
tannertan36
d e v o n
taylor price
wallacepolsom
art blog(derogatory)
YOU ARE THE REASON

shark vs the universe

roma★
todays bird
AnasAbdin
$LAYYYTER
Cosimo Galluzzi
Claire Keane

JVL
Lint Roller? I Barely Know Her

oozey mess

★
styofa doing anything

JBB: An Artblog!

Janaina Medeiros

seen from Canada
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seen from Kyrgyzstan

seen from United States
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seen from France
seen from Argentina

seen from Malaysia

seen from United States
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seen from Türkiye
@pokeystaples

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Central to the film is a reclamation of the Orpheus myth, a version of which the three young women read aloud together one night. Sophie registers distress at Orpheus’s fatal, selfish incompetence in looking back at Eurydice when he was told not to, and Marianne suggests he may have done it on purpose, preferring to lose the woman and savor, instead, the romance of his grief, making not “the lover’s choice, but the poet’s.” But it’s Héloïse who removes, for once, the fixation on Orpheus, his failings, and his loss. What if, she says to Marianne with an edge of defiance, it was Eurydice herself who chose art over staying together, who rather than leave the underworld with Orpheus, stopped and called out “Turn around,” preferring to remain down there and be preserved in poetry. A kind of freedom and a kind of permanence, rather than, as eighteenth-century marriage looks to be, an unwilling exchange of one for the other. — In Portrait of a Lady on Fire, Love is a Work of Art
Grannies around 100 years old appeared in Vogue 2020. They are so beautiful just like flowers.
Night Waves - 200209

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On to the next one.
Am I legit hype? Or just excited I can watch my team without having to pay for cable?
Never has a quote been more relevant or accurate
me other new frames ft. one of the two times I have worn mascara in the last ~6 months
By Aya Brown

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AUNJANUE ELLIS as Hippolyta Freeman in LOVECRAFT COUNTRY | 1x03
The United States Postal Service allows you to preview your mail before it is delivered. I took advantage of this feature to create animations from mailed postcards, like a flipbook scanned through the lens of a federal institution.
It began as an art project with general criticism of government surveillance; these same images of mail are offered by the USPS upon request to almost any law enforcement agency, without warrant. However, in mid August, it quickly shifted towards something much more direct: Criticism of the newly installed, useless Postmaster General, and sincere encouragement to USPS workers to disobey and obfuscate his directives however they may.
Link to longer project description

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feel like tumblr lives off of this single post alone.