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The Supremes in January 1968

Photographer Charles Clyde Ebbets, 1930s.

Lisa Bonet, 1987

All three of Phoenix’s new movies are about coming of age, about growing past one’s parents, and about loyalty and betrayal. It’s tempting to draw parallels to his personal situation. “I’ve been so much more exposed than my folks think,” he says, the pain in his voice unmistakable. He mentions the plentiful supply of cocaine and alcohol on the set of The Mosquito Coast. (…) It’s hard not to be touched by this beautiful boy struggling with grave moral issues who can speak with sophistication about acting yet who unself-consciously peppers his conversation with such sentences as “The Devil is so pretty and tempting” and guilelessly uses such words as “Antichrist.” “I am confused, ” Phoenix says. “I go back and forth about success and wealth.“ When he thinks about the future, he dreams of founding a home for “abused kids, the homeless, the psychotics.” He wants to “take the Devil’s bribe and use it for God.” But mostly, he says, he’ll try to stay in the present. Maybe he’ll form a garage band. Maybe he’ll never make another movie. It’s hot in the car, and sweat is glazing the skin above his lip. “Sometimes I wish I wasn’t as conscious as I am. It would be so much easier” - Premiere, April 1988

Ruby Campbell photographed by Aleksandar Zaric

a stop in cape verde: alecia and djenice for slimi magazine

Reece at Lucien March 2017