post-internet studies

ESPACE 3-8, Leopold Banchini

Anish Kappor, Tail Pavilon, 2005.

Studio Olafur Eliasson, Model Room, 2003

Martine Syms (b. 1988, Los Angeles (CA)) obtained a MFA from Bard College, Annandale-on-Hudson (NY) (2017) and a BFA from The School of the Art Institute of Chicago (IL) (2007). Syms has earned wide recognition for a practice that combines conceptual grit, humour and social commentary. Using a combination of video, installation and performance, often interwoven with explorations into technique and narrative, Syms examines representations of blackness and its relationship to vernacular, feminist thought, and radical traditions. Syms’s research-based practice frequently references and incorporates theoretical models concerning performed or imposed identities, the power of the gesture, and embedded assumptions concerning gender and racial inequalities.

Marian Goodman Gallery, March 2, 2018  - April 11, 2018

info here 

Gilberto Esparza, «Plantas autofotosintéticas» (Plantes autophotosynthétiques), vue de l’installation à l’Espacio Fundación Telephónica, Lima, 2014

Mohamed Bourouissa, Demain c'est loin, 2017 160 x 420 x 150

Esthétique des ruines

http://christojeanneclaude.net/projects/wrapped-reichstag

Time 

Claude Lévêque, Aube bleue, 2018. Dispositif in situ, Kamel Mennour, Paris

© and courtesy the artist. Photo: Mark Blower

http://katjanovi.net/patternofactivation.html

https://louisedrulhe.fr

Synchroteam Happy or not borne satisfaction client borne

Rêveries urbaines, Fire station, Vitra Campus, jusqu'au 22 janvier.  © Studio Bouroullec