yes, they are a whaling metaphor, but it's a lot deeper than that, yet no one acknowledges it because they look like whales I suppose.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Rotxo and Kiri enjoyers, if like me you didn't notice, let it be known that it's him hanging from that fin on the underside of Kiri!!
“The arrow must come out, Qotho.”
“Yes, Great Rider,” Mirri Maz Duur answered, touching her bruised face. “And your breast must be washed and sewn, lest the wound fester.”
“Do it, then,” Khal Drogo commanded.
“Great Rider,” the woman said, “my tools and potions are inside the god’s house, where the healing powers are strongest.”
“I will carry you, blood of my blood,” Haggo offered.
Khal Drogo waved him away. “I need no man’s help,” he said, in a voice proud and hard. He stood, unaided, towering over them all. A fresh wave of blood ran down his breast, from where Ogo’s arakh had cut off his nipple. Dany moved quickly to his side. “I am no man,” she whispered, “so you may lean on me.” Drogo put a huge hand on her shoulder. She took some of his weight as they walked toward the great mud temple.
Art by IrenHorrors