trying on a metaphor
todays bird

oozey mess
Claire Keane
occasionally subtle
Cosimo Galluzzi
wallacepolsom
will byers stan first human second
DEAR READER
KIROKAZE

Origami Around
Aqua Utopia|海の底で記憶を紡ぐ

ellievsbear

JBB: An Artblog!
d e v o n

@theartofmadeline

⁂

shark vs the universe
styofa doing anything

Kiana Khansmith

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@prairiemonster

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It's my 15 year anniversary on Tumblr 🥳
No hay banda! There is no band! Il n'est pas de orquestra! This is all... a tape-recording. No hay banda! And yet we hear a band. If we want to hear a clarinette... listen. Un trombon "à coulisse". Un trombon "con sordina". Sient le son du trombon in sourdine. Hear le son... and mute it... drop it. It's all recorded. No hay banda! It's all a tape. Il n'est pas de orquestra. It is... an illusion!
MULHOLLAND DRIVE (2001) dir. David Lynch
The Sound of Music (1965) dir. Robert Wise

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A Homage to Sappho | Norman Lindsay (C.1928)
Louis Wain
Monique Laguë
Marilyn Monroe on the set of The Misfits, 1960.

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Snoopy, my love.
Alice Rosati
Two Friends
Milo Manara
Tianyi Zhou
if i had seen the transition from sepia to color in wizard of oz in 1939 i would have lost my shit i would've started screaming in the theater
Okay no but like, I am still SO ENAMORED by this transition y’all, ‘cause when Dorothy opens the door of the house onto the colors of Oz, the inside of the house is still sepia toned. And they did that by literally making the interior and the costume and everything SEPIA TONED. You had a double for Judy Garland in a specifically-created sepia-toned dress, in a sepia-toned set, opening the door, backing out of frame, and then the Dorothy that steps back into frame is Judy Garland in her full color costume and makeup, stepping out into the color set.
It’s just
Y’all it’s such a GREAT EFFECT, and this was before computer effects and green screen, it was all practical and yeah it feels like nothing now, but at the time, man, not only was technicolor new, but I’m pretty sure no other movie had done a transition out of b/w or sepia into color, and even knowing it was a technicolor film, that must have just been fucking wild to see! It still is wild to see!! It’s so good.
The technique of switching between double and main actor without an edit is called a Texas Switch and it's still used today, it's very neat to have something so simple yet tricky persist pretty much just because it genuinely looks better to do it with timing than with editing.

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It's all about perspective.
(C) @titsay