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KIROKAZE

Kaledo Art
wallacepolsom
trying on a metaphor
occasionally subtle

pixel skylines
styofa doing anything

shark vs the universe

blake kathryn
2025 on Tumblr: Trends That Defined the Year


Janaina Medeiros
almost home

seen from Australia

seen from United States
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seen from Türkiye

seen from Singapore

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@poetofthefall

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a dream from a while ago that stuck with me
some little mormors to get back in the swing of things 💛
Sex Writing 101
TL;DR: in which I pull apart a sex scene into nine different aspects, giving examples of each, and turn a boring unengaging scene into a hot steamy one, step by step.
DISCLAIMER: this is the way I do it. I sort of fell into prescriptive language pretty quickly, but that’s because I’m a bossy little bitch who likes telling people what to do. But, really, this is just one way of doing it, and it works for me, so I thought I’d share.
Keep reading
Intimidated by writing sex scenes? Feeling like yours might be missing something? This guide to sex scenes from New Smut Project co-editor Alex Freeman breaks them down into a variety of delicious ingredients to consider (using one of their own scenes as a model).
things you said after it was over
[written for @mormorproposal 's prompt request]
It takes every ounce of Sebastian's self control to keep his pace measured as he beelines through the crowded streets of the City. It's a long walk from the hospital; by the time he reaches the parking garage, there simply isn't any left.
He turns the corner off the pavement and breaks into a sprint, tightly controlled facade crumbling until he's bolting through the carpark at full speed, dignity be damned.
The hollow click of dress shoes rings through the structure as Sebastian descends, down and down again, trying to identify which floor Jim is parked on. A swell of frantic rage is washing over Sebastian. He has to be here, waiting for him. He fucking has to.
Why? Because you need him?
Because Jim has ever, in his life, done anything he didn't want to?
Sebastian's throat seizes. He should have asked for a floor number. Should've replied to the text at all, but he'd been so fucking tired.
Concrete and empty cars blur past, interspersed by spotlight bursts of sickly yellow light in a repeating pattern. Simple and uncaring as computer code, there's a ramp and a curve and a long stretching corridor, and a ramp and a curve and a corridor, and another, and another.
It feels like a hallway dream, like a sick fucking nightmare. Running until his legs start to falter but not getting anywhere, heart pounding in his ears.
Sebastian hates the trend of his thoughts, hates the growing doubt in the back of his mind, but Jim's always been unpredictable, and these days Sebastian barely knows him at all. The last half-year would've been enough to shake the faith of a saint, and Jim isn't appearing, no matter how close he gets to the end of the line.
With no Jim there's no future. No meaning, again, and Sebastian can't go back to his old life, not after he's had this.
There's nothing he can do to close the space between them or the rotten festering wound the flat has become.
No time left to fix things, to break first, to embarrass himself with it if that's what it fucking takes, okay, he'll degrade himself that far, to at least claw back whatever violent, fucked up, dysfunctional slice of happiness they had before Holmes, before Jim's big mad fucking brain started to gnaw itself into a pulp.
Today is the day it ends. It's supposed to be over.
It's supposed to be over, now.
Sebastian stumbles. He's down to the sub-basement. There aren't any levels left. He turns the final corner, and Jim-- Jim isn't there.
But the car is. Sebastian stops dead, staring. The windows are tinted dark as sin, impossible to see through.
It's only a few short feet to the sleek automobile. Sebastian walks across them on numb legs and reaches for the rear door, because Jim never sits shotgun, never drives.
Jim doesn't even look up from his phone.
"Come on, then."
Sebastian feels simultaneously a hundred years old and only five, learning about God for the first time. He gets in, hands trembling. He doesn't say anything. He can't trust his voice.
They leave London for the last time in silence.

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An Archive of Our Own, a project of the Organization for Transformative Works
Chapters: 2/? Fandom: Sherlock (TV) Relationships: Sebastian Moran/Jim Moriarty Characters: James Moriarty, Sebastian Moran Additional Tags: Implied/Referenced Suicide, Angst, Hurt/Comfort, Pining, Slow Burn, PTSD, Sebastian Moran’s Dogs, OCD, Gratuitous Mathematics, Mythology References, Mentions of Myth & Folklore, Dartmoor, Memory Loss, Post-Richenbach, Brain Damage, Panic Attacks, POV Alternating
Why weren’t you there? I remember you loved me, but you weren’t there, I couldn’t find you.
It’s plaintive and honest and vulnerable. It’s fucking unbelievable. He believes it anyways, even though the whole thing is straight out of a myth. Jim Moriarty put a bullet in his brain and lived to tell the tale, cheated death, achieved resurrection. Jim Moriarty lost part of himself in the process, the most important part; no longer a supernatural being, able to take everything from the world and have nothing taken in return. Jim Moriarty might as well be mocking one of the stones beside them for all Sebastian cares. Ordeal, death, and rebirth. The road back, and the return. But Jim is no hero, and Seb just stands there stiffly, trying to wrap his mind around this latest shift in reality.
moon song, phoebe bridgers
it’s not a vigil. it’s not. still, you stand silent and watch traffic lights swim across the city streets until morning. something in you screams; it’s over, it’s over, it’s over.
a beloved friend of mine, @irregolar-mente (also known as @bashingboundaries), passed away very suddenly over a month ago now. they were an incredible writer and person, and an absolute beacon of love in the mormor community. considering that seb practically lived in her head, i felt the need to make something like this, immediately post-reichenbach. sort of a cathartic goodbye from the both of us.
[God, I hope you know.]
im having feelings about jim (which is nothing new), but they're extra special sparkly feelings because they're about trans jim, and the whole new layer that adds to his aversion to intimacy and being known
trans jim, self reliant to a fault, who has built a protective shell around himself in many senses of the word, who gives a new meaning to no one ever gets to me. cold and distant as the moon. seb who's devoted to him, who wants him like nothing else, wants to get closer than other people are allowed. just to have some small piece of the man who's become his everything.
he knows jim is human, even though jim doesn't want to show it. seb is around him too much to believe otherwise, but even though jim trusts him, he won't even let seb touch him and seb doesn't know why

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🌱 - a nature or outdoors hc/drabble | @grantaire2d2
Here’s the thing about Moriarty’s trust in him; there’s absolutely nothing instinctual about it. It isn’t a reflex or a habit, and it’s certainly not a feeling relaxed into over time– or if it is, at this rate neither of them will live long enough to see it.
So when Seb’s fingers brush against the soft dark hair of Jim’s stomach, where his shirt has ridden up, he’s not surprised by the way Jim tenses. This time, though, it isn’t a fleeting motion, easily covered up.
Speaking of not easily covered…
Sebastian grins. He presses his palm flat against Jim’s stomach, drags it slowly down to the man’s sternum. He’s still breathing heavily, a light layer of sweat covering his skin, and when Jim sighs, ribs shift under his hand.
“Well. That was over disappointingly quickly.”
It’s a stellar imitation of his usual bored drawl, but Sebastian can hear the strain behind Jim’s voice. The blood will already be rushing to his head, Seb knows, making his tongue feel clumsy and his throat thick.
“Disappointing?” The sniper huffs. “What did you expect? Urban jungle’s your specialty. This is mine.” A pause. “Or, at least, close enough.”
“Yes, you’re very impressive, pet. It’s just that when you said ‘fun’, I expected it to last longer than fifteen minutes.”
“Huh. Not a complaint I’ve heard before.”
Jim makes a clicking noise with his tongue. Everything about his body language is radiating tension– of course, that could be attributed to the discomfort of hanging upside down from a tree, caught in an ankle snare, but Seb likes to think he knows Jim a little better than that.
Jim’s been tense since they left city limits.
He takes a half step back and peers down, coming face to face with an utterly blank expression. It’s the same stare Jim reserves for meeting people who know both his name and face.
Seb hasn’t had it directed at him in a long time, or at least not for more than an instant, a quick flash in that animal moment between instinct and conscious thought. He’s not surprised to see it now.
His thumb strokes the curve of a rib.
Jim’s voice is soft.
“Let me down, Moran.”
Keep reading
lights on - the pierces | stag (2013) | crush - richard silken | tongues & teeth - the crane wives | t.s. elliot, from “the love song of saint sebastian” | a dark place (2018) | autoclave - the mountain goats | a primer for the small weird loves - richard silken | jenny holzer, selections from “the survival series” | from the diaries of franz kafka
one of these days, your pulse is gonna jump just a little too hard.
(click for higher resolution)
Know what I miss? The absolute energy of the MorMor relationship where Jim is essentially constantly stepping on the balls of the most dangerous gunman in the UK (and possibly the world)- And Sebastian could easily just snap this small man in half like a twig, but instead he trails after him every step of the way just waiting for Jim to give him something else.
That energy is what I miss from the ship. Bring big boys to their knees, and make them beg for it, honestly.
long legs, great thighs
It’s not that he hates Sebastian.
It’s just that Sebastian loves giving Jim reasons to regret pulling him out of messy situations. Like the one four days ago. The one where Jim, James Moriarty, literally risked his own life for the fucking disaster in front of him, splashing into the kiddie pool like an oversized man-child.
“I should have left you bleeding on the floor,” he snarls, taking another delicate step into the pool and planting both feet in the freezing water, refusing to back down despite Sebastian’s incessant splashing. A flicker of surprise crosses the man's face, as though he hadn't realized who, exactly, had lugged his unwieldy carcass out of that mess.
“I should have taken the tire iron myself and finished the fucking job,” he hisses next, striding towards Sebastian, but having to stop because of the full-body shiver that punches through him. He can’t feel his toes. Is he getting frostbite?
Sebastian, because he has a bloody death wish, just laughs at his dark threats, and it’s that, and the sweltering heat, and the fact that this whole week went tits up so fast, that makes Jim pick up the hose from where it’s been filling the pool.
He indulges in a dark grin as Sebastian finally shuts the fuck up and protests, “Hey, that’s not fair!”
“Darling, don’t you remember who you’re talking to?" Jim sticks his thumb over the end of the nozzle and proceeds to spray Sebastian in the face for as long as he can with the water, reveling in the undignified shouting and choking that follows.
Jim realizes his mistake a moment too late, though, as he feels Sebastian’s foot hook around his ankle, and his leg is yanked out from under him. He goes down hard into the pool, knocking his hip, but the freezing cold water both cushions the fall and dulls what pain he’d have felt.
Aware that he has no time to waste, Jim pops up with a gasp and shudder, but surges forwards and gets on top of Sebastian, who’s still floating mostly on his back. Jim shoves him under the sloshing water and keeps him there for a good few seconds before Sebastian manages to get his hands underneath himself and sit up, spluttering.
“You’re such a fucking arsehole,” Jim hisses, face uncomfortably close to the sniper’s, eyes narrowing when Sebastian starts with that giddy laughter again. His pale hands tense against Sebastian’s dark biceps. “A masochist who thinks it’s funny to piss off the man that saved his life, who was worried yesterday that the humidity would drown him?”
He manages to get his arm planted more firmly around one of Sebastian’s. “What about me drowning you?” Jim proceeds to slip the man’s arm out from under him and shoves his head back underwater, feeling the back of his skull bounce against the inflated seat. It quashes the small, momentary flash of regret he had over exacerbating the concussion, and where the fuck had that come from?
Sebastian comes up spluttering, and Jim is gratified to see some actual concern behind his eyes. Good. Keep him on his toes. “Are you worried about that?” He shoves him under again.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
crush - richard silken | shame (2011) | jenny holzer, selections from “the survival series” | louise glück, from “the burning heart” | margaret atwood - miss july grows older | tom stoppard, the invention of love | shame (2011) | twin sized mattress by the front bottoms | anaïs nin, mirages: the unexpurgated diary of anaïs nin, 1939-1947 | are you bored yet? - wallows
An Archive of Our Own, a project of the Organization for Transformative Works
Chapters: 1/? Fandom: Sherlock (TV) Relationships: Sebastian Moran/Jim Moriarty Characters: James Moriarty, Sebastian Moran Additional Tags: Implied/Referenced Suicide, Angst, Hurt/Comfort, Pining, Slow Burn, PTSD, Sebastian Moran's Dogs, OCD, Gratuitous Mathematics, Mythology References, Mentions of Myth & Folklore, Dartmoor, Memory Loss, Post-Richenbach, Brain Damage, Panic Attacks, POV Alternating
Three years after he's forced to witness Jim's suicide, Sebastian is still trying to fit the remaining pieces of himself back together. January finds him settled in a deep, remote stretch of Dartmoor where tourists rarely venture. With hundreds of empty miles to explore, a wild geology dappled with wetlands and tors, prehistoric ruins, and places of myth and legend- this is as far from the bone-deep ache of London as he's capable of. Seb is under no delusions that things will get better with time; they never do. But they can get different, and that's just about bearable.
These days, it feels less like Jim is standing on a rock hurtling through space on a constant trajectory, and more like he’s falling headlong towards the edge of the universe. Untethered by anything; unsure of how to calculate the moment-to-moment physics of life. There’s a thought caught up in the spiderweb of scar tissue at the back of his head, present from the moment he woke; Sebastian Moran is not important. Why, then, does he know so much about the man? Why does Jim alternate between waking up screaming with how much he hates him, and feeling hollowed out by what feels like a Sebastian-shaped hole?