Β by Kristian Skybak
PUT YOUR BEARD IN MY MOUTH
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Β by Kristian Skybak

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Β© hans gut | 2026
Manish Malhotra AW26 Haute Couture Look 28
Photographer: Isidore Montag
This phrase has already entered my vocabulary re: media criticism where like. The viewer has a concrete view of what they expect a story to be based on the tropes and cliches they're used to seeing together, and when that doesn't happen, they judge it as a failed depiction of what they assumed it was going to be instead of judging it as what it actually is.
"This show is problematic because the hero didn't kill the villain at the end": When does he steal the bread?
"These two characters who were close friends throughout the series don't kiss at the end! What the fuck?": When does he steal the bread?
"This feels like it's missing a conclusion! Like, the protagonist does bad stuff and because of a critical decision he makes as a result of his major character flaws, meets tragedy in the end! Where's the part where he learns better and brings is love back from the dead and becomes a good guy and gets a happy ending?": When does he steal the fucking bread??
I heard this out as "When criticizing something, you must judge it for what it is, not what it isn't"
#this is why so many of us urge people to get a wider diet of stories
If thereβs one thing Iβve learned this year, itβs that media literacy is in the toilet.
Dragon tiles

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Costume worn by Nicole Kidman as Satine in βMoulin Rouge!β (2001), designed by Catherine Martin and Angus Strathie
Dolce & Gabbana
NICOLA PAGETT as PRINCESS MARY
ANNE OF THE THOUSAND DAYS (1969)
Georges Hobeika | Fall/Winter 2025 Couture
Evening dress, 1910-14 by G. Giuseffi's Ladies' Tailoring Company
This dress is made of silk chiffon and silk velvet, decorated with lace, sequins, crystals, mother of pearl beads and feathers
This dress can be found in: Indianapolis Museum of Art

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Georges Hobeika | Fall/Winter 2025 Couture
Dar al-Hajar, Wadi Dhar, Yemen
A former royal palace built in the 1920s
ANNE OF THE THOUSAND DAYS (1969)
Costume Design by Margaret Furse
βAnd when they speak of Troy, they speak of Helen who fled with Paris for love, and this inspires verse. Not Briseis, who lost all, all she ever loved and was used as barter in a war that wasnβt hers. Not Cassandra, who tried to warn them but was called liar because of a Gods curse. Not Hecuba, who was forced to give all her children to this cruel beast she knew would never be satisfied. Not Andromache, who lost her beloved husband Hector to a battle he should not have had to fight, and her baby to the ruthlessness of the victors and their spite. I suppose as a woman your value in war is simply casualty if your face isnβt synonymous with devastating beauty, that powerful men wish to possess and claim so much, that they will launch a thousand ships in their own misplaced honour, yet blame it on your name.β
β Nikita Gill, Woman of Troy
Yung Cheng Lin
photography
https://www.flickr.com/photos/3cm/
https://www.facebook.com/by3cm?bookmark_t=page

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Georges Hobeika | Fall/Winter 2026 Couture
Claudette Colbert and Gary Cooper in Bluebeard's Eighth Wife (1938) - dir. Ernst Lubitsch