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Grimalkin (also spelled a Greymalkin) is an archaic term that was often used to describe cats; particularly haggard, female cats. The term stems from the color “grey" and the archaic word "malkin", which was a term with various meanings and was derived from a hypocoristic form of the given name Maud. Debate surrounds the etymological evolution of the term from woman to cat, but regardless, Grimalkin eventually came to be referenced in Scottish legend as a Faerie Cat that prowled the highlands. Though mythological sources are scarce, The Grimalkin is consistently identified with the Cat Sìth (or Cat Sidhe) of Celtic folklore, and is generally represented as a demon or shapeshifter. In line with Celtic Faerie-lore, Grimalkin is described as a Spectral Cat the size of a wolf or horse, who stalks the Scottish hills and moors.

According to legend, the Cat Sìth is said to appear as a large black cat with a white spot on its chest. Further cementing the role of Grimalkin as a ferocious Faerie of the Cat Sìth is the fact that virtually all Scottish legends surrounding the beings make reference to their size, ferocity, and propensity for the highlands. Some of the more common folklore suggested that the Cat Sìth was not a faerie at all, but, in fact, a witch who could transform into a feline guise nine times. The tales indicate that, while a witch could transform freely between her humanoid and feline forms, she had only eight opportunities to do so; if she were to transform a ninth time, she would be doomed to spend the rest of her days as a cat. It is believed by some that the idea of a cat having nine lives originated with this folkloric concept.

As with the dangerous reputation of the Grimalkin, the people of the Scottish Highlands were often untrusting of the Cat Sìth. This was largely, in part, because it was believed that a Cat Sìth was able steal a person's soul before it could be claimed by the gods, needing only to pass over a corpse before burial to claim the soul for its own. Therefore, protective watches called the Feill Fadalach (Late Wake) were performed through both night and day, in order to keep at bay any Cat Sìth that might appear to claim a person’s spirit. Methods of "distraction" were frequently employed to keep the Cat Sìth away from the room that housed the body of the deceased, such as games of leaping and wrestling, offerings of catnip, musical performance, and the telling of riddles. Aditionally, no fires were to be lit in the vicinity of the body, as it was widely believed that, much like mundane cats, the Cat Sìth were attracted to the warmth. Even though most folk in the region were distrusting of the Cat Sìth, certain rites were to be performed in their honor. On Samhain, for instance, it was said that a Cat Sìth would bestow blessings upon any house that left out a saucer of milk for it to drink. Those who did not leave offerings of milk, however, were at risk of being cursed by the Sìth with scarcity; particularly in the form of their cows’ milk running dry. Contrasted with their menacing reputation throughout the Scottish highlands, one of the less daunting accounts the Faerie Cat can be found in the British folktale “The King of the Cats.” In it, a man comes home to his wife and housecat, Old Tom, and explains enthusiastically that he had seen nine black cats with white spots on their chests carrying a coffin topped with a crown. The man relays that one of the cats told him to "Tell Tom Tildrum that Tim Toldrum is dead." The cat then exclaims, "What?! Old Tim dead! Then I'm the King o' the Cats!" before climbing up the chimney to never be seen again. It would seem, then, that the vast majority of the tales regarding the Cat Sìth which might lend themselves to the figure of Grimalkin arose in Scottish folklore.

Another practice related to the Cat Sìth, which illustrates certain connections to the Grimalkin, is the grizzly ceremony that was known as the Taghairm. Sometimes translates as "spirit echo," the Taghairm was an ancient Scottish method of divination reviled throughout much of the Hebrides. The defined requirements of the ceremony varied, but always involved the torture of animals or people, and sometimes included animal sacrifice. One variation of the Taghairm, aiming to raise the Devil for the sake of fulfilling dark wishes, called for the roasting of live cats, one after the other, for several days without eating or sleeping. This was said to summon a horde of shrieking devils who appeared as black cats, with their master at their helm. Another version of the ritual was said to summon a Great Demonic Cat known as “Mòra Cluasan” (Big Ears,) who would answer any question and grant any wish of the summoner. Both these variations on the Hebridean ceremony make reference to a mighty demonic cat, vicious even amongst the Cat Sìth, which ties in clearly to multiple aspects of the figure known as Grimalkin.

FFVII Concept Art by Yoshitaka Amano.