I've had one of these little guys hanging out in my yard the last few days and as soon as I get a chance, I'm taking a picture. As long as he doesn't get destructive, he can stay.
sheepfilms
trying on a metaphor
šŖ¼
PUT YOUR BEARD IN MY MOUTH
macklin celebrini has autism

pixel skylines
NASA
KIROKAZE
Stranger Things
Not today Justin
One Nice Bug Per Day
occasionally subtle
hello vonnie

Product Placement

Kiana Khansmith
Jules of Nature
noise dept.

titsay

izzy's playlists!

Kaledo Art

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@primadsezcanada
I've had one of these little guys hanging out in my yard the last few days and as soon as I get a chance, I'm taking a picture. As long as he doesn't get destructive, he can stay.

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THE EMPIRE STRIKES BACK (1980) Dir. Irvin Kershner
new boot goofin

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one of my favorite this american life segments of late is about the people who played orchestra pit for phantom of the opera on broadway and how, like, a sizeable majority of them had literally been playing the show since it opened in 1988 (on broadway. I know it opened in 86 on the west end, you random pedants, but I am specifically talking about broadway musicians) because their contracts stipulated that they'd have jobs throughout the show's entire run... but nobody anticipated that phantom would become the longest-running broadway show of all time.
and none of these people wanted to walk away from a guaranteed job, so very few of them ever quit. they just kept doing the same show eight nights a week... for twenty or thirty years... and by the time it finally closed last year most of these musicians (who had been working together for DECADES) hated each other and really really fucking loathed phantom. I can't stop thinking about it. it's indescribably hellish to imagine but also the funniest thing I've ever heard in my life.
can you imagine.
[ID: excerpt from an article reading: One of my favorite stories, which should drive anyone who has every played in a band crazy-- thereās this bassoon player who has sat next to the same clarinet player since 1988. Sheās convinced he plays half a note4 flat on every note heās every played. He denies this. /]
you are not immune to inventing an arbitrary set of rules that only you have to adhere to
I finally have my Summer book pile together! Now, time isn't the issue but tackling the nap monster is.
Now with actual books!
And from a young age, i knew my favorite activity was obsessing over things
I finally have my Summer book pile together! Now, time isn't the issue but tackling the nap monster is.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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The Mass Effect Kink Meme is Moving to AO3
The Mass Effect Kink Meme a prompt meme for the Mass Effect games, is being imported to AO3! Read more at:
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The one who causes trouble and the one who solves it
Source: The New York Tattler, July 8, 1909.
No, no, and NO.
AO3 does not live in āthe cloudā because that is other peopleās computers, and other peopleās computers are vulnerable to censorship.
AO3 is on its own computers. It does still have to be housed somewhere, and I suppose a determined enough hater could try to find that place and go after it, but itās a lot harder than sending spurious complaints to Amazon or whomever going āBadWrong things are hosted on your cloud service!ā
Owning the servers is a core tenet of OTW/AO3.
Warming up a new database serverā¦.
When people involved with AO3 talk about āthe cost of serversā they donāt mean āthe cost to pay Amazon for space on their servers.ā They mean, like, the cost to physically own them, and eventually replace them with new ones. And the operating costs to run them.
AO3 is not āin the cloud.ā AO3 is stored on physical machines that the OTW owns.
While this is not a solution that can work for everyone who wants to deal with controversial content, it is why AO3ple sneer at alt-righters who complain about getting thrown off hosting platforms.
I Want Us to Own the Goddamned Servers
BecauseĀ I want us to own the goddamned servers, ok? Because I want a place where we canāt beĀ TOSedĀ and where no one can turn the lights off or try to dictate to us what kind of stories we can tell each other.
AO3 is what a website looks like when you seize the means of production.
Writing åé¢Øē“°éØ (he2feng1xi4yu3; gentle breeze and light rain) with a cat's tail on a water-writing mat.
Water-writing mats turn black when wet and return to their original colour once dry, so they are often used to practise calligraphy with water. The black colour allows you to see your writing clearly, and the mat can be reused as soon as the writing dries and disappears.
[eng by me]

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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I am obsessed with this.
So because parkour is such a ridiculously male dominated sport, the "correct technique" for a lot of these movements that you're taught when you become an instructor plays to a male body's strengths: upper body strength, higher center of gravity, etc.
She demolishes this course by moving in ways that make sense for her body. She doesn't muscle her way up to her over a wall, she just throws a leg up over the wall. She doesn't use upper body strength to do the salmon ladder, she uses her hips!!! And it's fucking incredible.
So many girls and young women walk away from parkour because every movement caters to the strengths of men, because doing what makes sense for their bodies is seen as "bad technique" to be trained away.
If pre-transition me had seen this I would have cried tears of joy.
Yay sheās here