
Love Begins
d e v o n
wallacepolsom
Misplaced Lens Cap

Janaina Medeiros
Lint Roller? I Barely Know Her

#extradirty

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titsay
2025 on Tumblr: Trends That Defined the Year
Sweet Seals For You, Always
Keni
AnasAbdin
Show & Tell
Not today Justin
Game of Thrones Daily

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NASA
Claire Keane
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@prilepina

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A woman and her family inside their igloo in NWT in the 1940s
Various ice formations on wheels caused by driving through the snow.

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Molasses ®
Ghost :)
新建築 Magazine Covers
Photo by Serge Lutens

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life lines
Unknown Photographer, Hand of a Child, Image plate form: Das Arteriensystem des Menschen im stereoskopischen Rontgenbild, 3rd ed. Published by Wiesbaden: Bergman, (1911)
Harold Edgerton (1903-1990), Bullet through candle flame
[Peter Christopherson]. The Strength of the Country Lies in its Youth.
16 ½ x 23 ¾", offset litho.
The first advertisement made for the infamous London fashion store, a large format poster designed by Peter Christopherson. Boy was formed in 1977 on King’s Road by John Krivine and Steph Raynor. Christopherson at that time was both a member of Throbbing Gristle, and of the design company Hipgnosis, who had been responsible for some of the most recognizable album covers of the era, including Pink Floyd’s Dark Side of the Moon and Wish You Were Here. Krivine invited Christopherson to create the initial design for the store after seeing COUM’s poster designs for the Citizen’s Theatre in Glasgow.
Christopherson was responsible for the initial concept and design of the store, including the typography, and also the window displays, which showed an unconscious or dead young man. Genesis P-Orridge described them to Jon Savage as follows: “The idea was that a boy had climbed in to steal stuff, accidentally knocked over an electric fire and set the place on fire and burned to death. And these were the leftovers of the boy. So there was a Doc Marten boot with bits of flesh and there was a bit of his jeans and buttock and a finger with a ring and some mouldy hand. And they were in little forensic dishes in these glass boxes like you would find at the Black Museum. So this was just a parody of a mixture of forensic evidence and vandalism.” - [P-Orridge, quoted in Ford 7.4-7.5]
The window display was provocative enough that the windows were soon vandalized, a problem that would dog the early days of the shop. Boy London would go on to become on the most influential and controversial fashion lines of the 80’s. Christopherson would go on to form Coil with John Balance. A rare example of the early work of the most innovative and provocative designer of the period, or of any period.
Source: Division Leap
Serpent Cocktail, Tyler Hewitt

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月刊 荻野目慶子 写真:平間至 SHINCHO MOOK 新潮社